2024 KaraWearable Show Delights All-Concerned

Off The Top of My Head

By Paul Murray

On the evening of June 1, 2024, the Karamea Pulse Energy Centre came alive with creative ferment, glamour and style. The second KaraWearable Arts Show by the Karamea Pop-Up Gallery team attracted a full house of well-dressed fashionistas who came to see art worn by people.    

After the success of the 2023 show, the organising committee significantly raised the bar and worked hard to transcend their previous heights and put on an event that wowed, inspired and impressed.   

The show was a wild ride that took us from the court of King Louis XVI, to the Crusades, the movie sets of Lord of the Rings and Avatar, under the sea, into the garden and the jungle and soaring high into the sky. The costumes were diverse, inspiring and incredible. KaraWearable entrants used natural materials, found objects, recycled materials, trash and considerable creativity and ingenuity to fashion their amazing costumes.

The panel of three judges had the challenging task of deciding which outfits to award prizes to, but everyone involved was a winner on the night. KaraWearabe was a creative triumph, attracting an audience of 292 people from Karamea and Little Wanganui and from as far away as Wanaka, Christchurch. Blenheim, Nelson and Wellington.

Carol and Rex from Blenheim on the red carpet and dressed to the nines They visited specifically for the Karwearable Show and went home thoroughly impressed and may even enter next year’s event! Photo by Shea Chalmers-Mawson or Dan Murton.

Red Carpert Paparrazzi Photos by Shea Chalmers-Mawson and Dan Murton.

KaraWearable Judges L-R River Chalmers-Mawson, Maria Gutenbrunner and Raramai Adcock.

The audience was encouraged to dress to impress and arrived Hollywood style via a red carpet, complete with paparazzi (Dan Murton and Shea Chalmers-Mawson). Some attendees rivalled the stage performers in style and grace and gave the event a touch of class. A busload of voguishly dressed folk from The Lyric Theatre in Granity made the effort to come to Karamea and gave the event a touch of old-school class (Thank you Carlos & Co.). The cash bar provided social lubricant, and the hall soon buzzed with conversation, laughter, and camaraderie….The atmosphere in the hall was positively charged before the show even began.   

The 2024 show featured 39 outfits made by schoolchildren, retirees, nurses, farmers, merchants, and teachers, all artists on the night. Warrior princesses were popular this year, with the Karamea ladies releasing their inner barbarians. Insects and animals, including a butterfly, a ladybird, a chicken, a prancing mythical Kelpie seahorse stallion, and even an adorable little jellyfish, were also featured.    

Zoe Young’s “Jellyfish” (Photo by Paul Murray)

This year’s show opened with a performance of acrobatic choreography by event Director Sacha Healey and Lydia Barbour to a captivating narrative that spoke to the creative process, wove together themes of “Myths and Legends,” “Made from Nature,” and “Upcycled/Recycled,” and brought the magic of theatre to the catwalk. Awards in categories including Overall Supreme, Craftsmanship, Youth, People’s Choice, and Spot Prizes recognised the participant’s outstanding contributions to wearable artistry.   

Sacha Healey and Lydia Barbour

The Craftsmanship Award went to Cathy Sampson and her sister Caroline Langford, who collaborated on a spectacular butterfly titled “Papillon Imperfecticans.” Made from felted wool, recycled natural-fibre scarves, and hand-tanned calf hide. It was professionally modelled by Keira Hansen-Higgs. The outfit also won the People’s Choice award, voted by the audience as the show’s most impressive design.

“Papillon Imperfecticans” by sisters Cathy Sampson and Caroline Langford and modelled by Keira Hansen-Higgs. Winner of the People’s Choice and Craftsmanship awards. Photo by Paul Murray

Artist’s Blurb: Title: “Papillon Imperfecticans” Story: From the edge of the Kahurangi, the mythical Papillon imperfections emerges. With her body of fur and wings of silk and wool, she unfurls to reveal all her perfectly imperfect glory! Materials: Wings -Nuno felted wool and recycled natural fibre scarves (Cathy). Body -Hand tanned calf skins (Caroline), metalware (Bevan). Head piece – Felted wool, woven reclaimed copper (Cathy).

Abylene Chalmers took home the top gong with her baroque Rococo ballgown “Rock Me, Amadeus,” made from 100% recycled materials and was awarded the event’s Supreme Prize. She modelled the overtly flamboyant vestment herself and looked like Marie Antoinette.   

“Rock Me Amadeus” designed and modelled by Abylene Chalmers. Winner of the 2024 KaraWearable Supreme Award for best in show. Photos by Paul Murray

Artist’s Blurb: Title : “ROCK ME AMADEUS” Inspired by the lavish excessiveness that was the Rococo era, “Rock Me Amadeus” was made entirely from scratch with no bought items, except for rivets, glue and paint. The costume contains metal bracing, fencing wire, water pipe, a sleeping bag, toilet rolls, cardboard, old curtains, tissue paper, milk bottles and a defunct mosquito net. Who said rubbish can’t be glam and fit for the king’s court?”

The Youth Prize went to “Chicken Big,” a creative collaboration between school friends Sebastian Klaver-Jones, Odin O’Dwyer, Shea Chalmers-Mawson and Alfie Murton. It was modelled by Elias Walker, who really brought the chook to life.    

“Chicken Big” by Sebastian Klaver-Jones, Odin O’Dwyer, Shea Chalmers-Mawson and Alfie Murton. Winner of the Youth Prize and modelled by Elias Walker. Photo by Paul Murray

Artist’s Blurb: Title : “Chicken Big” The head is made out of cards, newspaper, eggs for the eyes and a glove for the chicken’s crown. The beak is made from recycled cardboard . The body is made from spare canvas that the school provided, with cut up milk bottles shaped in feathers that were glued on.

After the show, the costumes were placed on mannequins and exhibited the next day, along with information about the designers and their creative inspiration, to allow people to inspect the artistry, craftsmanship, and detail in the outfits. This proved popular and will surely inspire others to enter their own creations in future events.   

All costumes were displayed on mannequins to enable closer inspection the day after the KaraWearable Show.

The event showcased the creative talents of the Karamea community, brought people together for a superb social occasion that unified the community, encouraged the region’s youth to express themselves artistically and attracted visitors to enjoy the show, the facilities, food and beverages, activities and scenic locations that inspired the creative designers and make Karamea so special.    

The show’s success was not just a result of the organising committee’s hard work but also a testament to the strong community spirit of Karamea. The community rallied behind the cause, offering logistical support, skill sets, and muscle. They also generously provided a raft of prizes to award the best designers.

Prize Winners List:

In order of prize category, entrant, costume title, prize sponsor:

Supreme: Aby Chalmers with “Rock Me Amadeus” – SM Lowe Contracting Ltd

Craftsmanship: Cathy Sampson & Caroline Langford with “Papillon Imperfecticans” – North Beach Construction

Youth: Sebbie Jones, Alfie Murton, Shea Chalmers-Mawson & Odin O’Dwyer with “Chicken Big” – Kongahu Homekill

People’s Choice: Cathy Sampson & Caroline Langford with “Papillon Imperfecticans” – Karamea Real Estate/Property Brokers

Supreme Runner Up: Mary Bell with “Decoy Convoy” – The Scullery Waimangaroa + Dianne Anderson

Craftsmanship Runner Up: Margaret Mackley with “Kōtare: The King(fisher)” – Karaea Hardware + Dianne Anderson

Youth Runner Up: Tilly Macmillan with “Recycle Fairy” – The Dutch Oven + Karamea Four Square

Spot Prizes:

Best Use of Nature: Donna Chambers & Cheryl Mawson with “Tellus Mater: Earth Garden Goddess” – Tahi Skincare

Overall Effort: Slava Bobrovska with “Hippie Jeans Dress” “The White Fairy,” “Peacock Princess,” “Boho Dress” – Nature Ahead

Unique Idea: Liz Kerslake with “Crochet Brolli” – Karamea Hardware

Unbridled Creativity: Sacha Healey with “Karamea Kelpie” – Karamea Four Square

Family Effort: The Young Family with “Coffee Bug” “Jellyfish Monster” “Raven’s Cloak” “From the Ashes” – The Pantry Refill

Great Recycling and Modeling: Bronwyn Anderson with “Sea Cape” “Tiffany 2.0″ – The Pantry Refill

Thanks to the KaraWearable team of Jessie Creedmore, Cathy Sampson, Sacha Healey, Sanae Murray, Aby Chalmers, Ange Cronin and Liz Kerslake, DJ Brett Mawson, lighting Kathy Ramsay, sound engineering Aaron Cross, MC Nick Scarlett, bar Hamish MacBeth, Dion Mawson and Steve Schultz, catering Vinnie Dunford, red carpet Steve Bowden and Hamish MacBeth, Tracey McEwing for videoing the event, the crew who helped set up and remove the stage, chairs, carpets, set and incredible decor, the judging panel, Raramai Adcock, River Chalmers-Mawson and Maria Gutenbrunner, and all the models and costume designers and everyone who came to see the show and made it such a great success. Thanks also to all the sponsors who rewarded the incredible efforts of the entrants and recognised their creativity, imagination and design skills. 

The 2024 KaraWearable Arts Show was a resounding success, leaving the audience eagerly anticipating the next event. The organisers are already planning for the 2025 event, which promises to be even more spectacular. The buzz among the audience was palpable, with many vowing to enter the show next year. So, be sure to join us in Sunny Karamea for another unforgettable wearable art extravaganza next year.  

Thank you – from KaraWearable

This isn’t an exhaustive list! The list is arm length and we’d risk missing someone out. Rest assured we know who you all are and we sincerely appreciate your help. 

Our Creators – The biggest hand goes to YOU. You put so much time, effort and panache into your work. Closely followed by our brave and sassy models. 

Incredibly Supportive Audience from here and far away.


Continuing in no real order of importance as KaraWearable wouldn’t have happened without any of these integral ‘parts’:

Our Team of Volunteers which is too huge to list – from the very hands-on organising team and helpers, judges, sound and lighting crew, photo booth builders and photographers, amazing voluntary bar crew, venue dressing helpers, flower providers, set builders, videographer, and ALL the spouses and partners who pick up the slack on household and family duties while our lives are engulfed.

Major prize sponsors:

SM Lowe Contracting Ltd – Supreme award prize sponsor

Karamea Real Estate/Property Brokers – People’s Choice prize sponsor

North Beach Construction Ltd – Craftsmanship prize sponsor and set build assistance

Kongahu Homekill -Youth prize sponsor

Sponsors of Spot Prizes: Vinnie’s Cafe, The Scullery (Waimangaroa), Tahi Skincare, Karamea Hardware, Karamea Four Square, Dutch Oven Bakery, The Pantry Refill, Dianne Anderson, Nature Ahead

MC Nick Scarlett

Karamea Area School – Staff, and the Karamea Pulse Energy Centre

Karamea Information Centre – Ticketing

Westreef – Poster sponsor

Paul Murray– Photography & press releases

Karamea Four Square –  Drink returns facility

Vinnie’s Cafe – Catering

Hamish Macbeth and Steve Bowden  – Red carpet

Clean Streams Karamea – Tree supply for venue 

Buller District Council Creative Communities  – Seed funding

KaraWearable 2024 Photos by Jade McLeod

Craftsmanship Runner Up: Margaret Mackley with “Kōtare: The King(fisher)” – Karaea Hardware + Dianne Anderson’s Little Wanganui Cheese

Kōtare – tThe King(fisher) Designed by Margaret Mackey and moddelled by Emilie Schmit . Photos by Paul Murray

This work is inspired by the kingfisher that regularly sits on the line above our pear tree, scaring the flocks of wax eyes that raid the tree. It is constructed from furnishing samples otherwise destined
for the tip, appliqued to an old sheet.

Supreme Runner Up: Mary Bell with “Decoy Convoy.” Photos by Paul Murray

Both costumes are made from recycled materials. This artwork is a political protest about duck shooting and women’s rights. Themes of winged women in indigenous stories and current political global issues are the inspiration for this creation.

The Young Family Youth Entry: “Jellyfish Monster.” A monster made from recycling. Modelled by Tessa

Zoe & Bridie Young Youth Entry: “Coffee Bug.” A monster made from recycled materials. Modeled by Zoe

Madeleine & Bridie Young Youth Entry: “Raven’s Cloak.” Raven has wings and is as black as the night. All of his black feathers are made from upcycled black clothes. We can thank Raven for unleashing light on the world. Modelled by Madeleine.

Harriet & Bridie Young Youth Entry: “From the Ashes.” My outfit is inspired by the Phoenix,
mythical bird of flame and light. My dress is made from recycled fabric and dyes. The Phoenix is beautiful and fierce and symbolizes rebirth after destruction. Modelled by Harriet

Abylene Chalmers
Title : TUTTI FRUTTI
This fun ensemble was constructed from bubble wrap, cardboard
and oil pastels. Inspired by the days of milk bars, pop culture and
summer frivolity, it is a nod to the feel good times of California in the
50’s and 60’s when life was easy, summer was always long, and
skirts were getting shorter.
Photo by Jade McLeod

Posted in Art, Buller District Council, Community-Led Development, Education, Entertainment, Environment, Fashion, Karamea, Nature, New Zealand, Paul Murray, Photography, Sustainability, Sustainablity, Uncategorized, Wearable Art, West Coast | Tagged , , , , , , , , , | Leave a comment

The Settlement: Battle for the Bluff by Bruce Cole

Off the Top of My Head

Book Review

By Paul Murray

Imagine a dystopian scenario in which all the systems and services of contemporary life, the comforts and conveniences we currently take for granted, no longer exist. Good people are forced to be resilient and cooperate using what they have to survive, while evil people seek advantage through greed, violence, and criminality.

First-time author Bruce Cole, a former professional soldier in the Australian Army, decided to write a novel based on the premise that a pulse of electromagnetic energy caused by nuclear explosions caused irreparable damage to power lines, telecommunications, and electronic equipment, knocking out all supply systems and suddenly plunging the world into the pre-industrial era.

Cole, the proud owner of a holiday home in the remote rural town of Little Wanganui Sub-Division at the top of the West Coast of the South Island of New Zealand, spent the last couple of years penning his debut tome at his table in the Little Wanganui Hotel with the support and encouragement of the locals. His lovely wife Gillian also supported Cole’s dream of becoming an author, contributed one of her stunning abstract artworks for the book’s cover and helped him through some mental and physical health challenges he faced as a result of his military service

Little Wanganui Hotel
Author Bruce Cole hard at work at the Little Wanganui Hotel

A ripping read that horrifies, thrills and amuses, Cole’s book “The Battle for the Bluff” draws on his military experience and local knowledge and experiences. The main protagonist is Brad, a retired SASR soldier who assembles a militia of local people to defend their community against “The Scavengers,” a lawless rabble of murderous thieves, rapists and criminals led by degenerate psychopath “Ragnar,” who considers himself a reincarnation of a Viking warrior king and lives that delusion with violent malevolence.

Brad uses his military experience and knowledge to train his civilian conscripts in the art of war with the help of Shek, an ex-Ghurka soldier, who fortuitously arrives in the settlement to help lead the vigilantes. Together, they prepare to defend themselves and their loved ones from the ensuing threat of the Scavengers as they work their murderous way up the Coast plundering, pilliging all in their path to steal land for their overlords in their Queenstown base at the south of the country.

The blokeish narrative has romance, humour, horror, compassion, innovation, magic and a myriad of other themes, all of which are woven into a compelling page-turner that thoroughly entertains and has the reader staying up much later than usual. Think the Swiss Family Robinson, Gilligan’s Island and Magyver and meet Mad Max, The Book of Eli and Clockwork Orange….Something for everyone!

The battles are fierce, and the home team is determined and motivated to defend their homeland. Lives are lost, heroes are made, and ordinary people do extraordinary things to combat an overdog with superior numbers and weapons. The story ends hanging on a cliff, but the good news is that Cole has already written a second book and is working on the third to complete the trilogy. I’ve ordered an advance copy of Book II, which will be published later this year or early 2025, as I need to know what happens next!

Throughout “Battle for the Bluff,” Cole’s observations of nature and animals, ambivalent to human conflict and traits of avarice and barbarity, demonstrate his love of the environment and his West Coast home. I have no doubt that should the unpleasant scenario he portrays in his excellent book become a reality, he would step into Brad’s boots and lead the way to defend his people and his paradise.

Copyright Bruce Cole 2024

Published by BC Publications 2024

ISBN: 978-0-473-71299-0

Printed by CopyPress, Nelson, New Zealand

“Battle for the Bluff” is available online at Copy Press and Wheelers Books, or you can pick up a copy at Page and Blackmore bookshop in Nelson and Dennis’s Bookshop & Stationery at 178 Palmerston Street, Westport. It is also available on Kindle at: https://www.amazon.com/dp/B0CW1HRHHR There is also a copy available at the Karamea Community Library, but you may need to put your name on the long list and wait a while before you can read it!

FaceBook: https://www.facebook.com/profile.php?id=61554794880266

Posted in Art, Book Review, Community, Crime, DIY, Entertainment, Environment, Hilarious, Hilarous, Historical, Humor, Humour, Kahurangi National Park, Karamea, Little Wanganui, Nature, New Zealand, Paul Murray, Peace, Photography, Politics, Power, Property, Real Estate, Seddonville, Social Commentary, South Island, Sustainability, Sustainablity, Tragedy, Uncategorized, War, West Coast | Tagged , , , , , , , , , , , , , , , , , , , | Leave a comment

Agent Sells “Unsaleable,” “Munted” House

Creative property blurb attracts unprecedented media attention for dilapidated Seddonville house

Munted: This 120-year-old house is in an excellent location on a rise, surrounded by hills and forest and with a stunning view of a waterfall. The garage, sheds and house are dilapidated and in dire need of thorough restoration.

It’s as though it was built and never maintained and gradually fell into disrepair, awaiting a saviour to come and replace its roof, piles, cladding, lining, wiring, plumbing, floor and windows…Oh, and the property boundary runs right through the middle of the house, so you will need to make a boundary adjustment at your expense with the amicable neighbour.

If you’re looking for a new house, this property is not for you. However, if you have the pockets, the skills and the temerity to fully renovate and restore this historic house, the endpoint will be an extraordinary home in a superb location.

So, I’m seeking handy people with sufficient capital to buy the property, to fund the remedial work and with the desire to own a quaint colonial house in the historic settlement of Seddonville surrounded by natural beauty and coal-mining history.

This lovely ode by an unknown poet is stencilled on an ancient hand-adzed beam in the house: “May the beauty of the mountains- the forests- the lakes-the oceans-the plants and the animals always strike music with you. May the harmony of nature always teach and provide for your kind. Now and forever. Seek peace within, and love abounds. Arohanui/Kiaora.”

If you seek a home that embraces this sentiment, and you can see what could be rather than what is, extract your chequebook, prepare your tools and get stuck into restoring this beauty, and, pretty soon, you’ll be living these words.

In summary, this isn’t a mere “fixer-upper;” this is a project for the bold, the brave, and the slightly unhinged. If you’ve got the cash to splash, the skills to wield a hammer, and the courage to embark on a journey of architectural resurrection, welcome to your new home.

Please call Paul today for additional information and to arrange an inspection of this charming project and opportunity to employ your home-renovation skills.

Chattels: Fixed floor coverings, Light fittings, Drapes, Garden Shed, Ceiling Fans, Clothesline, Gas Stove, Hob/cooktop – Gas, Refrigerator, Sky Dish not connected, Washing Machine – “as is,” Washing Machine Taps, Water Tank – Well Pump

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Californian ‘surfer dude’ offers to buy

‘munted’ house in Kiwi coal mining town

Property boundary runs right through middle of dilapidated two-bedroom home.

Catherine Masters

By Catherine Masters: 17 April 2024

Californian ‘surfer dude’ offers to buy ‘munted’ house in Kiwi coal mining town

The two bedroom shack at 12 Con Street, in Seddonville, Buller, is priced at $145,000. Photo / Supplied

A “surfer dude” from California has made an offer on a “munted” house in West Coast, with a sale looking imminent, according to listing agent Paul Murray, from Property Brokers.

But if the deal falls through, Murray said there were plenty of others who were interested in the flawed two-bedroom property – all of them tradies, builders or handypeople.

The 120-year-old house at 12 Con Street in the coal-mining town of Seddonville is on the market for sale for $145,000. It is labelled in Murray’s marketing as “munted” and is described as dilapidated and in dire need of restoration. It also has the property boundary running right through the middle of the house.

Murray said he was amazed at not just at the interest in the property but the reach of the marketing.

He said his buyer from California had been to Seddonville before and sent a trusted friend to look at the property on his behalf. He then made an offer because of the keen interest from others, deciding to buy first then sort out the boundary issues later.

He said the “surfer dude” had Australian residency so was “permitted to buy a house here”.

The buyer’s offer, which was under the $145,000 asking price, had been accepted and the paperwork was underway, Murray told OneRoof.

12 Con Street, Seddonville, Buller, West Coast1

The house is in a poor shape and is need of a major upgrade. Photo / Supplied

Murray’s marketing doesn’t shy away from highlighting the property’s many flaws – but it also makes a case for its delights. “This 120-year-old house is in an excellent location on a rise, surrounded by hills and forest and with a stunning view of a waterfall,” the listing on OneRoof said.

But the house was awaiting a “saviour” to come and replace the roof, piles, cladding, lining, wiring, plumbing, floor and windows – “oh, and the property boundary runs right through the middle of the house so you will need to make a boundary adjustment at your expense with an amicable neighbour”.

He points out the garage, sheds and house are dilapidated and writes it is as though the house was built but never maintained, gradually falling into disrepair.

Murray told OneRoof he wanted people to know what they were buying.

He had several lengthy conversations with the Californian and recommended a local lawyer, but while everyone urged caution he said the buyer and his partner sounded “fairly intrepid”.

“They’ve been to Alaska and done different things and are familiar with living in remote areas which has challenges and also enormous benefits,” he said.

12 Con Street, Seddonville, Buller, West Coast2

The kitchen isn’t exactly an entertainer’s delight. Photo / Supplied

The current owner had only owned the house a few years and Murray said he did not know a lot about its past or how it ended up with such deferred maintenance issues, but said maintaining properties was challenge, requiring concerted effort and money.

“The reason properties slip behind is simply financial, and we’re talking about one of the lowest socioeconomic areas in the whole country and with property maintenance costs that are probably higher than most areas of the country given the proximity of services and availability of different suppliers and manufacturers and what have you,” Murray said.

While there are a lot of handy people around, actual tradespeople are not so easy to find, he said.

“I live in Karamea, which is right at the top of the West Coast and we struggle with plumbing. If you know a plumber out there that wants to come and live in an awesome place, put him on to me. I’ll do him a special deal on a munted house.”

12 Con Street, Seddonville, Buller, West Coast3

The biggest challenge the new owner will have to sort out is the boundary, which runs right through the middle of the house. Photo by Paul Murray.

While there are a few more munted houses around, most are actually in fair condition, he said.

This house was built back when Seddonville was destined for greater things but that never really eventuated.

“If you have a look at any sort of town plan map of Seddonville it’s incredible the number of sections that are there, paper roads that have never been formed and the number of houses that have never been built.”

According to the NZ History website, the town was named in honour of Liberal premier Richard Seddon and was also the site of an early experiment in state socialism with the country’s first state-owned coal mine opening there in 1903.

The mine struggled, though, and closed in 1914, and later the area became a centre for other mines, but the website said because of exceptionally high sulfur content Seddonville coal became difficult to sell and mining ceased in the 1990s.

81e2db300126cc95c1e8927708ab65fe

One of the standout features of the property is the stunning setting. Photo by Paul Murray.

Murray said the house was in a great spot with access to surfing, mountain biking and other outdoor activities in the area, and said once restored, the property would make good capital gain.

But not only that, despite it being “wrecked,” the house had a nice feel. It would have had a family living there, and he thinks probably had a Māori presence because of a “lovely poem” stenciled on a beam in the house.

The poem says: “May the beauty of the mountains – the forests – the lakes – the oceans – the plants and the animals always strike music with you. May the harmony of nature always teach and provide for your kind. Now and forever. Seek peace within, and love abounds. Arohanui/Kiaora.”

But while there is that lovely feel, Murray said, “you’d have to be handier than a Hindu love god to renovate the bloody place.”

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‘Munted’ house for sale straddles two property boundaries

Colleen Hawkes

Colleen Hawkes

April 05, 2024, • 12:43pm STUFF

12 Con Rd, Seddonville, Buller munted house for sale 4.4.24

There’s a lot needs doing with this ultimate do-up in Seddonville, Buller. But first a potential buyer needs to sort out a problem with the property boundaries that run through the house and outbuildings. It was built in 1908.

  • Dilapidated house in Seddonville is listed for $145,000
  • Two boundary lines run through the house. It encroaches both the neighbour’s property and council land
  • No-one knows how this happened back in 1908
  • Potential buyers will need to negotiate with the “amiable” neighbour and the council
  • The property comes with two other sections in a flood zone

You can’t beat honesty when it comes to selling property, and the agent selling this $145K semi-derelict house in Seddonville, Buller tells it like it is.

“Munted” is the word he uses, but the poor state of the house that hasn’t been a permanent home for several years is not the only catch. The house straddles the boundary line with the neighbour’s property. And what’s more, another part of the house encroaches onto a paper road that is council land.

12 Con rd Seddonville map

The yellow lines define the true boundary of the property, which sprawls out onto another property and council land. The hand-drawn red line shows how much extra land has been claimed (approximately double), and potentially could be negotiated with the respective landowners.

This is how listing agent Paul Murray of Property Brokers, Wesport puts it: “The garage, sheds and house are dilapidated and in dire need of thorough restoration. It’s as though it was built and never maintained, and gradually fell into disrepair, awaiting a saviour to come and replace its roof, piles, cladding, lining, wiring, plumbing, floor and windows…Oh, and the property boundary runs right through the middle of the house, so you will need to make a boundary adjustment at your expense with the amicable neighbour.”

Murray has no idea how the house, built in 1908, ended up across both the neighbour’s and council land.

12 Con Rd, Seddonville, Buller munted house for sale 4.4.24

Listing agent Paul Murray says the house has a certain rustic charm but renovating will be a job for “the bold, the brave and the slightly unhinged”.

“Way back when the house was built, this was a large coal-mining town and roads and thousands of sections were laid out in preparation for it to become a big city. But of course that was never realised. There’s a lot of vacant land.”

Murray says the neighbour is very amenable to working out an agreement with a potential buyer, but the buyer would also need to talk to the council. Murray has heard a report that a previous owner had already done a deal with the council over the paper road, but this is unconfirmed by documentation to date.

‘It would be very much posh camping’

“You could live in the house as it is, as it does have power, water and a septic tank, but it would be very much posh camping,” he says. “And the well is on the council land.”

“It could be possible to remove the house and build another one elsewhere on the site, but the land drops away and it would be a tiny home.”

Murray says there’s also the problem of potential flooding. “Although this house is elevated, the neighbour says floodwaters have been through it once in his lifetime, but not in the 2010 flood.”

“I wanted to write it up [the listing] as it is,” Murray says. “I didn’t want prospective buyers to come out to look at with expectations I couldn’t meet. They would have to be a bloody sight handier than me to take it on as a project. And there will be significant costs to develop and resurrect the house.

12 Con Rd, Seddonville, Buller munted house for sale 4.4.24

Murray also says while the house has water (the well is on council land), power and a septic tank, to stay here would be like posh camping.

12 Con Rd, Seddonville, Buller munted house for sale 4.4.24

The original coal range is still in the house, along with a newer cooker.

“I’m just looking for the right person who will go into it with their eyes open, with all the info we can give them.”

Murray says the current owner, who lives in Christchurch, bought the property a few years ago with the intention of doing it up. But he works at property maintenance in the city and found he wanted a break when he came out here, and this property demands too much work. Hence the decision to sell.

There are pluses, however, including attractive natural scenic views in every direction, from rolling hills to forests. “There is also a stunning waterfall behind the house,” Murray says.

12 Con Rd, Seddonville, Buller munted house for sale 4.4.24

Everything is rough and ready.

12 Con Rd, Seddonville, Buller munted house for sale 4.4.24

There is a timber-lined bathroom.

The house still has the original kitchen range as well as a newer oven, and despite its abandoned look, it has been loved at some stage. There’s a large beam in the living area, carved with the words: “May the beauty of the mountains- the forests- the lakes-the oceans-the plants and the animals always strike music with you. May the harmony of nature always teach and provide for your kind. Now and forever. Seek peace within, and love abounds. Arohanui/Kiaora”

‘Job for the bold, the brave, and the slightly unhinged’

Murray notes the house does have a rustic charm, but a restoration will not be a mere “fixer-upper”. It’s a job for “the bold, the brave, and the slightly unhinged”.

And here’s the thing – he has had far more enquiries about this property than any of the lovely fully renovated houses he has on his books.

12 Con Rd, Seddonville, Buller munted house for sale 4.4.24

The owner is including a new woodburner in the sale to replace the one seen here.

“I have been getting enormous interest, with three to four calls every day. And that’s definitely down to the asking price of $145,000, and the potential to do a value-added project. The current owner paid $97,000 for the property three-and-a-half years ago, and will look at any reasonable offer.”

Murray says the owner has included in the sale roofing material for about half the roof, and a new Scandia WarmBrite woodburner.

There is also some bare land on a separate title included in the sale, however, this land is definitely in the flood zone.

12 Con Rd, Seddonville, Buller munted house for sale 4.4.24

This large beam is carved with a poem that includes the words: “May the beauty of the mountains- the forests- the lakes-the oceans-the plants and the animals always strike music with you.”

Murray also points out the area has numerous attractions, including sites of historical interest, fishing, surfing, bushwalking, mountain bike trails and the famed Ghost Rd.

“It’s just a gut thing, but the region feels like it’s primed to take off.”

The property is at 12 Con Rd, Seddonville, Buller and listed with Property Brokers Westport.

12 Con Rd, Seddonville, Buller munted house for sale 4.4.24

It appears as though no maintenance has been carried out for many decades.

12 Con Rd, Seddonville, Buller munted house for sale 4.4.24

There’s no denying the peace and privacy of the location.

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‘Munted’ house for sale attracts numerous enquiries

Colleen Hawkes

Colleen Hawkes

April 11, 2024, • 10:36am STUFF

12 Con St, Seddonville, Buller munted house for sale 4.4.24

There’s a lot needs doing with this ultimate do-up in Seddonville, Buller, but that hasn’t deterred potential buyers keen for a project. Two property boundaries run through the house and outbuildings. It was built in 1908.

  • Dilapidated house in Seddonville listed for $145,000 has generated plenty of interest from carpenters and builders
  • Two boundary lines run through the house – it encroaches both the neighbour’s property and council land
  • Potential buyers will need to negotiate with the “amiable” neighbour and the council
  • The property comes with two other sections in a flood zone

A boundary line running right through the middle of this house, with another through the outbuildings, is proving no deterrent for chippies. They have flooded the real estate agency with enquiries since Stuff featured a story on the property last week.

Listing agent Paul Murray of Property Brokers in Westport says enquiries about the “worst house in New Zealand” have increased ten-fold in the past week.

12 Con rd Seddonville map

The yellow lines define the true boundary of the property, which sprawls out onto another property and council land. The hand-drawn red line shows how much extra land has been claimed (approximately double), and potentially could be negotiated with the respective landowners.

And it’s carpenters and builders who have shown the most interest in the Seddonville property and the house built in 1908. “Chippies from all over New Zealand have called, and I have even taken a call from California,” Murray says.

“That call was from a young guy who is a carpenter and an Australian citizen who can actually purchase the property. He and his partner are looking at relocating and taking it on as a project, and making it theirs.”

12 Con St, Seddonville, Buller munted house for sale 4.4.24

Listing agent Paul Murray says the house has a certain rustic charm but renovating will be a job for “the bold, the brave and the slightly unhinged”.

Murray says at least 20 of the enquiries are from people genuinely interested in buying the property, and they understand they will likely need to negotiate the sale of a piece of land with the neigbour.

“The neighbour is very happy to discuss a boundary change and sell the land. But buyers would also need to negotiate with the local council about the paper road that has been built upon.

“The enquiries I’ve received are largely about the house. Is it liveable? And it is, but I tell them it would be like posh camping. They also want to know how much the neighbour wants for the land.

“It’s difficult to answer that question. We would need to go to the neighbour with a solid proposal showing exactly where a new boundary might run.”

Murray says potential buyers will need to allow time to have a surveyor work out the boundary details, and for the negotiations.

He also believes the “project” is best suited to someone who has the skills to do the renovation work themselves, as tradespeople are in demand on the coast.

12 Con St, Seddonville, Buller munted house for sale 4.4.24

Murray also says while the house has water (the well is on council land), power and a septic tank, to stay here would be like posh camping.

“It would make sense to renovate rather than demolish and rebuild, as they wouldn’t need to go through the whole building consent process.”

Murray says buyers on the coast are mostly looking at properties where they think they can make a capital gain. “But people often don’t take into account the associated cost of building in remote areas and the availability [or lack thereof] of tradespeople.”

In his listing, he notes the “munted” house does have a rustic charm, but a restoration will not be a mere “fixer-upper”. It’s a job for “the bold, the brave, and the slightly unhinged”.

12 Con St, Seddonville, Buller munted house for sale 4.4.24

The original coal range is still in the house, along with a newer cooker.

And there’s another potential problem – potential flooding. “Although this house is elevated, the neighbour says floodwaters have been through it once in his lifetime, but not in the 2010 flood.”

The property is listed at $145,000. Murray says the current owner paid $97,000 for the property three-and-a-half years ago, and will look at any reasonable offer.

“The price is a drawcard – it’s an opportunity for someone to get on the first rung of the property ladder. But it’s also about ‘location, location, location’. The property is on the doorstep of the national park. It’s perfect for outdoor activities.”

12 Con St, Seddonville, Buller munted house for sale 4.4.24

Everything is rough and ready.

12 Con St, Seddonville, Buller munted house for sale 4.4.24

The owner is including a new woodburner to replace the one seen here.

Murray says the owner has included in the sale roofing material for about half the roof, and a new Scandia WarmBrite woodburner.

There is also some bare land on a separate title included in the sale, however, this land is definitely in a flood zone.

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‘Munted’ house up for sale on West Coast gets snapped up

Joanne Naish

Joanne Naish

April 23, 2024 The Christchurch Press

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A 120-year-old “munted” house for sale in Seddonville has been snapped up.

A West Coast house described as “munted” on its for sale listing has been snapped up by an American surfer.

Property Brokers real estate agent Paul Murray said the $145,000 listing for the property on Con St in Seddonville, northern Buller, went viral after his “honest” descriptions featured in a Stuff story.

“I wish I had that much interest from actual nice houses I have for sale. It went international and I have it under contract sight unseen with a couple from California who are Australian citizens and eligible to buy a house in New Zealand.”

The 120-year-old house was in an excellent location on a rise, surrounded by hills and forest, and with a stunning view of a waterfall, he said.

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Real estate agent Paul Murray says the new owners need money and skills to take on the project.

However, the buyer “would need to be more handy than a Hindu love God” to take it on.

“It needs a new roof, new floor, new cladding, new windows, new piles, new plumbing and wiring, otherwise it’s perfectly fine.”

The house is 100m², and the land area is 2861m². The property has an rateable value of $130,000, plus a land value of $70,000.

Murray said the US couple had been to Seddonville before and had a friend look at the house on their behalf before putting in an offer.

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The yellow lines define the true boundary of the property, which sprawls out onto another property and council land. The hand-drawn red line shows how much extra land has been claimed (about double), and potentially could be negotiated with the respective landowners.

The offer was accepted by the owner, pending a LIM report and solicitor’s approval.

One of the new buyers was a carpenter and “surfer dude” attracted to the surfing spots on the West Coast, Murray said.

The new owners would have to have sufficient capital to fund the remedial work needed and potentially buy surrounding land from the “amicable” neighbour and local council.

It would require a boundary adjustment at the new owner’s expense because the property boundary ran right through the middle of the house and the property’s shed and well were on an unformed council-owned paper road.

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A poem is etched on a beam inside the old house.

Murray’s listing said the buyer would have to have “the pockets, the skills and the temerity” to fully renovate and restore the old house.

“The endpoint will be an extraordinary home in a superb location… In summary, this isn’t a mere fixer-upper; this is a project for the bold, the brave, and the slightly unhinged. If you’ve got the cash to splash, the skills to wield a hammer, and the courage to embark on a journey of architectural resurrection, welcome to your new home,” he wrote.

Murray said the house featured an ancient hand-adzed beam, with a poem stencilled on it.

The poem reads: “May the beauty of the mountains, the forests, the lakes, the oceans, the plants and the animals always strike music with you. May the harmony of nature always teach and provide for your kind. Now and forever. Seek peace within, and love abounds. Arohanui/Kia ora.”

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The Westport News April 23, 2024

Posted in Advertising, Architecture, Buller District Council, Coal, Community, DIY, Economics, Entertainment, Hilarious, Hilarous, Historical, Humor, Humour, Media, Money, Nature, New Zealand, Parody, Paul Murray, Photography, Product review, Property, Property Brokers, Quotes, Real Estate, Satire, Seddonville, Social Commentary, Social Equity, South Island, Uncategorized, Weird, West Coast | Tagged , , , , , , , , , , , , , , , , , , | Leave a comment

Response from Smithsonian Institute Antiquities Curator to Letter from Mr Williams, an Amateur Archeologist

Smithsonian Institute, 207 Pennsylvania Avenue Washington, DC 20078

Dear Mr. Williams,

Thank you for your latest submission to the Institute, labelled ‘93211-D, layer seven, next to the clothesline post… Hominid skull.’

We have given this specimen a careful and detailed examination, and regret to inform you that we disagree with your theory that it represents conclusive proof of the presence of Early Man in Charleston County two million years ago. Rather, it appears that what you have found is the head of a Barbie doll, of the variety that one of our staff, who has small children, believes to be ‘Malibu Barbie.’

It is evident that you have given a great deal of thought to the analysis of this specimen, and you may be quite certain that those of us who are familiar with your prior work in the field were loathe to come to contradict your findings. However, we do feel that there are a number of physical attributes of the specimen which might have tipped you off to its modern origin:

1. The material is moulded plastic. Ancient hominid remains are typically fossilised bone.

2. The cranial capacity of the specimen is approximately 9 cubic centimetres, well below the threshold of even the earliest identified proto-hominids.

3. The dentition pattern evident on the skull is more consistent with the common domesticated dog than it is with the ravenous man-eating Pliocene clams you speculate roamed the wetlands during that time.

This latter finding is certainly one of the most intriguing hypotheses you have submitted in your history with this institution, but the evidence seems to weigh rather heavily against it. Without going into too much detail, let us say that:

1. The specimen looks like the head of a Barbie doll that a dog has chewed on.

2. Clams don’t have teeth.

It is with feelings tinged with melancholy that we must deny your request to have the specimen carbon-dated. This is partially due to the heavy load our lab must bear in its normal operation, and partly due to carbon-datings notorious inaccuracy in fossils of recent geologic record.

To the best of our knowledge, no Barbie dolls were produced prior to 1956 AD, and carbon-dating is likely to produce wildly inaccurate results.

Sadly, we must also deny your request that we approach the National Science Foundation Phylogeny Department with the concept of assigning your specimen the scientific name Australopithecus spiff-arino. Speaking personally, I, for one, fought tenaciously for the acceptance of your proposed taxonomy, but was ultimately voted down because the species name you selected was hyphenated, and didn’t really sound like it might be Latin.

However, we gladly accept your generous donation of this fascinating specimen to the museum. While it is undoubtedly not a Hominid fossil, it is, nonetheless, yet another riveting example of the great body of work you seem to accumulate here so effortlessly. You should know that our Director has reserved a special shelf in his own office for the display of the specimens you have previously submitted to the Institution, and the entire staff speculates daily on what you will happen upon next in your digs at the site you have discovered in your Newport back yard.

We eagerly anticipate your trip to our nation’s capital that you proposed in your last letter, and several of us are pressing the Director to pay for it. We are particularly interested in hearing you expand on your theories surrounding the trans-positating fillifitation of ferrous ions in a structural matrix that makes the excellent juvenile Tyrannosaurus Rex femur you recently discovered take on the deceptive appearance of a rusty 9-mm Sears Craftsman automotive crescent wrench.

Yours in Science, Harvey Rowe Chief Curator-Antiquities

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“Virtual Symposium” Wows West Coast Theatregoers  

Off the Top of My Head  

By Paul Murray  

The stage production “Virtual Symposium,” which was written, directed, produced and performed by local playwright Brendan O’Dwyer, co-director Sacha Healey and a troupe of actors from Karamea closed on Saturday February 25 after two sell-out shows at the Karamea Pulse Energy Centre and near full houses at The Lyric Theatre in Granity.    

Over a year of preparation and dedication shaped a disparate gaggle of schoolteachers, nurses, farmers, horticulturalists, cave tour guides and Department of Conservationists into a guild of performers who rallied together and performed superbly.   

Cast & (some) Crew at the Pulse Energy Centre in Karamea. L-R: Val Moynihan, Peter Moynihan, Tina Wylie, Tamati Dean, Ang Cronin, Brendan O’Dwyer, David Guppy, Aby Chalmers, Sacha Healey, Cliff Meakin, Liz Kerslake, Cathy Sampson. Sina Tuiavi’i and Sanae Murray. Photo by Paul Murray

Many of the performers are also members of the Karamea singing group “The Endorphins” and could really hold a note. The casting director deserves special mention as the roles assigned to the actors seemed to fit well with their characters, and they all seemed very comfortable in their thespian personas.   

The show opened with a gunfight and had it all; fabulous costumes, singing, dancing, rap, hip-hop, social commentary, poetry, some magic, robots, romance, a mad scientist, a bearded lady, some associated cross-dressing and a lot of humour. The stage set was a simple white backdrop that was highly effective in catching the performers’ shadows and enhancing histrionics. The sound, lighting and venues were superb, and matched with the enthusiasm of the performers, it was a thoroughly enjoyable and entertaining evening.  

Sacha Healey (left) as “Helen,” a petulant young woman with a gaming addition and no real friends. Photo by Paul Murray.

The premise of the production was to address the insidious means by which technology has infiltrated our lives and, in some instances, taken over. Game-addicted “Helen (Sacha Healey)” is trapped in a virtual world and has sought professional help to overcome her dependence on computer games and to seek more meaning from life.   

Assisted by an avant-garde psychiatrist, “Ziggy (Val Moynihan),” who prescribes some experimental medication, and her hilarious robotic sidekick “Bud-E (Dave Guppy),” she embarks on a quest of rediscovery. With a little help from her friends, she is encouraged to escape her virtual reality to seek actual reality and regain an appreciation for life’s simple pleasures.   

Sacha Healey (left) as “Helen,” a petulant young woman with a gaming addition and no real friends and David Guppy as “Bud-E,” Helen’s robotic companion. Photo by Paul Murray.
“Virtual Symposium” Dubious Psychiatrist “Ziggy” (Val Moynihan (L)) and Computer Game-Addicted “Helen” (Sacha Healey) Photo by Paul Murray

Along the way, she meets snake oil cabaret performers “Heidi Seekey (Aby Chalmers)” and “Micky Dangledeep (Cliff Meakin),” a synod of argumentative, toga-wearing philosophers, a nutty professor and ends up performing in a talent quest. When we first meet game-addicted Helen, she is irascible, sullen and disconnected, without purpose or meaning in her life, but as reality kicks in, she gradually begins to smile and finishes the show beaming like the Cheshire cat. Did she choose humanity or digitality? That questions caused some ambiguity, some thinking she embraced the reality of the natural world, others thinking she morphed into virtual reality under a new persona, but in the end, all that really mattered was the resultant stimulating debate and conversation that the play elicited among the audience.  

L-R Tina Wylie (“Convincus”), Aby Chalmers (“Heidi Seekey”), Peter Moynihan (“Argumentus”), Cliff Meakin (“Mickey Dangledeep”) and Brendan O’Dwyer (“Martin Brady”). Photo by Paul Murray.

The show took off in all directions but came together in the end to thoroughly address the juxtaposition between virtual and reality and the challenge of our age to know the difference.  “Virtual Symposium” was made possible with support from the Buller District administered Council Creative Communities NZ grant of $2,000 and a grant from the Department of Internal Affairs through the Community-Led Development Programme of $17,987 to the Karamea Drama Group. The group invested the entire finding amount into the production of the show, set, equipment, professional services, venue hire etc. The performances raised a significant profit from ticket sales and the money will be distributed to local organisations in need of financial support. The recipient organisations for the profit distribution will be announced formally in the coming weeks.  

“Virtual Symposium” was a triumph. It generated much-needed community unity after the social disruption of the COVID era, enabled creative ferment to blossom, raised money for deserving community groups and provided a great example for young people in the community as well as superb evening’s entertainment; Well done all concerned! 

Cast & (some) Crew at The Lyric Theatre in Granity L-R: Val Moynihan, Peter Moynihan, Tina Wylie, Brendan O’dwyer, Ang Cronin,  David Guppy, Aby Chalmers, Sach Healey, Cliff Meakin, Liz Kerslake, Cathy Sampson. Sina Tuiavi’i and Sanae Murray. Photo by Paul Murray

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Thank God for Fools

By Brendan O’Dwyer 

I am honoured to acknowledge the players and crew who were involved with the Virtual Symposium. Each member committed to the project on the basis that they would only do it if it was ‘going to be great.’ There was no room for half measures. This level of commitment became the backbone of the production, and I am forever grateful to those people who invested their energy into such an abstract vision. Commitment alone is rare. Commitment to a moving target that barely exists in someone’s head is, at best, foolish. Thank God for fools, otherwise we’d never get anything done. 

Brendan O’Dwyer as “Martin Brady,” a man. Photo by Paul Murray

Thanks to: 

Sacha Healey, for her tireless patience over a tumultuous two years. Sacha was not just a support person for me but an equal in terms of the creative vision. Her writing skills, editing abilities and creative prowess are apparent throughout the script, the songs and the overall vision of the show. Her acute attention to detail and her ability to interpret the written word was key to bringing dialogue to life and movement to otherwise flat characters. Simply put, without Sacha’s exceptional skills, there would not have been a show, and I would be responsible for a mediocre script that sat at the bottom of a pile of empty ideas. 

Sacha Healey (left) as “Helen,” a petulant young woman with a gaming addition and no real friends. Photo by Paul Murray.

David Guppy, who described it best when he declared that I’d ‘built a great ship and it was sitting high upon the dry dock, and all hands were onboard and all the coffers were full, and ahead was a great voyage, and all that remained was for me to get underneath with a small hammer and tap, tap, tap at the little wedge that held the entire thing at bay and at the moment he jumped onboard, ‘tap’ went the wedge and the whole thing lurched headlong into the ocean.  

David Guppy as “Bud-E,” a robot. Photo by Paul Murray.

Tina Wylie, for her creative energy in the costume department. A ninja with a needle, with glee did she take on the massive task of outfitting 13 people and always maintained her composure. 

Tina Wylie (the Judy Dench of Karamea) as “Convincus,” a Greek philosopher in the school of Socrates. Photo by Paul Murray

Liz Kerslake, for asking ‘So, when are you gonna write the thing?’ and believing in me when I wasn’t sure if I could. Also, thanks for her abundant patience and positivity. Her friendship and calm presence steadied the ship when we were headed for the doldrums. 

Liz Kerslake at “Glitch,” a non-human event. Photo by Paul Murray

Cathy Sampson, for ‘trusting the process.’ It was a pleasure to watch you grow into the role and also grow into yourself along the way. I’m sure you got younger over the years. 

Cathy Sampson as “Alexa,”a conscious AI who runs the Virtual Symposium:  Photo by Paul Murray

Cliff Meakin, for taking a leap of faith and grabbing his character by the Top Hat. Armed with an arsenal of wisecracks, he always lightened the mood. 

Cliff Meakin (left) as “Mickey Dangledeep,” a travelling salesman, who dreams of being the best.

Aby Chalmers, for her bright energy and professional approach. Leaving the shore long after the ship had sailed, Aby swam her arms off and not only caught up with the ship but jumped onboard and gave the rest of us swimming lessons. 

Aby Chalmers (left) as “Heidi Seekey,” Mickey Dangledeep’s assistance and the one that is the best. Photo by Paul Murray

Ang Cronin for her endless enthusiasm and bottomless bag of tricks. 

Ang Cronin as “Grace Goggle,” alchemist and barmaid. Photo by Paul Murray

Pete Moynihan for his sharp ability to smell bullshit from a nautical mile away. 

Peter Moynihan as “Argumentus,” Greek philosopher and adjudicator of the Symposium. Photo by Paul Murray

Val Moynihan, who got onboard with a small part and ended up with a much larger role, I don’t know how many times I heard someone say, ‘Val can do it,’ and she certainly did.  

Val Moynihan (left) as “Ziggy,” a biotech firm rep. and avant-garde therapist consults with Sacha Healey as “Helen,” a petulant young woman with a gaming addition and no real friends. Photo by Paul Murray

Tamati Dean, another one who left the shore long after the ship had sailed. Not only did the man catch up, at one point he was spotted pushing icebergs out of our way. 

Tamati Dean as “”Rebuttas,” Greek ohilosphoer in the school of Aristotle. Photo by Paul Murray

Sina Tuiavi’i wasn’t on the shore to begin with. Nearing the end of the voyage, we were desperately low on supplies and morale was on the wane when the kind winds blew us on a course to Sina’s Island. She nourished and restocked us and came onboard with a determined aura, becoming a rock for a frazzled crew. 

Sina Tuiavi’i as “NPC,” a ‘non-playable character’ that can move between scenes in the sim.

Sanae Murray, tasked with making us look pretty, she would look through the foundation and past the glitter and gaze into your soul so that your entire being would be ready for the harsh reality of performance.   

Sanae Murray Make-Up Artist to the STARS: Photo by Paul Murray

Kathy Ramsay, her gentle professionalism was much appreciated and her late addition to the crew was a welcome shift in our dynamics. Having her there was a personal measure of how legitimate the production was. 

Emilie Schmitthaeusler, unwavering in her enthusiasm and carrying so much responsibility, she ran a tight ship and never buckled under pressure. A cool, calm presence that we all relied on, she never let us down. 

Sam Beach, with his technical skills he could diagnose a discordant sound and ‘tweak’ it out of existence. He could also identify the ambient resonance of a space and tune the rig to harmonise with it. Nerdy for sure, invaluable no doubt. 

Sam Beach working the sound and lighting desk at The Lyric Theatre in Granity: Photo by Paul Murray

Harry Bretherton, a master sound engineer with decades of recording and mixing experience, he treated the music with grace and engineered it to a higher form than I had ever intended. 

Thanks also to Raramai Adcock and Carlos de Treend for graphic design, Tracy McEwing for mentorship and filming the show and David Lee for being the man. In addition, thanks to Sonder de Vries, Dion Mawson, Seth Doherty, Fernando Tarrango, Paul Murray, Rosalie Sampson and Jessie Creedmore, Steve Shultz and Mary McGill for support, encouragement and know how. And finally, Vinnie Dunford for the superb food, Rebecca and Emma for working the bar, Craig and Hannah for looking after the door and Juliette for use of the rehearsal space. 

Thanks in general to the families who supported our mission. In particular my own, Ema, Quillyn and Odin, your support and understanding was priceless. 

Peter Moynihan as “Mete Poynihan” and Sacha Healey as “Helen,” a petulant young woman with a gaming addition and no real friends. Photo by Paul Murray.
Aby Chalmers (left) as “Heidi Seekey,” Mickey Dangledeep’s assistance and the one that is the best and Brendan O’Dwyer as “Martin Brady,” a man. Photo by Paul Murray
Peter Moynihan as “Mete Poynihan” in full flow. Photo by Paul Murray. 
Cliff Meakin (left) as “Mickey Dangledeep,” a travelling salesman, who dreams of being the best, and Cathy Sampson as “Alexa,”a conscious AI who runs the Virtual Symposium: Photo by Paul Murray. 
L-R: David Guppy, Sacha Healey, Aby Chalmers, Peter Moynihan, Liz Kerslake, Tina Wylie, Brendan O’Dwyer and Cathy Sampson on stage at The Lyric Theatre in Granity. Photo by Paul Murray.

Virtual Symposium Article from The Westport News February 19, 2024

Sacha Healey (left) as “Helen,” a petulant young woman with a gaming addition and no real friends and David Guppy as “Bud-E,” Helen’s robotic companion. Photo by Paul Murray.
Cliff Meakin (left) as “Mickey Dangledeep,” a travelling salesman, who dreams of being the best.
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Galbraith Strikes Rowling Out

Off the Top of My Head

By Paul Murray

Last Christmas was the first year our daughter Diva chose presents for family members by herself with her own pocket money. She bought me two secondhand books from the Soap Box in Westport, “The Narrow Road to the Deep North” by Richard Flanagan, which won the Booker Prize in 2014. It’s about the Burma-Thai Railway and prisoners in Japanese POW camps, an impressive choice for my reading taste. The other book appeared to be a generic, trashy detective novel by someone I’d never heard of and would never have bought myself.

I promised Diva I’d read them both and started on “The Silkworm” by Robert Galbraith. I thought it would be a good summer holiday read by the pool, at the beach, afternoon siestas, that sort of thing. However, I was immediately captivated by the story, the quality of the writing, the confidence of the protagonists, their character development and interplay…the story was real and compelling…I read the entire novel in a day.

The book grabbed me and took me on an adventure with the unlikely characters the story evoked, and I thought, Who the hell is Robert Galbraith? I asked Dr Google, and guess what? Robert Galbraith is none other than J.K. Rowling. The book Diva gave me for Christmas was the second in the seven books in the “Strike” series of novels she wrote under the pseudonym. It’s Happy Potter for adults and genuinely unputdownable. I’ve now read four and found the first book in the series “Cuckoo’s Calling” in the Karamea Library this morning.

The Silkworm by Robert Galbraith aka J.K Rowling

The series is set in London and features the enigmatic Cormoron Strike, a ruggedly handsome, illegitimate and estranged son of faded rock star Jonny Rokeby and “supergroupie” Leda Strike. He is also a British war veteran (Royal Military Police Special Investigation Branch) who lost his lower leg in Afghanistan and is now a determined civlilian detective and owner of a private investigation service. Strike is simple, grumpy, ruggedly handsome, physically imposing, likes beer, burgers, fish and chips, and easily relatable. Despite his gruff persona, Strike has a strong sense of justice and compassion, particularly in his interactions with vulnerable clients and victims. His troubled past and strained relationship with his famous father add layers of depth to his character, shaping his approach to his personal and professional life.

The other main character is Robin Ellacott, an attractive young lady from Yorkshire, who arrives at Strike’s office to do some temporary secretarial work and finds a passion and aptitude for detective work and soon becomes an indispensable partner in the firm. Ellacott is complex, intuitive, courageous, determined, fashionable and very feminine.

Private Detectives Cormoran Strike and Robin Ellacott

Rowling, one of the most successful authors of all time, chose to cloak herself in anonymity to enable creative freedom and break free from the stereotype of her iconic Harry Potter legacy. By assuming the persona of Robert Galbraith, Rowling could explore new genres and narratives without the burden of expectation and comparison.

Yet, despite her efforts to remain incognito, Rowling’s true identity as Galbraith was eventually unveiled, leading to a surge in interest and sales for the Cormoran Strike series. While some may view this revelation as a calculated marketing ploy, others see it as a testament to Rowling’s commitment to her craft and her willingness to take risks in pursuit of artistic fulfilment.

Writing under the nom de plume of Galbraith has enabled Rowling to venture into the realm of crime fiction, crafting intricately plotted mysteries populated by flawed yet compelling characters. Far removed from the magical halls of Hogwarts, these novels delve into the gritty realities of crime and investigation, incorporating Rowling’s storytelling prowess. From the brooding private investigator Cormoran Strike to his resourceful partner Robin Ellacott, Galbraith’s protagonists captivate readers with their depth and complexity, drawing them into a world where the line between good and evil is often blurred.

The novels have been made into a BBC TV series, which is currently on NEON for New Zealand viewers. However, in my opinion, the books are infinitely better than the show.

I rarely read novels by female writers…It’s not sexist; I just prefer a masculine writing style. However, Galbraith’s prose has interesting female perspectives that added to the complexity of the narrative. Strike and Ellacott have complicated personal relationships with their respective partners, but their close working relationship and mutual respect lead them to fall secretly in love without acknowledgement or discussion for fear of compromising their friendship and professional relationship. This creates ongoing tension throughout the series…I’m on the sixth book, and they still haven’t shared their true feelings. HELP! I’ve been tricked into enjoying feminine locution!

J.k. Rowling as Robert Galbraith
Posted in Book Review, Crime, Education, Entertainment, Gifts, Paul Murray, Social Commentary, Uncategorized | Tagged , , , , , , | Leave a comment

Kudos for the Karamea Summer Holiday Programme     

Off the Top of My Head     

By Paul Murray     

With financial support from the Community Led-Development Programme (CLDP), local volunteers have provided Karamea kids with a wonderful schedule of exciting, intellectually stimulating and practical activities this summer. From cooking, Stand Up Paddleboarding, yoga hula-hooping, art classes, hiking, mountain biking, music and a raft of other great events that have kept our children entertained, active and engaged this summer, as a parent, I offer a huge thank you to all concerned.      

We all love our children, but the summer holidays are very long, and many of us have work commitments that conflict with the expectations of the youngsters and their need for action and invigorating pursuits to fill their sunny days. The Summer Activities for Kids and Youth in Karamea 23/24 has been a great help to both parents and their offspring. Throw in Little Wanganui Beach Day, the Karamea Show, Irish Dancing, Christmas, gymnastics, pickle ball, volleyball, badminton in the new hall, the heated swimming pool and all the superb outdoor activities on offer in the region and this summer has been jam-packed with awesomeness for our kids and the community.      

The challenge of our age as parents in this rapidly changing world of emergent technologies is to encourage our children to use their own creative powers rather than drawing on the imaginations of others in the digital media-verse. It is also to provide our kids with a thorough understanding of social ethics and moral codes to guide them through the challenges they will eventually face on their own later in life. Life is busy these days with many parents both working to provide for their family, so the summer activities programme has been a marvellous help to keep our kids engaged in wholesome activities that inspire, motivate, entertain and help them grow.      

About a decade ago, there was an essay competition at Karamea Area School, and the students read out their compositions. Somewhat disturbingly, many of the narrations were on dark subjects like bullying, depression and suicide, which is a big problem in New Zealand society, especially among our young. New Zealand has the second highest adolescent suicide rate among OECD (wealthy) countries in the world.      

Much has changed since then, and the Karamea Area School is in a much better place in terms of management and the dedication of the teaching staff; the facilities have vastly improved, and the initiative of the Karamea community to provide our children with inspiring holiday activity programmes has really turned this troubling situation around. I suspect that if we reran the essay competition, the outcome would be much more optimistic.      

Much gratitude to the team of local leaders, many stepping up for the first time, for sharing their skills, equipment and time to lead various activities. The response was overwhelming when Liz Kerslake called for volunteers to host summer events and activities. It enabled her to create a full timetable for our youngsters this summer.   

Massive thanks to Liz Kerslake, the Karamea community and the following folk for their dedication and belief in our youth: Deborah Wagner, Jodi Goodwin, Lena Fischbach, Aby Chalmers, Emily Klaver, Angela Cronin, Alwyn, Jackie Christie, Harry Bretherington, Linda Brownie, Mark Cloughley, Saelyn Guyton, Emilie, Sander, Cole Simpson, Fifi, Tony Ibbotson, and Rosalie Sampson deserve immense gratitude. These individuals have contributed to activities ranging from mountain hikes and artistic endeavours to music sessions, cooking classes, and even car maintenance tutorials.    

51 local children and some grateful visitors actively participated in the programme activities. There were a few issues with the weather, but everything worked out fine with a bit of rescheduling. Some no-shows occurred, and the expected numbers for some events/activities were lower than expected. This was disappointing for the volunteers and organisers who had offered their time and energy freely, so let’s make sure to attend and honour commitments in future to ensure this programme can continue to support our kids and their development and the welcome respite the programme affords parents over the summer break.     

Thank you again to the organisers of the excellent summer schedule, the parents who car-pooled to help get the kids to the activities, those who organised, volunteered and supervised, and Karamea Community Incorporated, who saw value in and supported the programme.   

The CLDP funding runs until September this year, so we hope to receive local sponsorship for the 24/25 programme. Liz is already cooking up some exciting Youth Club experiences this year and is looking forward to welcoming a new wave of 13+ youngsters into the fold.      

We’re so fortunate to live in an outdoor activity paradise and to have so many willing adults giving up their time and expertise to support our kids. If wealth could be measured in children’s tired, happy smiles, Karamea parents are more affluent than Elon Musk! 

Posted in Artist, Children, Community, Community-Led Development, Education, Entertainment, Environment, Fitness, Health, Heaphy Track, Kahurangi National Park, Karamea, Karamea Radio, Mountain Biking, Music, New Zealand, Oparara, Oparara Basin, Oparara Valley Track, Parenting, Paul Murray, Social Commentary, South Island, Sustainability, Sustainablity, Tramping, Travel, West Coast | Tagged , , , , , , , , , | Leave a comment

Murray Family Life in Sunny Karamea

Anabela Rea, Oct 24 2023: STUFF NZ

From Tokyo to Karamea: The Start of the Road at the End of the World’s Longest Cul de Sac.

Sanae and Paul Murray say life is sweet in this remote town of 700 people.

For Paul Murray, ex-journalist, art photographer, keen horticulturist, cultural enthusiast, real estate agent, former bed and breakfast proprietor, and family man; life in the little South Island town of Karamea couldn’t be sweeter.

Murray, 57, has been living in the isolated settlement of 700 residents cocooned between the Kahurangi National Park and the Tasman sea since 2003. With his wife, Sanae Murray, 41, joining him in 2004, they’ve chosen to raise their family there, to give their children a free-range lifestyle. Their happy and confident kids, Diva and Winston, are now almost 12 and just turned 9.

With one road in and one road out, Paul likens the town, including its peculiarities, mindset and biological diversity, to that of an island.

“We’re at the end of the world’s longest cul-de-sac, and a place we like to think of as the start of the road,” he say. “We’re 100km north of Westport, basically, on a no-exit road.’

Paul and Sanae Murray have made their family life in Karamea since 2003, raising their two children there, Winston at left, and Diva, at right, who are now nine and almost 12, respectively.
PAUL & SANAE MURRAYPaul and Sanae Murray have made their family life in Karamea since 2003, raising their two children there, Winston at left, and Diva, at right, who are now nine and almost 12, respectively.

Paul first visited Karamea in 2000 when he was living in Japan, working as a journalist and art photographer.

“I came to New Zealand on a holiday in about 2000, and looked at a map and I thought ‘Wow, the town right up there.’ I was driving around the south, and I thought we’re gonna look at that. And so I drove up here and just thought, ‘What an incredible place.’ And I just fell in love with it.”

Happy visits to the beach are par for the course in Murray family life in Karamea.
PAUL MURRAYHappy visits to the beach are par for the course in Murray family life in Karamea.

He’s not the only one to drive down the no-exit road and decide to never leave. Paul says there are “lots of stories about people doing that”, including a Canadian friend, who has since died, who came to Karamea for a picnic and ended up staying for 40 years.

When Paul returned to Tokyo, he says he couldn’t stop thinking about Karamea. The following year, he bought 32 hectares of bush that borders the national park, then went back to Tokyo to work to pay for it. Two years later he moved there permanently, with Sanae following not long after.

The stunning natural beauty and biodiversity of Karamea won Paul Murray over in 2000, and his partner, then wife, Sanae, followed him shortly after.
PAUL & SANAE MURRAYThe stunning natural beauty and biodiversity of Karamea won Paul Murray over in 2000, and his partner, then wife, Sanae, followed him shortly after.

“It’s been an amazing journey,” he says. So what’s so great about Karamea?

“It is a very stunning place,” says Paul. “It’s very much like a geographical island. You’ve got the Kahurangi National Park on three sides and then it’s sealed in by the Tasman Sea.”

“It’s the warmest, driest place on the West Coast, because it’s the furthest north. And interestingly, we’re actually north of Wellington. Because in maps the South Island is a bit skewed, we’re actually just north of Wellington, and we’re east of Timaru. So it’s a bit of a local joke: Where are you from, mate? Oh, just north of Wellington. Oh, the Kāpiti coast? No, no. Karamea.’

Being an available dad is important to Paul, which is why he no longer runs the motel and B&B facilities that they used to.
SANAE MURRAYBeing an available dad is important to Paul, which is why he no longer runs the motel and B&B facilities that they used to.
“Just north of Wellington and east of Timaru” is where you’ll find Karamea.
PAUL & SANAE MURRAY“Just north of Wellington and east of Timaru” is where you’ll find Karamea.

Because it’s remote, Paul says the residents are independent, resilient, and “interested in sustainable living and growing food”.

It’s a world away from the bustling streets of Tokyo, where Paul and Sanae first met. For her, moving to Karamea meant a new language, a new culture, a new lifestyle … and directly disobeying her father’s wishes.

Long since settled now, the family enjoy weekly calls on a Sunday to Sanae’s parents in Tokyo, and go to visit every year. They speak Japanese on the Zoom calls but English around the house.

“Speaking Japanese to my wife is pointless because her English is far better than my Japanese,” Paul says.

The Murrays try to visit Japan every year so the children can see their grandparents. Every visit, Paul is reaffirmed in the choice they have made to raise their children in Karamea. Compared to children of the same age in Tokyo, he feels his are “so much more confident”.
PAUL & SANAE MURRAYThe Murrays try to visit Japan every year so the children can see their grandparents. Every visit, Paul is reaffirmed in the choice they have made to raise their children in Karamea. Compared to children of the same age in Tokyo, he feels his are “so much more confident”.

The family have their own little farm that includes 1.6ha of grazing sheep and 2000m² of productive gardens.

Before Covid, the couple used to run motels in Karamea, including a 10-bedroom 1960s ex-maternity hospital which they operated as a bed and breakfast. Paul estimates they served up 2,500 meals a year using their own garden’s produce.

The ease of growing all manner of fruits and vegetables is one of the key things that encouraged Paul, who has a degree in horticulture, to move here.

“It’s warm and sunny, and you can grow almost anything here. I was absolutely astounded by the range of different crops people can grow here. They can grow bananas.”

Diva in the Murray’s productive garden, which these days produces around 60% of the family’s food.
PAUL & SANAE MURRAYDiva in the Murray’s productive garden, which these days produces around 60% of the family’s food.

His garden includes plants you wouldn’t expect to be viable on the West Coast, such as macadamia nuts, Ecuadorian coconuts, feijoas, passion-fruit, and blueberries.

Paul’s long-term goal is to become a kawakawa “pepper baron.” A collaborative partnership is already underway with a local cheesemaker to create a sensational kawakawa-infused cheese. Watch this space.

His career in abstract nature photography began with a Tokyo exhibition of holiday photos from New Zealand. Far from the “snaps next to a giant gumboot” that his friends expected, the images were artistic captures, a lens into a landscape that Paul loves.

The Murrays also have sheep grazing on their little farm.
PAUL & SANAE MURRAYThe Murrays also have sheep grazing on their little farm.

Pushed on by his friends to exhibit, he says the experience was unexpectedly “a phenomenal success”.

“It was unbelievable, the jammiest thing I’ve ever done in my life,” he says.

“So many people came, we had to close the exhibition down. And we had to employ a security guard to let a certain number of people in at a time. There was a line outside the restaurant for a block and a half.”

“And then because of the line, it attracted media attention, and suddenly, all these journalists were turning up wanting to talk to the artist and I’m thinking, ‘Oh no, is that me?’ Suddenly, I’m an artist.”

“I ended up in Japanese photo magazines, and then in the popular press in Tokyo at the time. And from then on, I was just doing exhibitions all the time, to the point where I kind of burned out a bit. I lost the passion for what I was doing, because I ended up sort of feeling like I was doing it for other people rather than myself.”

A recent abstract nature artwork by Paul who plans to hold another exhibition in Tokyo in 2024.
PAUL MURRAYA recent abstract nature artwork by Paul who plans to hold another exhibition in Tokyo in 2024.
Paul’s wife Sanae took the leap of a lifetime to buck tradition and join him to live in Karamea in 2003. Her brave choice was the beginning of their family’s story.
PAUL & SANAE MURRAYPaul’s wife Sanae took the leap of a lifetime to buck tradition and join him to live in Karamea in 2003. Her brave choice was the beginning of their family’s story.

He met Sanae at one of the exhibitions, so it’s safe to say the experience was still resoundingly positive.

Paul has returned to creating art in Karamea, and is also an enthusiastic supporter of the arts community there. Sanae has produced 11 pop-up exhibitions in the town and he estimates that around 10% of Karamea’s residents are artists.

Will the Murrays ever move? Not a chance.

They’ve hosted multiple Japanese television crews and an Italian documentary team, all curious to learn why they choose to live in a place some consider to be the ends of the earth.

The place where their children have grown, Karamea is full of happy memories. Here, their son Winston, now nine, plays on the beach in Karamea at dusk.
PAUL & SANAE MURRAYThe place where their children have grown, Karamea is full of happy memories. Here, their son Winston, now nine, plays on the beach in Karamea at dusk.
Sanae Murray is also a keen supporter of the arts and to date, has organised 11 pop-up exhibitions of local artists’ works.
PAUL & SANAE MURRAYSanae Murray is also a keen supporter of the arts and to date, has organised 11 pop-up exhibitions of local artists’ works.

Their “ramshackle, work in progress, building site of a house” is a 100-year-old, three-bedroom villa, at the western end of Karamea.

The town has all the amenities that Paul considers to be important, from “one of the best schools in New Zealand” to a Vidal Sassoon hairdresser, a supermarket, heated swimming pool, hardware store, gas station, cafe-restaurant, and “excellent medical care” available via the local nurses, with the rescue helicopter 20 minutes away for emergencies.

“It’s been 20 years I’ve been here, we’ve done a lot of stuff, and it’s been a wonderful, wonderful journey,” says Paul.

“I still wake up every morning, look across and see my wife is still sleeping and open up the curtains, look at and watch the sun rise over the forest and mountain peaks of the Kahurangi National Park, and think, ‘Shit, I’ve won life’s lottery.’”

“This place is my Shangri-la. Honestly, I love it. Love living here. Don’t want to go anywhere else.”

Posted in Artist, Cheese, Children, Environment, Environmentally Responsible Business, Food, Gardening, Health, Japan, Kahurangi National Park, Karamea, LivinginPeace Project, New Zealand, Oparara, Paul Murray, Photography, Property, Rongo, Social Commentary, South Island, Sustainability, Sustainablity, Tokyo, Tourism, Travel, West Coast | Tagged , , , , , , | Leave a comment

How Tourism Sustains Life in Karamea  

Off the Top of My Head 

By Paul Murray 

Kohaihai Gull: Photo by Arwen Dyer

The idyllic rural community of Karamea in the Buller District at the the top of the West Coast, is possibly the most remote on Mainland New Zealand in terms of its proximity to another town. Westport (Pop.6,000), the Capital of the Buller, is well over an hour’s drive away.

Recent media about Karamea and discussions of upcoming local events have highlighted the critical role tourism plays in supporting our region’s businesses and services. Remote towns like Karamea face unique challenges that set them apart from more populated areas, and the services they offer rely on a lifeline from visitors to their region.  

In New Zealand, many small towns, just like Karamea, hinge economic survival on their environmental assets, natural beauty, and outdoor attractions. These places, blessed with breathtaking landscapes, depend on the success of their communities to harness and promote their natural resources while simultaneously preserving the quality of life, privacy, and well-being of their residents.  

Karamea is no different, and tourism is the linchpin holding our community together. Travellers are drawn to Karamea to explore our iconic semi-tropical rainforests, the enchanting Kahurangi National Park, and the awe-inspiring Ōpārara Basin, along with our many other attractions. They come here to partake in outdoor activities and soak in our tranquil environment, briefly immersing themselves in our high quality of life.  

Oparara Arch: Photo by Sean Coleman

While our history has seen us relying on extractive industries like forestry and mining, the present and future place greater emphasis on environmental stewardship rather than exploitation. Climate change is often in the limelight, but it’s just one piece of the puzzle. Now, the spotlight is on personal wellness, reduced reliance on exploitation, and a stronger connection to nature. Sustainability and regeneration of our natural environment and resources are paramount. The Karamea Community Plan powerfully underscored how vital our natural environment is to our community and how much we treasure our unique wonderland.  

Our road access and maintenance depend on usage, and while the dairy industry plays an important role, tourism is equally vital. Access to our region hinges on having industries like agriculture and tourism, one producing marketable products locally and the other bringing income into the community through the money spent by visitors. Our population alone cannot justify essential services like the fuel station and supermarket, or nice-to-have businesses such as cafes, restaurants, and bars. The tourism and agricultural sectors are necessary to support local businesses and the services and facilities we, as residents, hold dear.  

The tourism industry is the lifeblood of Karamea, diversifying our local economy, creating job opportunities, and keeping people employed in roles that cater to our visitors. By carefully managing, developing, and preserving our natural assets, we can chart a path toward prosperity that benefits the businesses that form the backbone of our community and provide the essential services and facilities we all rely on.  

So, thank you to Juliette and Jason and their crew for providing such an excellent supermarket, thanks Vinnie for your fabulous café and delicious food and beverages, and thank you to the medical staff who do an incredible job of keeping our community healthy. Thank you to the Karamea Village and Little Wanganui pubs and the Last Resort, thanks to Tony and Sandy at Karamea Hardware for the amazing array of products you stock, thank you to Lena for keeping us all trim and tidy, the Information Centre for the fuel service, farm supplies, books and gifts, to Tony and Fifi for the refillery, to Rebecca at the Co-Op, the Higgs family and Karamea Tomatoes for freight and transport services, the magnificent Karamea Area School staff and teachers, Lee and Stu looking after our amazing Karamea Pulse Energy Centre. and our policeman, Alan Kees, thanks for keeping the peace. To the volunteers, fire, ambulance, sports coaches. fund raisers, quiz and raffle organisers, art exhibition helpers, winter-school teachers, the dedicated market stallers, youth group mentors, radio station DJs,…all the people who make our community fabulous.

Kohaihai River Mouth: Photo by Paul Murray

Thanks also to Jessie Creedmore for working tirelessly to improve our lot and to Sanae Murray and the Pop-Up Gallery team for the fantastic exhibitions, the teachers and staff at Karamea Area School, the volunteers who run the tremendous Karamea Library and Museum, the swimming pool committee, golf club, helicopter services, airport management and the many other people working behind the scenes to keep Karamea awesome. However, it’s essential to remember that many of these services and facilities owe their viability to the support of tourism and the visitors who come to our region. In the delicate balance of sustaining our community, tourism is the indispensable partner.  

Karamea Community Coordinator Jessie Creedmore: Photo by Paul Murray
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West Coast Wearable Art Show WOWs All Comers

Karamea’s Creative Couture Transcends All Expectations  

Off the Top of My Head  

By Paul Murray  

WOW! The World of Wearable Art came to the small rural community of Karamea at the top of the West Coast of the South Island of New Zealand on April 8, 2023. The town bubbled with creative ferment, and most of the community and many Easter visitors packed the old Hardware Store to take in the KaraWearable Arts Show and experience haute couture West Coast style.     

The wearable art show was part of the ninth Karamea Pop-Up Gallery Easter Art Exhibition. The outfits worn in the show were displayed with the other exhibits for people to examine closely before seeing them on the catwalk models. The show was timed to coincide with the busy Easter weekend, attracting many visitors and allowing Karamea to show that our region has more to offer than stunning scenery, beautiful beaches, rivers, estuaries, forests, the Heaphy Track and the Oparara arches, caves and lakes. Visitors returned home knowing we also have a vibrant and artistic population of fun-loving folk who are proud of where we live and our 700-strong community.      

Fabulously fashionable creations were sown, stapled, nailed, glued, woven and screwed together and modelled by Karamea’s finest ladies and a few handsome lads. Karamean supermodels donned the fashionistas’ fantastic creations and strutted their stuff on an S-curve catwalk that permitted much crowd interaction and feedback as the overwhelmed onlookers cheered, clapped and wolf-whistled their encouragement and appreciation. Traditionally, models are supposed to be straight-faced and aloof to deflect attention from themselves to encourage the audience to focus on their outfits, but our models danced, spun, twisted, twirled and beamed like Cheshire cats to present their outfits with enthusiasm and infectious excitement.      

Designer & Model: Odette Peter Presents Her “Odette’s Ballgown” Creation: Runner-Up in the Upcycled/Recycled Category. Photo by Paul Murray.  

Dairy farmers, schoolteachers, retirees, schoolchildren, parents, nurses and chefs became fashion designers for the occasion. They put their minds into creating beautiful, clever, stylish and outlandish outfits for their models to show off. Natural materials collected from regional forests, beaches, rivers and estuaries, and rubbish that would otherwise be in a landfill were all utilised in the creative process. Everything was recycled/repurposed/reused/renovated/restored, and, occasionally, rediculous!     

Spot Prize Winners, Madeleine (L) and Tessa Young, Model the Young Family’s “Ember the Fire Dragon and Sparkles the Sea Dragon.” Photo by Paul Murray. 

There were 39 wearable creations in the show, modelled by 16 beautiful locals. The youngest model was four years old, and the most senior was a sexagenarian! The show also attracted entries from Granity, and Buller Mayor Jamie Cleine visited the exhibition to check out the creations. Before the fashion parade, 241 people visited the gallery on April 8 and 9, 2023, and many came back to see the show, which was standing-room only. A visitor involved with the Nelson Wearable Arts Festival on condition of anonymity said, “The creations here tonight reminded me of the first WOW show in Nelson…This is as good as that!”     

The Karamea Pop-Up Gallery team of Liz Kerslake, Jessie Creedmore and Sanae Murray and the many volunteers who assisted them in making show deserve much credit for their dedication and effort in organising the event; this was their ninth exhibition. Sacha Healy joined them for this show as the director of the KaraWearable Art Show and absolutely nailed it by leading the way with her wearable “Paradise Lost” creation (which won the show!) and rallying the costume designers, encouraging and instructing the models, designing the catwalk and bringing it all together into a gala presentation on the night.  Across all the exhibitions, 58 local artists have exhibited their work, 271 artworks have been sold and 1,870 people visited the exhibitions (with over 200 attending the KaraWearable Art Show).  

Sacha Healy Prepares the Performers Pre-Show: Photo by Paul Murray 

Quillyn O’Dwyer Models Sacha Healey’s “Wind in his Wings” SUPREME Award-Winning Creation: Photo by Paul Murray 

The Crowd Lines the Catwalk in Eager Anticipation: Photo by Paul Murray  

Jason and Juliette James again permitted the use of the Old Hardware Store, which is an excellent venue for the art shows. Many of the models in the show are Irish dancers. Juliette James’ work with the Irish Dancing troupe prepared the models well and gave them grace, poise, confidence and the stage presence that comes from the experience gleaned from their many public dancing performances. They were all very comfortable and professional doing their “little turns” on the catwalk. Thank you Juliette for your efforts and dedication to the dancers.   

Karamea Area School teacher, Brett Mawson, lit up the catwalk and created a festive atmosphere with a smoke machine and excellent musical accompaniment (thanks to Karamea Area School for the use of the equipment). Vinnie Dunford’s delicious food platters kept everyone well-nourished, and audience members were soon passing the plates around, which made the visitors very welcome, and the nibbles soon disappeared. Undoubtedly, the world-famous Vinnie’s Café would have been busy over Easter once the crowd sampled his fare. Local bon vivant Nick Scarlett emceed the show and kept the event flowing with professional instruction and good humour. To all the designers, models and volunteers who created, presented and organised the show; thank you all for your efforts!  

The hardest job of all was borne by the judges; Jessie Creedmore, Jane Sage and Laila Klaver-Jones, who were tasked with ranking the modelled creations and determining winners for the categories of “Youth,” “Upcycled/Recycled,” “From Nature,” and several “Spot” prizes. The quality of the costumes and the wow factor and the presentation of the outfits by the models made the task of choosing winners very challenging, but the crowd helped with enthusiastic clapping and cheering. They drew heavily on the “clap-o-meter” to diplomatically make difficult decisions.  

Diva Murray Models Tina Wylie’s 1st Prize Winning Creation in the Upcycled/Recycled Category: “Earth Mother, The Seasons.” Photo by Paul Murray 

After a few disruptive years of social interruption and forced anti-social behaviour, the KaraWearable Arts Show was just what the community needed to reinvigorate social interaction, creativity, public expression, and confidence and was a great initiative in putting the unity back into the community in the post-COVID era. The show was very much a community effort led by a dedicated group of Karameans, with much behind-the-scenes support from their families, the staff and students at Karamea Area School, businesses who provided logistical support, a venue, cash prizes, donations for the raffle and help setting up the show, printing, lighting, music, promoting, compèring, documenting and catering for the event.     

A raffle on the night raised almost $1,000 to help fund the next KaraWearAble Art Show, scheduled for the 2024 Easter Weekend with the categories of “Upcycled/Recycled”, “Youth,” “Myths & Legends” and an “Open” class.  

Donna Chambers Wins the Karaka Meat Tray Raffle Prize: Photo by Paul Murray 

The dominance of Internet-based entertainment these days has all but put paid to community initiatives like the wearable art show. However, the excitement, energy and genuine laughter for all who participated in the show as performers, artists, designers, models and audience made it a memorable night that far exceeded a night with NETFLIX/Facebook/Fox Sports, SKY etc. The show enabled people to actively express their creativity instead of being passively entertained by others.    

Well done, Karamea…LOVE your work!    

Many thanks to the generous sponsors and raffle donations and congratulations to the prize winners! 
 

For more information on upcoming events or the 2024 KaraWearable Art Show, please contact:    

KaraWearable Director: Ms Sacha Healey: 020-4149-1184 / sachahealey@hotmail.com   

Karamea Pop-Up Gallery Curator: Ms Sanae Murray: 021-118-4691 / sanaenmt@gmail.com   

Karamea Community Coordinator: Ms Jessie Creedmore: 027-517-7107 / jessie@marketinghouse.co.nz   

Link to Additional Photos: https://photos.app.goo.gl/MQjr8iaNW13t1KSx7

KaraWearable Art Show Article Westport News Wednesday April 12, 2023.

Posted in Art, Artist, Buller District Council, Community, Community-Led Development, Culture, Education, Entertainment, Environment, Funny, Karamea, LivinginPeace Project, Nature, New Zealand, Paul Murray, Photography, Property Brokers, Tourism, Travel, Uncategorized, West Coast | Tagged , , , , , , , , | 2 Comments