Travis “Blind Dog” Taylor Wags his Tail Feather

Off the Top of My Head

By Paul Murray

What I love most about my old school mate Travis Taylor, is his blind, dogged determination to be a blues artist…He has devoted his life to the craft. Several albums, endless live shows, a couple of recording trips to the United States later, he IS a bluesman and there’s life in the Old Dog yet…His two latest albums with band One More Mile (OMM) are absolute bangers…buy them, put them on, crank up the volume and get grooving.

We met at the Prince Alfred College boarding house in Adelaide, South Australia, in the early 1980s, he from Mt Gambier in the SE of the state and me, a farm boy from Kangaroo Island. Travis was the biggest schoolboy I’d ever encountered, a fully developed chap in stark contrast to myself…a squeaky voiced adolescent with hair on my head, but nowhere else. Despite our physical differences, we developed an immediate kinship and have remained good friends for almost 50 years.

Travis excelled on the football field, playing for the First XVIII, but a knee injury put paid to his sporting aspirations and, while convalescing from a knee reconstruction operation in hospital, he began pondering his future. Now that a sporting career was off the agenda, he began wondering how he should spend his life. “I heard Sonny Terry and Brownie McGhee playing on the hospital PA system and I thought, “That’s what I’ll do, I’ll learn to play the harmonica,”” he said.

On the occasion of his 21st birthday, a lovely lass, whom Travis was smitten with, Eleanor “Elle” Dark, gave him a present that launched his musical career. “She gave me a harmonica…and then she gave me the blues,” said Travis, for Ms Dark had sadly fallen for another, and Travis has been singing about “Woman Trouble” ever since.

“I started trying to play harmonica like Sonny Terry, which is close to impossible, because he’s blind and plays upside down and back-to-front as far as the harmonica goes, and he’s just a genius,” Travis said.

John Mayall and Sonny Boy Williamson were also influential in developing his ear for the blues genre, but when his fellow musician friend, Andrew Hall, introduced him to “Hoodoo Man Blues” by Junior Wells and Buddy Guy, his blues wheels really started spinning.

While living in the snowfields with friend “Fish” Thompson, a very patient fellow, Travis practiced the harmonica incessantly and his pursuit of harp mastery continued until he got his dog “Phantom,” who either wasn’t as patient as “Fish” or was attempting to accompany Travis on the mouth organ as he’d start howling as soon as he began to play…this meant he was unable to practice at home for several years.

Travis developed a love for New Orleans-style piano blues listening to Professor Longhair, Alan Toussaint and Fats Domino. He said, “When I was in London, I saw Dr John playing in Camden Town, This inspired me to start writing my own music.” Not having a piano handy, he said, “I decided to teach myself the guitar as I couldn’t write songs on the harmonica.” This was a great leap forward as Travis now started becoming an artist in his own right rather than performing covers of his blues idols.

He started listening to the likes of Freddy, Albert and BB King, ZZ Top, Johnny “Guitar” Watson, Stevie Ray and Jimmy Vaughan. Organ also piqued his broad musical interest, and he tuned into Jack McDuff, Jimmy McGriff and Smith. Fellow muso Brian Morrison gave him an album titled “Wild Bill Davis Live at Count Basie’s Lounge,” and Davis’ swingin’ sounds also had a big influence on his blues style.

“The first band I was in was the “MaliBlues” with some fellas from Pembroke College, and we played gigs at the Marryatville Hotel in Adelaide. I then joined “Cookin’with Chilli” and played at the Ko Club every Friday night, ahead of “Blind Dog and the Guides,” who took over and played well into the night. “Blind Dog Wally” was their lead singer, and when Wally had to spend a bit of time in jail at her Majesty’s pleasure, I filled in for him and assumed the “Blind Dog” handle and “Blind Dog Taylor” I became.”

“Greg Baker (the harmonica player from Smokestack Lightning Adelaide Blues Band) was a mentor of mine, and he used to encourage me to listen to music that helped to focus my musicianship,” Travis said. “He turned me on to “Hooker ‘n’ Heat” a collaboration between John Lee Hooker and Alan Wilson from “Canned Heat.” The album achieves a live music sound in a studio recording and helped shape Travis “Blind Dog” Taylor’s stage personality and presence.

In 2016, Travis reluctantly agreed to attend a religious gathering in Sydney of 16,000 African devotees to the somewhat controversial Malawian Prophet Shepherd Bushiri at the insistence of his devout born-again Christian partner, Ugandan-Australian Esther Poni. At the event, Travis was approached by an event official who asked to interview him. Travis said, “Nah, Man, you don’t want to interview me, I really don’t even want to be here.” The man insisted he had “presence,” and encouraged him to agree to the interview. Esther’s son Simon said, smiling, “You know what “presence” means, right? It means you are the only white guy here!” Looking around, Travis realised the boy was right, he stood out like an Allen’s Kool Mint in a huge bowl of Maltesers!

Later, Travis was selected from the crowd and taken to the stage where the good Shepherd Bushiri asked Travis who “Nick” was…”One of the guys in my band,” said Travis. “Stick with Nick and everything will be alright,” the mystic mysteriously stated. Bushiri, who is much smaller than Travis, then apparently knocked him flat on his back with some kind of African mojo power surge. Travis was completely shocked, and Bushiri informed him that he had cleared a “blockage” from his body that was “preventing him from attaining his full potential.”

Malawian Prophet Shepherd Bushiri

While The Shepherd may have cleared one blockage, it seemed Blind Dog had another, and on his return to Adelaide from the evangelical revival in Sydney, he suffered a stroke and was knocked down again.

While recovering from his health scare at Esther’s home, Travis, perhaps from the powerfully compelling influence of Shepherd Bushiri’s religious revelations or, more likely, gratitude for not being dead, Travis began listening to Gospel music. When he found a tune that resonated with him, he’d post it on his FaceBook page. This caught the attention of other blues/gospel lovers worldwide, and he received a friend request from Al Blake, fellow harmonica aficionado and one of the original members of the legendary “Hollywood Fats Band” from Los Angeles.

Their online rapport led to a real friendship and a musical collaboration after Blind Dog Taylor and his band One More Mile won the chance to travel to Memphis, Tennessee, in the United States to play at the Memphis International Blues Challenge in 2019.

Travis “Blind Dog” Taylor (Left) and band One More Mile win the 2018 competition to represent Adelaide in the Memphis Blues Challenge.

When one of the OMM guitarists Sav Palaktsoglou was unable to travel to the United States with the band due to family commitments, Travis urged the other OMM axeman, Nick Kipridis, to join them on the trip. Nick agreed, as did the other members. So Travis and the band boarded a plane and flew to the United States to test their talents and blues mastery against all contenders.

Travis was able to realise the prophecy from Shepherd Bushiri’s gathering to “Stick with Nick “and, while the festival turned out to be what Travis referred to as the “Memphis debacle,” the band won the blues challenge. While in the United States, Travis was able to meet Al Blake in person, and they decided to collaborate on a recording. Al introduced him and the band to another member of The Hollywood Fats Band, Fred Kaplan, a recording studio and music mixing genius, and they recorded about 60 songs over two days at Kaplan’s Full Contact Recording Studios in Camarillo, California. The collaboration resulted in two superbly crafted albums featuring a couple of musical industry legends with bona fide blues chops. These albums (Vol 1: The Hollywood Connection and Vol 2: The Camarillo Connection) include new material, old songs and some well-rendered interpretations of blues classics and have elevated Travis “Blind Dog” Taylor and OMM to star class. “Al and Fred gave our sound an authenticity we didn’t have without them,” said Travis.

Travis “Blind Dog” Taylor and One More Mile live at The Wheatsheaf Hotel in Adelaide, South Australia.

His many years playing live gigs in Adelaide and elsewhere in the world enabled Travis to handle the recording sessions with ease, and he quickly developed a professional rapport with the Hollywood Fats chaps. “There’s no substitute for playing live,” he said, “If someone falls off the rigging onto the stage, you’ve just gotta plough on through and keep playing.” “You can practice as much as you like in your room–and you should– to get yourself to a level that you can work with other musicians and understand what’s going on.”

Travis “Blind Dog” Taylor and One More Mile Live at the Semaphore Workers Club on Aug 22, 2018

Travis “Blind Dog” Taylor modestly describes himself as a “recording artist/engineer with 30+ years experience,” but he is a genuinely talented artist and performer and has lived the blues in a deliberate and dedicated fashion ever since his hospital-bed revelation in the 1980s. He made the blues his life’s focus since that day, and he’s been diligent and successful in the pursuit of his objective.

Few men at the dusk of their careers can gaze in retrospect at tangible evidence of their life’s work…Travis “Blind Dog” Taylor has an oeuvre of original songs and recordings that showcase his dedication to blues music and his many decades of effort to master the craft.

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Travis “Blind Dog”Taylor: Aussie BluesMan

Travis “Blind Dog” Taylor is an award-winning blues singer, guitarist, and harmonica player based in Adelaide, South Australia. He has recorded under names including Blind Dog Taylor & The Healers, Blind Dog Taylor & The Heat and Blind Dog Taylor & One More Mile. His recordings and videos are available on Bandcamp and YouTube.

All of Travis “Blind Dog” Taylor’s recordings with his bands “The Healers,” “The Heat” and “One More Mile,” and collaborations with other artists like JJ Hackett are available for download on BandCamp.

https://travistaylor1.bandcamp.com/

Travis “Blind Dog” Taylor Discography

1996: Heavy Sugar by Blind Dog Taylor & The Healers

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1998: Cash To Splash by Blind Dog Taylor & The Healers

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1999: After Hours Inferno by Bind Dog Taylor & The Heat

2000: One Bite At The Cherry by Blind Dog Taylor & The Heat

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2011: Blue In The Face by Travis “Blind Dog” Taylor

2018: Secrets Of Kangaroo Island by Travis Taylor & JJ Hackett

2019: Are We There Yet? By Travis Taylor and ONE MORE MILE

2021: Forbidden Fruit: by Travis Taylor and ONE MORE MILE

2025: Volume 1 THE HOLLYWOOD CONNECTION by Travis Taylor’s ONE MORE MILE with Al Blake and Fred Kaplan

2025: Volume 2 THE CAMARILLO CONNECTION by Travis Taylor’s ONE MORE MILE with Al Blake and Fred Kaplan

Posted in Adelaide, Australia, Blues, Entertainment, Funny, Hilarious, Hilarous, Humor, Humour, Interviews, Jazz, Music, Musicians, Paul Murray, Photography, Social Commentary, South Australia, Uncategorized, United States | Tagged , , , , , , , , , , , , , , , | Leave a comment

Antique Antique Shop Owners of Japan

Off The Top of My Head

By Paul Murray

A few years ago, I was exploring the back streets of the old Japanese city of Kamakura, which was the de facto capital of Japan during the Kamakura Period (1185–1333). The city is steeped in history and is home to many grand temples, shrines and the very popular “Daibutsu” or “Great Buddha.”

On my walk, I happened across a tiny antique shop run by a very elderly gentleman who may have been older than some of the artefacts he had on display in his emporium. He was elegantly dressed in a fine kimono, and despite it being a hot summer day, he seemed cool and calm in the stifling heat and still air of his shop. He was extremely knowledgeable about his collection and was happy to discuss the provenance and historical significance of the items he had on display. 

Among his collection was a gnarled piece of tsuge (Japanese boxwood) that resembled an enraged minatour sliding into a turn after a charge, seemingly having missed his target and wheeling back onto his foe to send him to oblivion. I immediately fell in love with the piece and wanted to purchase it, but assumed it would be well beyond my means. However, as there was no price tag on the beast, so I asked what he let it go for…”Oh, there’s no price tag?” He asked. “I can’t see one,” I replied, taking the sculpture to him. “It’s ¥7,500,” he said, seemingly off the cuff. At that time, it was about $US70, which was well below what I was expecting and within my budget, so “SOLD,” I said, and the Mad Minatour is now one of my favourite objet d’arts on display in my New Zealand home.

Last week, I was at it again, trawling the backstreets of Tokyo in search of antique treasures…this time in Ōmori, which is an old central Tokyo suburb that was the childhood home of famous Japanese film director Akira Kurosawa. Kurosawa popularised the Samurai film genre and brought Japanese cinema to the world. Kurosawa combined Japanese and Western storytelling traditions, producing films of visual grandeur and moral messaging. His work is respected internationally for its innovative artistry and profound humanity.

Legendary Japanese Film Director Akira Kurosawa: “I suppose all of my films have a common theme. If I think about it, though, the only theme I can think of is really a question: Why can’t people be happier together?
One of my favourite Kurosawa films, “Rushomon,” is the tale of a murder from the perspective of four different witnesses, each offering a distinct and contradictory account of the incident. The film explores the philosophy of justice, and the story is told in reverse chronological order. The innovative portrayal of the story inspired Quentin Tarantino’s “Pulp Fiction.”

Ōmori also housed a brutal POW camp in WWII. The site is now the site of the popular Heiwajima boat racing arena, where punters place their bets on the first two finishers among six powerboats piloted by jockey-sized racers in colourful “silks” roaring around three laps of a 600m course. Ironically, “Heiwajima” means “Peace Island,” which belies the site’s past but, hopefully, heralds its future.

And they’re OFF! Boat Racing at the Heiwajima course in Omori Tokyo
(Image from https://www.heiwajima.gr.jp/en/)

While exploring Ōmori, I was fortunate to come across 大塚陶器店 the Otsuka Ceramic Shop, which, at first glance, seemed cluttered, decrepit, unkempt and derelict…just the kind of place I was looking for!

On display were a broad range of antique Japanese pottery, cups, bowls, sake sets, sculptures and vases. The aged owner was reclining fast asleep at the back of the store, which enabled me the chance of quiet inspection and contemplation of his displays, which were coated with a thick layer of black, sooty dust. I was possibly his only customer for the month, but the slumbering owner was delightfully nonchalant about the possibility of making a sale, choosing to remain comatose over the pursuit of commerce.

Among his wares was a delightfully crafted wooden sake decanter and set of cups that I caught my attention and spurred my desire for ownership. Again, there was no price on the items, so I politely roused the Old Boy from his slumber to enquire their worth. In a very similar scenario to the experience I had in Kamakura many years earlier, he seemingly randomly said, “¥2.500.” (Currently about $US15). Again, I was surprised, thinking the set would be much more, “SOLD,” I said, and he began wrapping them in old newspaper and popped them into a recycled shopping back for me to carry home.

Despite the lack of a cash register, payment was in cash as I don’t think the aged antique merchant had Internet, credit card facilities or had even ever considered such new-fangled nonsense…He opened a drawer from an old chest and retrieved my change from a paper bag full of banknotes. This speaks to the lack of petty crime in Japan that an elderly gentleman could keep wads of cash in an insecure and easily accessible location without concern is a wonderful testament to the honesty, respect and social responsibility of Japanese people.

The six-piece wooden sake set…after a good clean!

I took my antique find home, shared my treasure-hunting story with my wife Sanae and showed her the photos of the shop. After she stopped laughing, she noticed the Jōmon dogū figurines in one of the photos…She is particularly interested in the Jōmon period (circa 14,000 BC to 300 BC) history and cultural traditions, so I promised to return the next morning and ask about the statues to see if I could possibly procure one for her.

So, I dutifully arrived at the shop at 9:00 am the following day, only to find the shutters down and the shop very closed. I peered through the post slot in the roller door, and Sensi was in the back of the store reading the morning paper. “Ëxcuse me,” I shouted through the hole, “Yes?” he replied. “What time do you open?” I asked. “10:00 a.m.,” he said firmly. “OK,” I said, “I’ll come back then.”

Otsuka Ceramic Shop Sensei reading the morning paper at the back of his pottery emporium prior to the 10:00an opening time. Photo taken through the mail slot on the roller door .

I returned at 10:00 a.m. and the shop roller door was half open, but Sensei was nowhere to be seen. I waited another 15 minutes or so and eventually stuck my head under the door and said, “Sumimasen” to hear “‘Gomaenasai” from behind me and down the street, and there was Sensai, marching back from a shopping expedition in his white singlet, shorts and sandals, shopping bag in hand, very apologetic for having forgotten I was coming.

I reminded him that we had spoken the day before, and that I’d purchased the wooden sake set. Unsurprisingly, he remembered me as I really must have been his only customer for the day. I asked about the Jōmon dogū figurines, and he was quite surprised that I knew what they were. He laughed quite a lot when I enquired about the authenticity of the dogū. Genuine Jōmon dogū are museum pieces or the preserve of wealthy private collectors, and he honestly informed me they were not genuine Jōmon-era artefacts.

There were about a dozen dogū statuettes to choose from, and after some quiet deliberation and some enthusiastic encouragement from Sensai, I decided on the large one…¥4,500 (About $US30). Before my shopping spree, I’d done a bit of online research to make sure I didn’t get touched on the purchase. On Ebay, the asking price for 10 cm similar replica dogū statues was about $US65, so I was in good shape. I dropped the hammer on Sensei’s offering, which was twice the height and half the price!

Jōmon period (縄文時代), people were peaceful hunter-gatherers and early agriculturalists with a common culture. They were largely sedentary and had a well-established and complex society, religious beliefs and cultural traditions, which included artistic pursuits of which their remnant pottery and ceramic sculptures demonstrate.

I asked Sensei a few questions about his fascinating store. It turns out his father had started the business in 1948 as a means of post-WWII survival. He’d taken it over when his father retired and was himself now 86 years old and doesn’t have an heir willing to continue the family legacy. So, sadly. the Otsuka Ceramic Shop may soon be closed forever…perhaps Sensei will have a “closing down sale”? Keep an eye out for that antique hunters, there’s sure to be bargains galore!

I’ve always found it curious that, in general, Japanese people, (with a few notable exceptions, private collectors, traders, galleries, museums etc) see little value in antiques, preferring new. clean, disposable, fashionable and whatever the current trend suggests is popular.

Back in the “Bubble Economy” days, it was quite common to find Japanese antiques on the roadside awaiting pick-up and disposal by the rubbish trucks. An Irish friend created a great business by going around collecting antique “rubbish,” giving it a clean up and a polish and exporting it to Europe for resale at premium prices.

Antique treasures from the Otsuka Ceramic Shop soon to be proudly on display in our NZ home.

As my wife and I both forgot our wedding anniversary….again…I decided to give the dogū to her as a belated anniversary gift. Romance is not dead in the Murray household!

Happy 17th Wedding Anniversary My Darling!

Seventeen happily married years without a cross word! What an incredible wife you are and mother to our two amazing children…Who will soon, hopefully, be wonderful adults. 

Thank you for your compassion, kindness and consideration and for forgiving my many foibles. 

You are vastly more beautiful and interesting today than the happy day I met you, incredibly, over 20 years ago. Thank you for being my wife and for making my fabulous life ever more wonderful. 

Please accept this somewhat unusual wedding anniversary gift from your somewhat eccentric, but loving husband.  

Jōmon dogū figurines are thought to represent the religious  beliefs, artistic practices, and social structures of Jōmon period peoples and symbolise fertility, safety, social etiquette and protection from illness.

Let’s continue together to keep our family healthy safe and strong and to develop our artistic appreciation, creativity and sensibilities and our family spirit.

Thank you my LOVE for everything you do, you are and all you share with me.

I will love you, Diva, Winston and “Kawa” Murray unconditionally into perpetuity and continue to provide for you all and to, laugh, share life’s  experiences,, explore possibilities and grow wise and  happily old together.

Grace, Peace, Love and Happiness,

Your forever husband,

Paul.

愛しい人、17回目の結婚記念日おめでとう!

口喧嘩一つせず、幸せな結婚生活17年!あなたは本当に素晴らしい妻であり、二人の素敵な子供たちのお母さんです。きっともうすぐ素敵な大人になるでしょう。

あなたの思いやり、優しさ、そして思いやり、そして私の多くの欠点を許してくれてありがとう。

20年以上前にあなたに出会ったあの幸せな日よりも、今のあなたはずっと美しく、魅力的です。私の妻でいてくれて、そして私の素晴らしい人生をさらに素晴らしいものにしてくれてありがとう。

少し変わっているけれど、愛情深いご主人からの、少し変わった結婚記念日の贈り物を受け取ってください。

縄文土偶は、縄文時代の人々の宗教的信仰、芸術的慣習、そして社会構造を表し、豊穣、安全、社会的な礼儀、そして無病息災の象徴であると考えられています。

これからも一緒に、家族の健康、安全、そして力強さを保ち、芸術的な鑑賞力、創造性、感性、そして家族の絆を育んでいきましょう。

愛しい人よ、あなたがしてくれたこと、あなたがいてくれること、そして私と分かち合ってくれたことすべてに感謝します。

ディーヴァ、ウィンストン、そして「カワ」・マレーを、私は永遠に無条件に愛し、これからもあなたたちを支え続け、共に笑い、人生の経験を分かち合い、可能性を探求し、共に賢く、幸せに歳を重ねていきます。

恵み、平和、愛、そして幸福を、

永遠の夫より、

ポールより

Posted in Antiques, Art, Business, Economics, Funny, Gifts, Hilarous, Historical, Humor, Japan, Marriage, New Zealand, Paul Murray, Photography, Social Commentary, Tokyo, Tourism, Travel, Uncategorized, War | Tagged , , , , , , , , , , , , , , , | Leave a comment

Aotearoa AWOL at Osaka World EXPO

Murray Family’s Quest to Locate MIA New Zealand at Expo 2025

Off The Top of My Head

By Paul Murray

My family and I recently flew to Tokyo on our annual pilgrimage to visit my wife Sanae’s parents. This year. we also visited the World Expo in Osaka, Japan.

It was supposed to be a grand cultural exchange—an opportunity to see how nations present themselves and to proudly check out the New Zealand pavilion to see how we stack up against the world, but as we arrived at the venue beneath the myriad national flags, Aotearoa was not to be found….Crickets!

We flew from Karamea to Tokyo, transferred to the shinkansen, and barrelled down to Osaka at 300km/h. We battled through tides of people, stood for hours in a line in the baking sun, and spent thousands of dollars—not to mention a sizable chunk of our family holiday in the hunt for the New Zealand pavillion/display.

It was 37°C in the shade! Seriously HOT and HUMID…I drank six litres of water that day and, miraculously, never once had to visit the urinals. My pores turned me into a human sprinkler system.

But Expo 2025 itself? Absolutely fantastic. An awe-inspiring collection of nations showing off their best sides—art, culture, history, technology, food, sport, music, innovation. Many countries I’d never thought twice about now have a permanent place in my imagination. Palau? Turns out they’ve got some fascinating ideas about ocean conservation. Tuvalu? Yes, Tuvalu—population 9,646—was there with a display, proudly waving the flag and showing the world what they’re about.

To put a bit of perspective on the size of the exposition, the area inside the wooden ring that surrounds the pavillions is a little over 6 ha. The event runs from April 13 to October 13, 2025. Over 200,000 people per day visit the show and the total number of visitors is expected to exceed 28 million. According to the Asia Pacific Institute of Research, the event will boost the local Osaka economy by an estimated $US20 billion as visitors take the opportunity to explore the region after attending the EXPO.

The Japanese, whose penchant for cute animated characters is well known, have really raised the “kawaii” bar with the Osaka EXPO mascot MYAKU-MYAKU, an amorphous. multi-eyed, happy and colourful character who has won the hearts of EXPO attendees and become he event’s icon. The character, which appears to be sexless and possibly prefers the pronoun “it,” has also spawned a myriad or merchandising opportunities and the character adorns everything from towels, key chains, cookies, pens and hats to umbrellas, shoes, watches and even underpants! (There is also a MYAKU-MYAKU tamagochi!)

Meet World EXPO Osaka Mascot “MYAKU-MYAKU”

MYAKU-MYAKU” is a mysterious being born from the fusion of cells and water. The red parts symbolize life’s dividing, multiplying cells, while the blue represents pure, ever-changing water. Constantly shifting shape, MYAKU-MYAKU sometimes forgets its own original form, but for now it has taken on a human-like appearance. It thrives in sunlight, delights in rainy days, and eagerly absorbs rain into its body. Dreaming of being recognised by all before Expo 2025 in Osaka, MYAKU-MYAKU looks forward to meeting people from around the world.

MYAKU-MYAKU Bio:

Birthplace: A small spring somewhere in Kansai.

Personality: Friendly but goofy, often making silly mistakes.

Special Skills: Able to change its shape into various forms and finding rainbows after it rains.

Favourite Thing to Do: Interacting with all kinds of living beings and things

Over 150 countries and regions have displays at the EXPO (76% of countries in the world). These countries did not attend World EXPO in Osaka in 2025: Greece, Mexico, Estonia, Argentina, Niue, Russia, North Korea, Afghanistan and Iran due to issues like financial instability or political tensions with Japan. while New Zealand did not have a pavilion due to a lack of government commitment.

Tonga was there. Fiji was there. Nauru—yes, Nauru—was there (Pop. 11,497). Even Papua New Guinea had a presence. But New Zealand? The land of the All Blacks, Middle-earth, kiwifruit, and pineapple lumps? AWOL. Nowhere. Zip. Nada. Not a bean. The Kiwi Pavilion was as extinct as the moa.

Is New Zealand really that broke? Could we not scrape together enough coins from back of the couch to put up at least a modest stall in the Commons Pavilion? Maybe a card table with some Whittaker’s samples, a bloke with a guitar strumming Crowded House, an All Black haka, and a looping video of Milford Sound?

Instead, New Zealanders abroad had to endure the humiliation of explaining that our country was too busy or too poor or too disorganised to show up at the biggest international showcase of the decade. What message does that send? Don’t come visit? Don’t invest? We’re closed until further notice?

Ironically, the only NZ representation I found was at Disneyland, in the “It’s a Small World After All” ride. There, a smiling Māori lady in a grass skirt and two kiwis standing under cabbage trees swaying back and forth. It wasn’t much, but hey—it was something. Compared to EXPO 2025, Disney is making us look good.

So here we are, watching the world march proudly onto the global stage while New Zealand lurks backstage, mumbling, “Yeah-Nah, mate, not today.” Meanwhile, Tuvalu’s out there punching well above its weight, proving that even the smallest voices can be heard—while ours is MIA.

If this is our international strategy, then perhaps New Zealand’s new motto should be:


“New Zealand: The World’s Best Kept Secret… ”

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Letter to N.Z. Prime Minister Christopher Luxon requesting an answer as to why New Zealand failed to show up at the most significant international promotional forum: World EXPO Osaka 2025:

September 19, 2025 

The Rt Hon Christopher Luxon 
Prime Minister of New Zealand 
Parliament Buildings 
Wellington, New Zealand 

Cc: Hon Todd McClay, Minister of Trade 
Cc: Hon Matt Doocey, Minister for Economic Development 
Cc: Hon Louise Upton, Minister of Tourism 
Cc: Hon Paul Goldsmith, Minister for Arts, Culture and Heritage 

Cc: Hon Christopher Hipkins Leader of the Opposition 

Subject: Absence of a New Zealand Presence at Expo 2025, Osaka 

Dear Prime Minister, 

As a proud New Zealand resident, deeply committed to my community and the future of our country. I recently travelled with my wife, who is Japanese, and our two New Zealand-born children to visit Expo 2025 in Osaka, Japan. While we were greatly impressed by the international displays of culture, innovation, trade, and tourism from around the world, we were disheartened to discover that New Zealand had no pavilion, exhibition, or visible presence at the event. 

Expo 2025 is an extraordinary opportunity for nations to showcase their art, culture, traditions, food, technology, history, innovations, sport, and music on the world stage. With over 200,000 visitors per day between April and October, the Expo offers unparalleled exposure to prospective tourists, investors, and business collaborators. Countries both large and small—Tuvalu included—were represented with pride and impact. Australia’s pavilion, for example, was so popular that we were unable to gain entry due to long queues. 

By contrast, New Zealand’s absence was conspicuous. It was, frankly, embarrassing not to find our country represented, and it left my family and I concerned about the message this sends internationally. What impression are we leaving with the millions of visitors attending this event? That New Zealand has nothing to offer? That we are closed for investment? That we do not wish to promote our culture, products, services, and innovations to the world? 

Understandably, some countries—such as Russia—are absent for specific geopolitical reasons. However, New Zealand’s omission raises troubling questions. Was this a deliberate policy decision? If so, who made it, and on what grounds? Was the decision financial? If so, what does it signal about our priorities and ability to invest in opportunities for trade, tourism, and global collaboration? 

New Zealand has so much to offer such as world-class art, culture, technology, food, and natural beauty. To miss the chance to share this with a global audience feels like a significant lost opportunity—not only for tourism and trade, but for the international reputation of our nation. 

I respectfully request clarification on: 

  1. Why New Zealand chose not to participate in Expo 2025? 
  1. Who made the decision and what factors influenced it? 
  1. What assessment has been made of the potential consequences for New Zealand’s international profile, trade, and tourism? 
  1. Are there are plans to ensure New Zealand participates in future Expositions or similar global showcases? 

As proud NZ resident and patriot who loves this country and confidently represents it abroad, I believe the New Zealand absence in Osaka reflects poorly on the country, and I hope the Government will provide reassurance that this was not a missed opportunity without careful consideration and that due consideration is given to showcase Aotearoa in the next World EXPO in Belgrade in 2027. 

Thank you for your time and attention to this important matter. I look forward to your response. 

Yours Sincerely, 

Paul John Murray 

(Contact Details Supplied)

Response from Minister for Agriculture, Forestry, Trade and Investment and Foreign Affairs, The Hon Todd McClay

Posted in Adventure, Australia, Bureaucracy, Children, Economics, Education, Entertainment, Hilarious, Hilarous, Humor, Humour, Japan, Karamea, Media, Money, New Zealand, Parenting, Paul Murray, Photography, Politics, Product review, Social Commentary, Tourism, Travel, West Coast | Tagged , , , , , , , , , , | Leave a comment

The Little Shop of Horrors

A Karamea Area School Production

August 30, 2025

Off the Top of My Head

Photographs by Paul Murray

Posted in Art, Children, Community, Education, Entertainment, Karamea, Karamea Area School, Little Shop of Horrors, Music, New Zealand, Parenting, Paul Murray, Photography, Social Commentary, Theatre, West Coast | Tagged , , , , , , | Leave a comment

Karamea Ministry of Red Tape #28

Ole! Karamea Ministry of Red Tape! Ole! 

A subtly rhetorical, covertly ambiguous, ridiculously sinister Propaganda Unit of the Mexican Tequila Cartel! Authorised by Amigo Gaucamole Zappata to receive Official Complaints on behalf of the New Zealand Government! 
 

Market Cross, Karamea, 0900 hrs Monday the 15th of March 2025 

Karamea Ministry of Red Tape Head Honcho: Senorita Rohita Skarletta 

Karamea Ministry of Red Tape Head Honcho Senora Senorita Rohita Skarletta

Receptionist Senora El Vino Dizzy Dorozita

«Troops! Avanti!» 

Office Teetotalitarian: Yeltin El Boozlebub! 

Office Teetotalitarian: Yeltin El Boozlebub!  «Skol!» 

Office Guard Hundt: El Supermoo 

El Supermoo «R…a…l….p….h!!!» 

(Radio Karamea 107.5 FM DJ San Pedro «Ze chanson dedicated to all ze Rongolians!» 

«I don’t like Mondays.by Herp Albert and The Tijuana Brass.» 

Office Bar Keeper: Ole Amigos! A Montgomery Pythagorian Tragedy! The Karamea Ministry  
of Red Tape has run out of Lemons and Salt! 

Generalissimo Cancun Fernandez aka Bob!: «ring ring»: I wish to make ze complaint! 

Generalissimo Cancun Fernandez aka Bob!

Office Front Desk Receptionist Senora El Vino Dizzy Dorozita: An Official Complaint? 

 
Bob!:  Si! I have just visited the the Karamea Memorial Museum of El Senor Don Jockstrap  
Trumpetkov and I do not believe he has earned the right to be a Life Member of The Purple  
Tit Club! 

Senora El Vino: Three tours of Nam! 

Bob!: Si! In the foyer there are free psychodelic doggie bags of mescalin flavoured bull dust! 

Senora El Vino: Ai Carumba! Your complaint is extremely serious! Karamea Ministry of Red  
Tape fee is 3 million pesos including GST and Alcohol and Cigar Excise Tax! 

Senora El Vino

Bob!: Ole! A bargain senora, keep a the change! 

Senora El Vino: Receipt? 

Bob!: Non! 

Senorita Rohita Scarletta: Please enter the Karamea Ministry of Red Tape Chanson 
and Pizza Bar! I will personally record your Official Complaint! 

«Ring! Ring!»  

Dizzy Dorizita: Si senor! 

El Senor Donk Jockstrap Trumpetkov aka Pueblo: Si Senorita I wish to a make a complaint? 

El Senor Donk Jockstrap Trumpetkov aka Pueblo

Dizzy Dorozita: An Official Complaint? 

Pueblo Trumpetkov: Si! In Market Cross there is a Memorial Museum dedicated to a me  
senorita but I am a still alive! 

Bang! Bang! Bang! 

Office Karpenter Georgian Vazilimov: Santa Maria! My Nigro and a Decker nail  
gun a Misfire! 

Office Karpenter Georgian Vazilimov

Pueblo: #@%$#@@@ ! You pierced my good ear, my left nostril and my wallet! 

El Senor Donk Jockstrap Trumpetkov aka Pueblo

Senorita Dizzy Dorizita: Mmm? That will incur an a extra fee! 

Office Hostess Senorita Stormy Jacqueline Danielo: Amigo! Is that a nail in your nose or are you  
just a please to a see me!? 

Office Hostess Senorita Stormy Jacqueline Danielo

Pueblo: Ai carumba! I need to a sit down! 

Dizzy Dorizita: Si! 500 pesos Senor! 

Office Con Artist El Guevara El Che: Attention Staff! The Karamea Ministry of Red Tape 
is collecting donations for the Radio Karamea 107.5 FM! So a give til it hurts! 

Office Con Artist El Guevara El Che

Pueblo: F…#$@%&*&*^% El Che! You a kicked me in the balls! 

El Che El Guevara: Senor! Uno you have a no balls and duo I give and you a hurt! 

Pueblo: Can I get lunch here? 

El Che: Please a sit down in the Karamea Ministrry of Red Tape Lunch Bar Amigo! 

Pueblo: A cheese board with a Soviet hammer and sickle!?? 

El Che: Si Senor! You are a iron deficient! Bonk!!!! Slash!!!! 

Pueblo: #@$%^% EXPLETIVE!!!!! @#$%^&* 

El Senor Donk Jockstrap Trumpetkov aka Pueblo

El Che: Senor! A watch this video of me ringing the Casa Mexicana the day  
before the Ides of March! 

«Ring 111 800 9/11»

Bustrous Affropithecus: You have reached the Communications Office of  The Mexican Tequila Cartel! 

Bustrous Affropithecus

 
El Che: Si! Cave Idibus! 

Bustrous Affropithecus: Red Alert! I will put you immediately through to the Casa Mexicana 

Emergency Response Team! 

El Voda Phona: «Burp!» Zis is ze the Answerphone for the Casa Mexicana Tequila Cartelo! 

If your call involves torture or pubic persecution of Senor El Trumpetkov, please a hang up now and dial 0 for further Options! Hasta La Vista! 

Radio Karamea 107.5FM ….. Gang Bang Style by Juanita Chiquita!!!! 

 
Doktor Kavorkian Mengele aka Max: Mmm? You a need an urgent a Frontal Phlebotomy! 

Doktor Kavorkian Mengele aka Max

Pueblo:  $@%$#$% That is an El Giordo Katheter! 

Max: Say agghh!! 

Pueblo: Aaaaaghhhhh!!!!! Not a from my a one eyed trouser snake! @#$@%^%$#! 

Max: Mmmm Blood Type 911! 
 

El Senor Sweeny Todd: Haircut Senor? 

El Senor Sweeny Todd

Pueblo: Si! Can you cut this hair stuck in my front teeth since Senorita Stormy Danielo 
trespassed my office in the Casa Mexicana!? 

El Senor Sweeny Todd: Si Senor!   «husqavvaaarmmma!» 

Pueblo: #@$%^%$# A haircut with a Husquavarna Chain Saw!! @#$%$# 

«Husqavarrma…..!!!!» 

El Sweeny Todd: Ai Caramba! Hjey senor, how am I to know Pueblo you have hairs on your   
a forked tongue!  I give you a quick lesson in Mexicana Sign Language for gratis!! 

Pueblo:  (Both middle digits!) 

El Sweeny Todd: Ah, you learn a fast senor! 

Doktor Jekyll and Senor Hyde BDS: Hey it is a tooth hurty pm! Just a time for a tooth extraction!! 

Pueblo: «Two Fingered Salute!» 

Karamea Ministry of Red Tape Ultra Secret Sign Language Code Book! 

Senor Hyde: Ai Caramba! An educated Amigo! «Two fingered salute!» 
A Churchillian quote! ( We shall fight them in the Garden Bars, we shall fight them in  
the Chicano LowRiders, we vill never surrender! Amigos will still say this was their  
finest Lunch Hour!) 

Doktor Jekyll: Step aside senor Hyde! «An Eye tooth for an Eye tooth!» Recriminations 9/11 

Senor Hyde: Si, but I will administer an anaesthetic! Open Wide El Senor Pueblo! 

Doktor Jekyll and Senor Hyde BDS

Doktor Jekyll: Ah an a awkward customer! Use a crow bar Senor Hyde! 

Senor Hyde:  Read the label! An Oral Suppositry! Should work Herr Doktor! 

Taco Lolita:  Ah a Rule .303! Si! 

Taco Lolita

Radio Karamea 107.5FM DJ San Pedro

Radio Karamea 107.5FM DJ San Pedro

Senor Frederick Mercury Filling: …Another one biting ze dustkov!

Senor Frederick Mercury Filling
“Cindy” & “Crystal” from Guangzhou @ Karamea Radio LIVE on 107.5
Posted in AI, Bureaucracy, Business, Donald Trump, Funny, Hilarious, Hilarous, Humor, Humour, Karamea, Karamea Radio, Karamea Radio 107.5 FM, Media, Mexico, New Zealand, Parody, Paul Murray, Radio, Radio Karamea, Russia, Satire, Social Commentary, SuperMoo the KarameaWonderDog, Uncategorized, United States, West Coast | Tagged , , , , , , , , , , , | 4 Comments

KaraWearable 2025 Trancends All Expectations

Off the Top of My Head

By Paul Murray

In a small rural community like Karamea, people have different skill sets. When given an opportunity, a reason or a chance to share and contribute to a meaningful pursuit, the Karamea collective rises to the occasion. 


Incredibly, the KaraWearable crew has again inspired the community to rally and contribute to the cause, and on the back of successful events in ’23, ’24, the 2025 show was by far the best yet. 
Some set up the lights, the music, the set, the stage and decorations; others laid the carpet, set up the chairs, decorated the hall with potted plants donated by the local nursery, local businesses sponsored the prizes, printed the programme, posters and promotional material, wrote press releases, social media posts, spread the word, others erected the scaffolding, the catwalk and arranged the catering and ran the bar. And then there were the artists, designers, and creators, who, when given the opportunity to express their imaginations, got busy at home and fashioned some inspiring outfits that thrilled, amused, and blew minds. 


Many entries this year came from out of the immediate district, from over the hill in Granity and Westport. Patrons, too, came from afar, including Hokitika, Christchurch, the Bay of Plenty, and beyond. Thanks again to the awesome crew from the Lyric Theartre in Granity for supporting the event and coming dressed to the nines. Word is spreading, and the popularity of the KaraWearable event continues to grow every year. 


This year, designers and models leveraged lessons from previous shows, learned from mistakes, and built on successes, and the 2025 show was polished, well-rehearsed, and professional. The event organisers were also better focussed and applied their experience well to hosting the event in a simpler structure that showcased the outfits and models and enabled interaction with the audience, providing a showtime atmosphere that got the Karamea Pulse Energy Centre pumping.


This year, the models strutted their haute couture creations through the crowd, pausing on raised platforms to execute their little turns, allowing the audience to clearly see and fully appreciate the detail, effort, creative skill, imagination, and genius of each outfit. The kids enjoyed high-fiving the models as they strutted by, and the crowd interaction gave the event personality and a sense of fun that was appreciated by all concerned. This year, each outfit and model were announced by professional MC Cody Frewin, who informed the audience about the creations and mixed it up with good humour and witty banter. The designers could choose their own music this year as well and this worked well as the tunes supported the theme of their creations and added flair to their persentations.


The show opened with a Stella performance by the youngest model, Jaques Grobler (3), who rode his blinged-up tricycle the wrong way around the catwalk circuit to the tune of GeorHarrison’sn” ‘s “Here Comes the Sun,” stealing the show as soon as it had begun. Students from Karamea Area School followed with Jordan Miller modelling “Red Giant” in the Kowhai Class’s “Life Cycle of a Star” entry taking out the 1st Prize in the youth category. The creative Young family cleaned up the other youth awards with Madeline Young’s “Crow” taking second prize and younger sister Zoe Young’s “Crazy Emu” being awarded the “People’s Choice” gong.

“Boy on a Bike” Jaques Grobler (3) Designed by Nicolene Grobler and Cheryl Mawson
(Photo by Daimon “The “NOMAD” Schwalger)

The local Irish dancing troupe, “The Shamrocks,” dressed in elaborately decorated and beautiful traditional Irish dancing dresses, came on next and showcased their talents to an appreciative audience with high kicks, twirls, and jumps. Marshalled by their dedicated teacher, Juliette James, the littlies stole hearts and thrilled us all with their beautiful smiles, enthusiasm and skills. Three senior dancers performed a well-choreographed set, followed by a solo tap-dancing performance by Diva Murray.
Next on the catwalk were the adult entries, and…WOW…what a diverse and impressively creative show they put on for the show patrons. There were chickens, white baiters, princesses, fruity Carmen Mirandas, Celtic warrioresses, Coronaviruses, a mushroom, a campfire, and, someone always has to wear rubber”!

While the judges were deliberating and the people’s choice votes were being counted, the audience were treated to a fabulous acrobatic performance by Karamean gymnast, Lydia Barbour, who contorted her flexible, supple body into incredible shapes while suspended from a hoop under a tripod…I know right?


Best in show, according to the judging panel, was “Rona – Delta to Omicron and Beyond,” a playful yet poignant creation made from leftover PPE (Personal Protective Equipment) from the COVID-19 pandemic. Designed by local nurse practitioner Cathy Sampson and expertly modelled by schoolboy Elias Walker, the piece cleverly recalled the global disruption, fear, and social discord caused by the virus and the governmental response. As Elias strutted the stage handing out disposable face masks to the audience, he evoked vivid memories of lockdowns, distancing protocols, and the confusion of that era. Caroline Langford, took out the People’s Choice award with her flamboyant, self-modelled piece “Flowers in the Rain,” and Westport’s Lara Hall, fully rubbered-up, took second prize for modelling her friend Lynda Walker’s striking design “Chain Lash.”

“Rona”-“Delta to Omicron and Beyond,” designed Cathy Sampson and modelled by Elias Walker. Judged Best in Show in the adult category
(Photo by Daimon “The “NOMAD” Schwalger)
“Flowers in the Rain” Designed and Modelled by Caroline Langford Winner of the “People’s Choice” award. 
(Photo by Daimon “The “NOMAD” Schwalger)
Lara Hall Models “Chain Lash” by Lynda Walker (Photo by Daimon “The “NOMAD” Schwalger)

It was great to see the involvement of the school children in the parade and the effort and dedication of their teachers to encourage the kids to make costumes and show them off at the show was commendable. The quality and craftmanship of the adult creations too were an inspiration for the youngsters, may of whom are already talking about their design ideas for next year’s event.

One of the many positive and constructive comments reeceived by the event organisers was to have more prizes because all who entered deserved to be rewarded.

The KaraWearable event is the kind of community gathering that is needed to bring people back together after the social divisions and disruptions caused by the epidemic. Well done, Karamea. Kudos to the event organisers, designers, models, volunteers, school teachers, kids, and everyone involved. Thank you to all the people who came to see the show. Let’s continue to host events like these to bring unity back into the community.

“Sew and Tell” Designed by Sarah Wyles, Jacqui Dyer and Frith Bartlett and Modelled by Aby Chalmers
(Photo by Daimon “The “NOMAD” Schwalger)

Photos above by Daimon “The NOMAD” Schwalger

Prize Winners:

Volunteers/Sponsors/Organisers:

KaraWearable 2025 Sponsor lists / Thank you list

Sponsors:

Karamea Real Estate Property Brokers

Karamea Four Square

North Beach Construction

SM Lowe Contracting Ltd

Kongahu Homekill

Karamea Hardware

Spot Prizes

The Scullery in Waimangaroa

Last Resort: Accommodation

Karamea Village Hotel: Meal Vouchers for Judges & MC

Thank you list

MC – Cody Frewin

Judges – Ruth Vaega, Alison Hale, Anita Mary Halsall

Juliette James for Irish Dancing

All the Irish Dancers

Lydia Barbour – Aerial Acrobatic Performance

Karamea Area School for the hall usage, gear/tool and ongoing support.

Karamea Four Square supermarket for providing drinks

Vinnie’s cafe for providing delicious food for the night

Karamea Real Estate Property Brokers for printing

Karamea Information Centre for handling the ticket sales

Clean Stream Karamea for providing plants to decor the hall

KCI for managing our finances.

Wonderful team of volunteers

Rosalie Sampson – Liquor Licence application, overall support

Dion Mawson, Nathan Young – Set-up (builders)

Brendan O’Dwyer – Lighting

Joshua Mansfield – Scaffolding

Bernie Onthecoast – providing lights

Sam Beach- Music

Stu Reid – Overall venue & set-up support

Robyn Waines, Mauritz Grobler, Sean Palmer – Set-up helper

Paul Murray – Photographer, Press Release

Daimon Schwalger – Photographer

Emilie Schmitthaeusler, Pete Moynihan, Dion Mawson, Grace Blackburn – Bar

Steve Schulz – setting up the bar ( drink transport and setup )

Aby Chalmers – On the door

Val Moynihan, Sina Tuiavi’i – Backstage

Sacha Healey, Sonoe Ohizumi, Robin Jones, David Guppy, Deborah Wagner, Sarah Wyles – Pack up and Exhibition helpers Slava Bobrovska and Rachel White for catwalk assistance.

Lily Sunley, Ella Turner, Maddie Wilson, Madeleine Young, Vika Bobrovska, Harriet Young, Yeva Bobrovska, Tane Anderson, Tilly MacMillan, Diva Murray for collecting People’s choice slips/


All the KaraWearable organising crew – Cathy Sampson, Liz Kerslake, Ange Cronin, Bridie Young, Sanae Murray and Jessie Creedmore

To all who have been part of this successful show, your support and presence have meant more than words can express. Thank you!

Posted in Art, Artist, Community, Community-Led Development, Education, Environment, Environmentally Responsible Business, Fashion, Funny, Hilarious, Historical, Humor, Humour, Karamea, New Zealand, Paul Murray, Photography, Uncategorized, Wearable Art, West Coast | Leave a comment

The King & THE NOMAD Groove Karamea

Off the Top of My Head

By Paul Murray

It happened….It seemed unlikely, there were many challenges, hurdles to jump over hoops through, a veritable obstacle course of logistical, bureaucratic, social and financial complexity, but he made it work. Daimon “THE NOMAD” Schwalger pulled it off and it was a triumph.  

It started with a wild idea; bring King Kapisi, a monarch of New Zealand music royalty, to Karamea–perhaps the most remote town on mainland New Zealand, regional population 700–to headline a musical extravaganza featuring Ambush Brass, a brass ensemble from Christchurch, former Rhombus frontman MC Antsman, talented local DJs, Miss Meow and Future Flowz, and himself as THE NOMAD.  

Originally set for the Karamea Pulse Energy Centre hall, the event faced financial roadblocks due to security requirements for a temporary liquor license. Enter Maggie Seeman, owner of the Last Resort, who graciously stepped in to host the show. With the venue secured, Daimon crunched the numbers, worked through the compliance issues and legal complexities, cashed some social cheques, called in a few favors, and got the show on the windy road to Karamea.   

Sander De Vries and Tamati Te Tahi Dean-Albert enjoying the show (Photo Supplied)

The musicians said “Yes,” he rallied his many friends and local supporters to promote the show, sell tickets, prepare the venue, set up the equipment, the sound gear, lighting stage the Old Cafe and make show.   

Following a successful show at the same venue last year, Daimon upped the ante by asking friend Bill Urale, aka King Kapisi, to headline another show in Karamea. “Where?” was his likely response, but with sheer determination, belief, courage and the power of his conviction, he agreed to the crazy plan and the others also followed suit.   

The event was supported well by Karmaea locals, West Coasters and many people travelled from all over the South Island and beyond to attend the show, which was a sell-out success.  

The show began with the Ambush Brass Band from Ōtautahi who transcended all expectations and welcomed in the stragglers (myself included) to the main event, which was professionally managed and well monitored by the crew of local volunteers who checked tickets and served drinks, maintained security, staffed the merchandise stall and helped people relax and enjoy the music, which cranked up on time and kept the dance floor full all night.  

The tuba player from Ambush Brass Band from Ōtautahi (Photo Supplied)
Prue “Miss Meow” Holms-Schwalger and Daimon “THE NOMAD” Schwalger in action at The Last Resort Saturday February 8, 2025. (Photo Supplied)

The DJs warmed up the dancers, who were HOT by the time THE NOMAD hit the decks, MC Antsman joined him and for a banging set and the show as already a super success before the headliner King Kapisi hit the stage…the energy was high and charged it up further and we all went home happy and drenched in sweat from grooving to the hip hop beats of a consummate professional musical veteran.  

King Kapisi aka Bill Urale Headlining the Gig at The Last Resort, Karamea, on February 8, 2025 (Photo Supplied)

The day after the show, King Kapisi caught a kahawai after a bit of coaching from local anglers, a happier fisherman I’ve not seen. He enjoyed a few days of perfect weather in Sunny Karamea exploring the region and meeting the locals. Having a person of international renown here had the local lads waiting in ambush hoping to get his autograph, which he kindly obliged, delighting my son Winston and his friends with his moniker, kindness and good humour.  

The performers then put on a Sunday Session at the Last Resort warmed up by local DJs and culminating in another fine performance by THE NOMAD and the King that wrapped up a wonderful Waitangi Weekend in Sunny Karamea. Many thanks to Daimon, his awesome partner Prue Holms-Schwalger (aka Miss Meow) set-up crew Kane Hogan, Pete Howard, lighting specialist Bernie, Maggie and the Last Resort team and all the local people who supported the mad idea and made it happen. Word is, THE NOMAD is already planning the 2026 event, so be sure not to miss out on what is sure to be another superb event.  

Dancers at The Last Resort Sunday Session on February 9, 2025 (Photo Supplied)
Local Legend Kelly Dooley Feeling the Groove at The Last Resort Sunday Session on February 9, 2025 (Photo Supplied)

“Huge thanks to the following for your amazing work & support xox King Kapisi, Mc Antsman, Onthecoast, Apex, Ambush Brass, FutureFlowz, Targos, DKC Triple 3, Rasponsable, J’Em, Miss Meow, Sacha & her team, Maggie & the team @ Last Resort Karamea, Coast FM, Kane, Pete, Travis, Paul M & all the amazing people that came to support the love!!” THE NOMAD 

THE NOMAD is Westport-based Daimon Schwalger who is a regular visitor to Karamea with his wife Prue. Daimon has helped local businesses and to promote the region with his professional video, photography and drone footage service NOMAD Audio and Video and has many friends in the region. Daimon and Prue love Karamea and the community and consider the beautiful natural scenery inspirational. He shared his passion for Karamea with his musician friends across the country and encouraged them to come and help him celebrate 26 years as an Aotearoa electronic music trailblazer. 

ENDS

Local DJs

Donna “DKC333” Chambers (Photo Supplied)
Emilie “J’em” Schmitthaeusler (Photo Supplied)
Raramai “Rasponsible” Adcock (Photo Supplied)
Aaron “Targos” Cross (Photo Supplied)

Posted in Art, Artist, Business, Community, Community-Led Development, Culture, DJ Crap, Entertainment, Karamea, Media, Music, Musicians, Nature, New Zealand, Paul Murray, Photography, Social Commentary, Uncategorized, West Coast | Tagged , , , , , , , , , , , , | Leave a comment

Trump/Musk Blitzkreig Divides, But Will It Conquer?

Off the Top of My Head

By Paul Murray

U.S. President Donald Trump is brilliant at grabbing media attention and manipulating public opinion; it may be his only real skill.

He constantly throws out bizarre or shocking statements—whether it’s claiming the United States will “take over Gaza and build a Trump Gaza Plaza,” suggesting “America should buy Greenland,” “incorporate Canada into the United States,” “taking back the Panama Canal,” or claiming, without evidence, that immigrant Haitians are are “eating people’s pets.” These comments trigger media storms and distract journalists, politicians, and the public by creating incredulous outrage and anger. Trump is the media circus conductor and he’s drumming up a symphony of distraction.


While everyone is debating the latest incredible media concoction, real decisions are being made behind the scenes. Policies are changed, officials are replaced, institutions are quietly weakened, and his authoritative position is bolstered—all with little scrutiny because the news services are obsessed with Trump’s latest scandalous postulations and are not reporting what is actually occurring.


While Trump keeps everyone busy with media chaos, the world’s richest man, the unelected Elon Musk, has been removing key figures from influential positions. By using his Twitter (now X) platform with support from the POTUS on “Truth” Social and aligning himself with Trump’s political network, he has been able to influence who gets heard and who doesn’t.

The recent resignations of top officials in the U.S. Department of Justice (DOJ), like John Keller, Kevin Driscoll, Rob Heberle, Jenn Clarke and Marco Palmieri, only make it easier—Trump and Musk no longer need to fire people who might resist them; they can just replace them with loyalists.


Manhattan’s top federal prosecutor, Danielle Sassoon, resigned on Thursday rather than abide by Trump-appointed Deputy Attorney General Emil Bove’s order to dismiss corruption charges against New York City Mayor Eric Adams. Bove ordered Sassoon to dismiss the case on Monday, a move that legal experts consider an effort by Trump administration officials to control the prosecutor’s office, which has long prided itself on political independence.


Trump claims ambivalence, happily appointing temporary replacements to gauge whether they are willing to do his bidding, saying, “We have acting people. The reason they are acting is because I’m seeing how I like them, and I’m liking a lot of them very, very much. There are people who have done a bad job, and I let them go. If you call that turmoil, I don’t call that turmoil. I say that is being smart. That’s what we do.” He’s running the country like “The Apprentice” and he’s getting very good ratings.


This kind of institutional purge is straight out of the authoritarian playbook. By eliminating independent thinkers and replacing them with allies, they ensure that policies, regulations, and legal decisions are made in their favour, without the checks and balances that usually prevent abuse of power.


Social media algorithms play a crucial role in this strategy. Platforms like Facebook, Twitter (X), Instagram and TikTok don’t just show people random news—they carefully tailor content based on what they already believe. For left-leaning users, social media prioritises stories that criticise Trump, reinforcing their fears about his return to power. Meanwhile, right-leaning users are fed pro-Trump content and conspiracy theories that discredit mainstream media and government institutions. This deepens divisions and fuels distrust, making people less likely to find common ground or unite against real threats to democracy.


The divide-and-conquer strategy isn’t just limited to the United States—it’s also playing out on the world stage. With Trump back at the helm, he has hinted at weakening NATO, questioning U.S. support for Ukraine, and reshaping global diplomacy in ways that favour authoritarian leaders. Trump appointees like Pete Hegseth as Secretary of Defence and J.D. Vance as Vice President, the United States appears to be taking a hard turn towards isolationism, undermining long-standing alliances and creating instability that benefits autocrats like Russian President Vladimir Putin.


By insulting European allies, negotiating Ukraine’s future without President Zelensky, and stirring up uncertainty in global markets, the Trump-Musk alliance is setting the stage for a world where power is concentrated in the hands of a few—those who know how to manipulate chaos for their own gain. The real danger isn’t just Trump’s wild statements or Musk’s quiet takeovers—it’s the long-term impact of their combined strategy.

By keeping the public divided, distracting the media, and removing institutional safeguards, they are reshaping not only the United States but global politics. If left unchecked, their influence could lead to a world where democracy is eroded, power is centralised, and the public is too distracted and polarised to resist.


However, it is also important to recognise that the recent surge of progressive policies and cultural shifts may have moved too fast for some segments of society, causing a backlash. The solution is not to swing to the opposite extreme—embracing authoritarianism and dismantling institutions—but to find balance. True progress requires moving forward, not endlessly swinging from one extreme to another.

If we allow ourselves to be divided, we risk playing into the hands of those who seek control through chaos. The question is: Will people, DOJ officials, bureaucrats, and Democrats (and Republicans) wake up to this strategy before it’s too late to prevent this global power grab?

Betrand Russell: “First, they fascinate the fools. Then, they muzzle the intelligent.”

Posted in Bureaucracy, Canada, Crime, Culture, Donald Trump, Economics, Germany, New York, Paul Murray, Politics, Social Commentary, Social Equity, United States, War | Tagged , , , , , , , , | 2 Comments

The Hess Mess: Rudolph the Red-Faced Reichdear

Rudolf Hess’s Flight to England its Purpose, Hitler’s Involvement and Holocaust Implications

Abstract

This report investigates Deputy Führer Rudolf Hess’s extraordinary flight to Britain on May 1941, an event shrouded in mystery and speculation. It examines whether Adolf Hitler sanctioned Hess’s mission and explores the rhetorical question of whether the Holocaust might have been averted or mitigated had the British entertained Hess’s peace proposals. Drawing on primary sources, memoirs, and secondary analyses, this study places the mission within the broader context of Nazi foreign policy, interwar diplomacy, and the trajectory of the Holocaust.


Introduction

  1. The historical significance of Hess’s flight.
  2. Overview of the competing interpretations of the mission’s purpose.
  3. Research questions:
    • Did Adolf Hitler authorise Hess’s mission?
    • Could engaging with Hess’s peace overtures have influenced the course of World War II and the Holocaust?
  4. Methodology and sources.
Rudolph Hess (Right)

Chapter 1: The Context of the Mission

  1. The geopolitical situation in early 1941
    • Germany’s dominant position in Europe.
    • The ongoing Blitz and the Battle of Britain.
  2. Rudolf Hess’s role in the Nazi regime
    • Hess’s early relationship with Hitler.
    • His diminishing influence by the late 1930s.
  3. The concept of a separate peace with Britain
    • Nazi ideology and its view of the British Empire.
    • Hitler’s fluctuating interest in an Anglo-German alliance.

Chapter 1: The Context of the Mission

The Geopolitical Situation in Early 1941

By early 1941, Europe was firmly under the shadow of Nazi Germany’s military and political dominance. The Wehrmacht had achieved a string of victories, culminating in the swift defeat of France in 1940 and the establishment of the Vichy regime. Much of Western Europe was either under German control or aligned with the Axis powers. Germany’s geopolitical position was bolstered by the 1939 Molotov-Ribbentrop Pact with the Soviet Union, which temporarily secured its eastern flank and allowed Hitler to focus on consolidating power in the West.

However, Britain remained defiant under Winston Churchill’s leadership. The ongoing Blitz, which began in September 1940, was an attempt to break British morale through sustained aerial bombardment of cities, while the Battle of Britain (July to October 1940) demonstrated that the Luftwaffe could not achieve air superiority over the Royal Air Force. These failures marked the limits of German power and ensured that Britain remained a key adversary, albeit isolated, following the fall of France.

Germany’s Dominant Position in Europe

Germany’s economic, military, and strategic dominance was evident by early 1941. Its occupation of key territories provided access to significant resources, while its military strategy, characterised by blitzkrieg tactics, allowed rapid conquests with relatively low casualties. The Nazi regime also worked to integrate occupied territories into its war effort, exploiting local economies and labor forces to fuel its ambitions.

Despite this dominance, cracks were visible in the Nazi war machine. The failure to subdue Britain highlighted the limitations of German power projection, and tensions with the Soviet Union loomed on the horizon. Hitler’s plans for Operation Barbarossa, the invasion of the Soviet Union, were already in motion, suggesting that Germany’s focus was shifting eastward.

The Ongoing Blitz and the Battle of Britain

The Blitz and the Battle of Britain were pivotal moments in the war that framed Hess’s mission. The Luftwaffe’s failure to achieve a decisive victory in the skies over Britain marked Germany’s first major setback. The Blitz, while devastating, did not break British resolve; instead, it steeled the population’s determination to resist. These events highlighted the strategic impasse between the two nations and underscored the urgency for Germany to find alternative ways to neutralise Britain as a threat, including the possibility of a negotiated peace.

Rudolf Hess’s Role in the Nazi Regime: Hess’s Early Relationship with Hitler

Rudolf Hess was one of Hitler’s earliest and most loyal followers, joining the Nazi Party in 1920 and participating in the 1923 Beer Hall Putsch. He served as Hitler’s deputy and private secretary, playing a key role in the party’s rise to power. Hess’s loyalty was reflected in his work on Mein Kampf, where he assisted in transcribing Hitler’s ideas, and in his unwavering adherence to Nazi ideology.

Reichsleiter Rudolph Hess (Far Right)
His Diminishing Influence by the Late 1930s

Despite his early prominence, Hess’s influence within the Nazi regime began to wane by the late 1930s. More pragmatic and militarily inclined figures, such as Heinrich Himmler, Hermann Göring, and Martin Bormann, eclipsed Hess in Hitler’s inner circle. As the regime shifted toward militarisation and expansion, Hess’s ideological zeal and lack of administrative acumen made him increasingly marginal. By 1941, Hess retained his title as Deputy Führer but had little real power, which may have influenced his decision to undertake the dramatic and unauthorised flight to Britain.

The Concept of a Separate Peace with Britain: Nazi Ideology and Its View of the British Empire

The Nazi leadership held an ambivalent view of the British Empire. On one hand, Hitler admired Britain’s global dominance and perceived the British as racial kin within the Aryan framework of Nazi ideology. On the other hand, the Empire represented a major geopolitical rival. Some Nazis, including Hess, believed that an Anglo-German alliance could be mutually beneficial, securing Germany’s dominance in Europe while preserving British control of its empire. This idea aligned with Hitler’s early musings in Mein Kampf, where he expressed a grudging respect for Britain’s imperial achievements.

Adolph Hitler as a child…Prior to becoming all bitter, angry and genocidal and shit.
Hitler’s Fluctuating Interest in an Anglo-German Alliance

Hitler’s attitude toward Britain oscillated between admiration and hostility. While he hoped for British neutrality or cooperation during the early stages of his conquests, Britain’s steadfast refusal to negotiate dashed these hopes. By 1941, Hitler’s focus was shifting toward the invasion of the Soviet Union, but elements within the Nazi leadership, including Hess, continued to see value in a negotiated peace with Britain. Hess’s flight can be understood as a last-ditch effort to realise this vision, despite its improbability given the political and military context.

Chapter 2: The Mission and Its Reception

  1. The details of Hess’s flight
    • Planning and execution of the solo mission.
    • Hess’s arrival in Scotland and capture by the British.
  2. The British reaction
    • Initial suspicion and analysis of Hess’s mental state.
    • British Prime Minister Winston Churchill’s refusal to negotiate.
    • The role of intelligence and propaganda in shaping the response.
  3. Hess’s proposals
    • Alleged terms for a peace settlement.
    • The absence of concrete evidence and the speculative nature of the mission’s diplomatic objectives.

Expanded Chapter 2: The Mission and Its Reception

The Details of Hess’s Flight

Hess piloted a specially modified Messerschmitt Bf 110, departing Augsburg in south-central Germany on May 10, 1941, and crossing enemy territory before parachuting into Scotland near Dungavel House. His destination was the estate of the Duke of Hamilton, whom Hess believed might facilitate contact with British leaders. The choice of the Duke was not arbitrary—Hess had met Hamilton at the 1936 Olympic Games in Berlin and assumed Hamilton, known for his aristocratic ties and earlier contacts with German officials, might sympathise with an Anglo-German accord.

British soldiers inspect the wreckage of Hess’s Messerschmitt Bf 110

Hess carried a detailed written proposal outlining his vision for peace:

  1. Britain would retain its empire, provided it stayed neutral in the European conflict.
  2. Germany’s dominance on the continent would be acknowledged.
  3. The war would effectively end without Germany having to fight a two-front conflict.

Hess’s dramatic arrival was initially interpreted by British authorities with suspicion. Interrogators, including MI5 officers, noted inconsistencies in Hess’s statements and questioned his mental state. The flight’s timing—weeks before the launch of the Nazi invasion of Russian–Operation Barbarossa—added urgency to Churchill’s assessment, as it appeared linked to German strategy.

Winston Churchill Took no Truck with Nazis and Refused to Entertain Hess or his Ludicrous “Peace Initiative.

The British Reaction

Churchill dismissed Hess’s mission as inconsequential, labeling it an act of desperation. He ensured Hess’s proposals were neither publicised nor taken seriously, concerned they might embolden the British peace movement or sow discord among the Allies. Instead, Hess was detained, interrogated, and later tried at Nuremberg, where his credibility as a key Nazi figure was diminished.

The British government also leveraged Hess’s flight for propaganda, portraying it as evidence of disarray within the Nazi leadership. The public narrative emphasised Hess’s isolation and delusion rather than engaging with the diplomatic content of his mission.

Chapter 3: Adolf Hitler’s Involvement

  1. Evidence supporting Hitler’s involvement
    • Hess’s position as Hitler’s deputy and confidant.
    • Strategic motivations for an overture to Britain.
    • Possible authorisation signals in Nazi communication records.
  2. Evidence refuting Hitler’s involvement
    • Hitler’s public denouncement of Hess post-flight.
    • Testimonies from contemporaries suggesting Hess acted independently.
    • The psychological and ideological discrepancies between Hess and Hitler.

Expanded Chapter 3: Adolf Hitler’s Involvement

Evidence Supporting Hitler’s Involvement

  • Hess’s Position as Hitler’s Deputy:
    Hess was entrusted with significant authority as Hitler’s deputy in the Nazi Party hierarchy, which lends credibility to the possibility of him acting on Hitler’s strategic desires. Hitler had expressed interest in the idea of a settlement with Britain during earlier stages of the war, viewing the British Empire as a natural ally against Soviet communism.
  • Strategic Motivations:
    In early 1941, Hitler faced mounting concerns about engaging in a two-front war. A peace settlement with Britain could have secured the Western front, freeing resources for the planned invasion of the Soviet Union. Hess’s mission coincided with the culmination of Barbarossa’s planning, making a British peace a logical priority.
  • Indirect Evidence from Nazi Communications:
    Some historians argue that Hess may have received tacit approval rather than explicit instructions. For instance, references in Goebbels’s diaries indicate that Hess’s departure was not entirely unexpected within the upper echelons of Nazi leadership.
The führer was particularly upset by Hess’s initiative

Evidence Refuting Hitler’s Involvement

  • Hitler’s Denouncement of Hess:
    Upon learning of the flight, Hitler publicly declared Hess’s actions as unauthorised and delusional, going so far as to strip him of all official titles. Some analysts suggest Hitler’s denouncement was genuine, pointing to the embarrassment Hess caused at a critical juncture of the war.
  • Testimonies of Nazi Officials:
    Senior figures such as Albert Speer and Heinrich Himmler described Hess as increasingly marginalised in Nazi decision-making by the early 1940s. His ideological rigidity and mystical tendencies alienated him from Hitler’s inner circle, suggesting he acted independently out of personal conviction.
  • The Psychological Factor:
    Hess’s reputation for mysticism and eccentricity played a significant role in contemporary assessments of his motives. His fascination with astrology and a belief in his destiny to secure peace have been cited as factors driving him to undertake the mission without direct orders.
Adolph Hitler in a Particularly Sillly Hat and Salvador Dali Tash

Primary Source Evidence

  1. Hess’s Memoirs and Interrogations:
    In post-war testimonies, Hess maintained that his mission aimed to prevent further destruction in Europe. His writings reflect a blend of idealism and delusion, consistent with a figure acting on personal rather than state orders.
  2. British Intelligence Reports:
    Documents from MI5 detail the interrogations of Hess, revealing discrepancies in his accounts and skepticism regarding the plausibility of his proposals. These reports also highlight Hess’s fragile mental state, with officers speculating on his motivations.
  3. Goebbels’s Diaries:
    Joseph Goebbels recorded Hitler’s reaction to Hess’s flight, noting the Führer’s fury and disbelief. However, Goebbels also acknowledged that some Nazi officials suspected Hess might have had covert approval before acting.

Secondary Sources and Scholarly Interpretations

  1. Ian Kershaw’s Hitler: A Biography
    Kershaw argues that Hess’s flight reflects the ideological and strategic contradictions within the Nazi regime. He views the mission as an unauthorised but ideologically consistent gambit by Hess, whose actions ultimately alienated him from Hitler.
  2. Martin Allen’s The Hitler-Hess Deception
    Allen posits a controversial theory that Hess’s flight was part of a larger British intelligence ploy, suggesting that British officials might have been aware of Hess’s intentions in advance. While this view remains contested, it adds a layer of intrigue to the historiography.
  3. Richard J. Evans’s The Third Reich at War
    Evans dismisses the mission as a delusional and ineffectual effort, underscoring its lack of impact on the broader trajectory of the war or the Holocaust.

Chapter 4: Counterfactual Analysis: Could the Holocaust Have Been Stopped?

  1. The timeline of the Holocaust
    • The progression from discriminatory policies to the “Final Solution.”
    • The Wannsee Conference and its irreversible decisions.
  2. Could British engagement with Hess have altered Nazi policy?
    • The likelihood of a negotiated peace influencing Hitler’s actions.
    • The deeply entrenched anti-Semitic ideology of the Nazi leadership.
    • The potential of an Anglo-German peace to divert resources from genocide to war.
  3. Ethical and methodological considerations in counterfactual history.

Expanded Chapter 4: Counterfactual Analysis: Could the Holocaust Have Been Stopped?

The Timeline of the Holocaust

The Holocaust unfolded as a result of deeply entrenched Nazi ideology and institutional momentum.

Key milestones include:

  1. Pre-War Persecution (1933–1939):
    • Anti-Semitic legislation, such as the Nuremberg Laws of 1935, stripped Jews of civil rights.
    • The 1938 Kristallnacht pogrom marked an escalation in violent persecution.
  2. Ghettoization and Early War Crimes (1939–1941):
    • Following the invasion of Poland, Jewish populations were forced into ghettos.
    • Einsatzgruppen massacres accompanied the invasion of the Soviet Union.
  3. The Final Solution (1942–1945):
    • The Wannsee Conference (January 1942) formalised plans for the systematic extermination of European Jews.
    • Death camps like Auschwitz, Treblinka, and Sobibor were central to the genocide, with over six million Jews murdered by 1945.

By the time of Hess’s flight in May 1941, Nazi anti-Semitic policies were already deeply entrenched. While the industrialised extermination had not yet been implemented, the trajectory toward genocide was well underway.

Satan Leads the Ball by Arthur Szyk

British Engagement with Hess’s Proposals

Had British officials entertained Hess’s peace overtures, several potential scenarios emerge:

  1. A Successful Negotiated Peace:
    • If Britain had agreed to Hess’s terms, a cessation of hostilities on the Western Front might have allowed Germany to concentrate resources on the Eastern Front. This could have accelerated the invasion of the Soviet Union, potentially altering the war’s timeline but not necessarily the Holocaust’s trajectory.
    • Nazi anti-Semitic ideology was central to Hitler’s worldview. Peace with Britain would unlikely alter internal policies targeting Jews, as these were considered distinct from military strategy.
  2. A Stalemate or Prolonged Negotiations:
    • British hesitation or prolonged negotiations might have provided a window for internal opposition within Germany to gain traction. However, the strength of Hitler’s control and the Nazi Party’s centralised power make this unlikely.
    • Any delay in the war effort might have led to an intensification of anti-Semitic measures, as the regime had shown a pattern of using Jewish persecution to consolidate power.
  3. Impact on the Final Solution:
    • By 1941, the Nazi leadership had already begun discussing plans for the systematic extermination of Jews. The invasion of the Soviet Union was critical to these plans, providing the logistical and territorial framework for death camps in occupied Poland.
    • A peace with Britain might have altered military logistics but not the ideological commitment to genocide. Hitler’s speeches, such as his infamous 1939 “prophecy,” reveal a consistent intention to annihilate European Jewry, irrespective of wartime developments.

Counterarguments: Could Diplomacy Have Derailed the Holocaust?

  1. Potential Moderation of Nazi Policy:
    Some historians argue that international recognition or negotiation could have moderated Nazi policy. For example, the 1938 Evian Conference highlighted the potential impact of global pressure on Germany’s treatment of Jews.
    • However, by 1941, such moderating influences were no longer viable due to Germany’s wartime consolidation of power.
  2. Diverting Resources from Genocide:
    • A peace settlement might have shifted resources away from the Holocaust, as the war effort required significant logistical and financial commitments.
    • However, the Holocaust was not merely a byproduct of the war but a core ideological aim of the Nazi regime, suggesting that resources would have been allocated regardless of military needs.
  3. Encouraging Internal Opposition:
    • British engagement with Hess could have emboldened factions within Germany opposed to Hitler.
    • Yet the July 20, 1944, assassination attempt illustrates the difficulty of overthrowing Hitler, even with disillusionment among high-ranking officials.

The Role of Ideology in the Holocaust

Nazi anti-Semitism was not a pragmatic policy but an ideological cornerstone. Hitler’s worldview saw Jews as existential enemies of both Germany and humanity. This worldview was systematically propagated through propaganda, education, and legislation, ensuring the Holocaust’s continuation even in scenarios of military or diplomatic shifts.

  • Hitler’s speeches and writings repeatedly link the extermination of Jews to Germany’s survival, framing genocide as a non-negotiable necessity.
  • The bureaucratic infrastructure of the Holocaust—evidenced by the Wannsee Protocol—was independent of wartime exigencies, demonstrating a long-term commitment to extermination.

Ethical and Methodological Considerations in Counterfactual History

Analysing whether the Holocaust could have been stopped through diplomatic engagement with Hess involves complex ethical and methodological challenges:

  1. Speculative Nature of Counterfactuals:
    • While counterfactual analysis helps explore alternative historical pathways, it risks oversimplifying complex events.
  2. Moral Implications:
    • The idea of negotiating with a genocidal regime poses significant ethical dilemmas, particularly in legitimising or enabling its ideology.
  3. Historiographical Debate:
    • Scholars like Richard Evans caution against overemphasising individual agency (e.g., Hess’s flight) at the expense of structural factors like ideology, bureaucracy, and societal complicity.

Conclusion of Counterfactual Analysis

While engaging with Hess’s peace overtures might have altered the trajectory of World War II, it is unlikely to have prevented the Holocaust. The Nazi regime’s genocidal policies were driven by ideological imperatives and a bureaucratic apparatus that operated independently of military or diplomatic considerations. By 1941, the foundations for the Holocaust were firmly in place, and its implementation was not contingent on the broader state of the war.


Chapter 5: Legacy and Historiography

  1. Hess in historical memory
    • Interpretations in post-war scholarship.
    • The enduring myths surrounding the flight.
  2. The broader implications of the mission
    • The nature of Nazi diplomacy and ideological rigidity.
    • Lessons for contemporary international relations.

Preliminary Argument Summary

While Rudolf Hess’s mission reflects a desperate attempt to alter the course of World War II, there is limited evidence that Hitler directly sanctioned the flight. Even if the British had entertained Hess’s proposals, the Holocaust’s ideological underpinnings and institutional momentum suggest it was unlikely to be derailed. This dissertation concludes that Hess’s flight underscores the complexities of Nazi diplomacy, but had minimal potential to alter the genocide’s trajectory.


Expanded Chapter 5: Legacy and Historiography

Hess in Historical Memory

Hess’s flight to Britain remains one of the most enigmatic events of World War II. Over the decades, it has inspired diverse interpretations, ranging from genuine diplomatic overture to delusional folly, and even conspiracy theories.

  1. Hess as the “Peace Envoy”
    • Supporters of the view that Hess sought to prevent unnecessary bloodshed portray him as a well-meaning, albeit misguided, idealist. This narrative often emphasises his disillusionment with the Nazi regime’s escalation of violence and his belief in Anglo-German cooperation.
    • Memoirs and post-war accounts, such as those by his son Wolf Rüdiger Hess, have contributed to this interpretation.
  2. Hess as a Delusional Maverick
    • Most mainstream historians, including Ian Kershaw and Richard Evans, argue that Hess acted independently, driven by a combination of ideological zeal, mysticism, and a desire to reclaim his waning influence within the Nazi hierarchy.
    • His flight is often described as a “flight of fancy,” reflecting his increasing isolation and detachment from reality.
  3. Hess as a Pawn in Intelligence Games
    • Some conspiracy theories suggest that British intelligence might have been aware of, or even facilitated, Hess’s mission. Proponents of this view, such as Martin Allen in The Hitler-Hess Deception, argue that Hess was lured by a false promise of British receptiveness to peace.
    • While intriguing, this theory lacks substantial archival evidence and has been criticised for relying on circumstantial connections.
Rudolph Hess (Centre) Audibly Farts Prompting a Lighter Moment at the Nuremburg Trials
(Prior to Many of the Above Being Sentenced to Death by Hanging
)

Historiographical Shifts Over Time

  1. Immediate Post-War Interpretations
    • In the immediate aftermath of the war, Hess was largely dismissed as an eccentric, and his mission was overshadowed by the broader narrative of Nazi atrocities.
    • The Nuremberg Trials, where Hess was convicted of crimes against peace, further cemented his image as a marginal figure in the Nazi regime.
  2. Cold War Reassessments
    • During the Cold War, interest in Hess’s flight revived as scholars explored the diplomatic and ideological underpinnings of Nazi strategy. His mission was reconsidered within the context of Nazi attempts to exploit divisions among the Allies.
    • Revisionist historians speculated on whether a separate peace with Britain might have altered the balance of power during the war.
  3. Contemporary Scholarship
    • Modern historians generally agree that Hess’s flight had minimal strategic impact. The focus has shifted to understanding the psychological and ideological factors motivating his actions.
    • Scholarship has also explored the propaganda value of Hess’s flight for both the British and Nazi regimes, highlighting its utility in shaping wartime narratives.

Legacy of Hess’s Mission

  1. Hess as a Symbol of Nazi Disunity
    • The flight is often cited as evidence of internal divisions within the Nazi leadership. It underscores the competing visions within the regime, particularly regarding foreign policy and the balance between ideological purity and pragmatic strategy.
  2. The Long Shadow of Conspiracy Theories
    • Hess’s long imprisonment (After Nuremburg, he was held in Spandau Prison for 40 years until his death in 1987) and the secrecy surrounding some British archival materials have fueled conspiracy theories.
    • Calls for the release of classified documents continue to stoke speculation about British intentions and knowledge regarding Hess’s mission.
  3. Ethical Lessons and Diplomatic Implications
    • Hess’s flight raises broader questions about the ethics of diplomacy with authoritarian regimes. His mission highlights the tension between seeking peace and avoiding the legitimisation of oppressive ideologies.

Historiography: Key Scholars and Works

  1. Ian Kershaw:
    • In Hitler: A Biography, Kershaw frames Hess’s flight as an act of desperation, reflecting his marginalization within the Nazi regime. He dismisses the notion that Hitler directly sanctioned the mission, viewing it as a misguided attempt to regain influence.
  2. Richard J. Evans:
    • Evans, in The Third Reich at War, emphasises the irrationality of Hess’s mission and its limited impact on the war. He argues that Hess’s proposals were ideologically driven and strategically untenable.
  3. Martin Allen:
    • Allen’s The Hitler-Hess Deception offers a controversial perspective, suggesting that Hess was manipulated by British intelligence. While intriguing, Allen’s claims lack definitive evidence and have been widely criticized by other scholars.
  4. Peter Padfield:
    • In Hess: The Führer’s Disciple, Padfield explores Hess’s ideological zeal and mystical beliefs, portraying him as a loyal but misguided follower of Hitler who acted without his leader’s knowledge.

Public Perception and Cultural Representation

  1. Popular Media and Literature
    • Hess’s flight has been dramatised in films, documentaries, and novels, often emphasising its mysterious and dramatic nature.
    • These portrayals range from speculative thrillers to more grounded historical narratives, reflecting the enduring fascination with Hess’s actions.
  2. Memorialisation and Controversy
    • Hess’s death in 1987, officially ruled a suicide, sparked renewed interest and conspiracy theories, with some neo-Nazi groups attempting to co-opt his memory as a symbol of resistance.
    • Efforts to commemorate Hess have been widely condemned, reflecting his continued association with Nazi ideology.

Conclusion

  1. Summary of findings:
    • Evidence leans toward Hess acting independently of Hitler’s direct orders.
    • The Holocaust’s trajectory was unlikely to be influenced by British engagement with Hess.
  2. Reflections on the historiographical challenges of analysing Hess’s flight.
  3. Final thoughts on the implications of Hess’s mission for our understanding of Nazi Germany and World War II diplomacy.

Bibliography

  1. Primary Sources:
    • Hess’s prison memoirs and interrogations.
    • British intelligence and diplomatic records.
  2. Secondary Sources:
    • Scholarly works on Nazi diplomacy and the Holocaust.
    • Biographies of Rudolf Hess and Adolf Hitler.

Conclusion of Historiography and Legacy

Rudolf Hess’s flight to Britain remains a paradoxical event in the history of World War II—both strategically inconsequential and symbolically significant. It highlights the ideological and strategic contradictions within the Nazi regime and serves as a reminder of the complexities of wartime diplomacy. While the mission’s immediate impact was minimal, its legacy endures as a subject of historical curiosity and debate.

Playboy Bunny Adolf and “Blondi” Playing Verstecken und Suchen in the Woods

Final Reflections: The Mission of Rudolf Hess and Its Implications

Rudolf Hess’s flight to Britain in May 1941 remains a subject of enduring intrigue, encompassing themes of diplomacy, ideology, and the broader trajectory of World War II. This dissertation has explored the historical context, motivations, and consequences of Hess’s mission, engaging with historiographical debates and counterfactual scenarios to assess its potential impact on the war and the Holocaust.


Summary of Key Findings

  1. Hess’s Mission and Hitler’s Involvement:
    • Hess’s flight was a bold yet idealistic endeavor, driven by his unwavering belief in the possibility of Anglo-German cooperation.
    • The evidence suggests that while Hess acted in alignment with broader Nazi aims, his mission was not explicitly sanctioned by Hitler. His actions reflected both the ideological cohesion and personal rivalries within the Nazi leadership.
  2. British Reception and Strategic Implications:
    • Churchill’s refusal to engage with Hess underscored the British government’s commitment to total victory and the unlikelihood of a negotiated settlement.
    • While Hess’s proposals might have offered short-term strategic benefits to both sides, they were fundamentally incompatible with the ideological and geopolitical goals of the Allies and the Axis powers.
  3. Impact on the Holocaust:
    • The Holocaust was a core element of Nazi ideology, shaped by long-term planning and bureaucratic execution. Diplomatic engagement with Hess was unlikely to alter its trajectory, as it was driven by ideological imperatives rather than pragmatic considerations.
  4. Historiographical and Ethical Dimensions:
    • Hess’s flight illustrates the complexities of historical interpretation, where individual actions intersect with structural forces.
    • The ethical dilemmas of engaging with authoritarian regimes remain relevant, highlighting the tension between pursuing peace and avoiding the legitimisation of oppressive ideologies.

Broader Implications for Historical Understanding

  1. The Limits of Diplomacy:
    Hess’s mission underscores the limitations of diplomacy in addressing ideologically driven conflicts. While peace overtures might alter the dynamics of military engagements, they are unlikely to dismantle deeply entrenched ideological systems.
  2. The Role of Individual Agency:
    • Hess’s flight exemplifies the interplay between individual agency and structural forces in history. While his actions were dramatic and unprecedented, their impact was constrained by the broader context of Nazi strategy and Allied resolve.
  3. Historical Memory and Contemporary Relevance:
    • The enduring fascination with Hess reflects broader societal interest in the “what-ifs” of history. His mission serves as a reminder of the unpredictability of historical events and the need for careful analysis of their causes and consequences.

Conclusion

Rudolf Hess’s flight to Britain represents a unique moment in World War II history, characterised by ambition, desperation, and futility. It highlights the ideological rigidity of the Nazi regime, the strategic priorities of the Allies, and the human tendency to seek dramatic solutions in times of crisis.

While the mission ultimately failed to achieve its objectives, its legacy endures as a case study in the complexities of diplomacy, ideology, and historical interpretation. By examining Hess’s flight, historians can better understand the intricate dynamics of war and peace, as well as the ethical challenges of engaging with oppressive regimes.


Bibliography

Primary Sources

  1. Hess’s Interrogation Reports and Memoirs
    • MI5, Interrogation Reports of Rudolf Hess, 1941. National Archives, Kew.
    • Hess, Rudolf. Mein Leben für Deutschland (My Life for Germany). Self-published manuscripts.
  2. Nazi Leadership Documents
    • The Wannsee Protocol (1942).
    • Goebbels, Joseph. Diaries, 1923–1945. Edited by Elke Fröhlich, German Federal Archives.
  3. British Government Communications
    • Churchill, Winston. The Second World War, Volume III: The Grand Alliance. London: Cassell, 1950.
    • Foreign Office Records on Rudolf Hess, National Archives, Kew.

Secondary Sources

  1. Biographies and General Histories
    • Kershaw, Ian. Hitler: A Biography. New York: Norton, 2008.
    • Evans, Richard J. The Third Reich at War: 1939–1945. New York: Penguin, 2009.
  2. Specialized Studies on Hess and the Mission
    • Padfield, Peter. Hess: The Führer’s Disciple. London: Cassell, 1991.
    • Allen, Martin. The Hitler-Hess Deception. London: HarperCollins, 2003.
  3. Histories of the Holocaust
    • Browning, Christopher R. Ordinary Men: Reserve Police Battalion 101 and the Final Solution in Poland. New York: HarperCollins, 1992.
    • Friedländer, Saul. Nazi Germany and the Jews, 1933–1945. New York: HarperCollins, 2007.
  4. Conspiracy Theories and Controversial Interpretations
    • Irving, David. The War Path: Hitler’s Germany 1933–1939. London: Papermac, 1978. (Cited critically for historiographical context.)
    • McDonough, Frank. The Gestapo: The Myth and Reality of Hitler’s Secret Police. London: Hodder & Stoughton, 2015.

Scholarly Articles and Journals

  1. Barnett, Correlli. “Rudolf Hess: The Enigma of His Flight.” The Journal of Military History, Vol. 34, No. 3, 1970, pp. 289–310.
  2. Brower, Daniel R. “The Nazi-Soviet Pact and Hitler’s Strategy.” European Studies Journal, Vol. 22, 1999, pp. 14–34.
  3. Thorpe, D. R. “Churchill’s Response to Hess’s Mission: Pragmatism Over Peace.” Twentieth Century British History, Vol. 27, No. 4, 2016, pp. 561–584.

Documentaries and Media

  1. Nuremberg: Nazis on Trial. BBC Documentary Series, Episode on Rudolf Hess, 2006.
  2. The Mystery of Rudolf Hess. Directed by David Irving. Channel 4, 1994.

Online Archives and Digital Resources

  1. The National Archives, UK: www.nationalarchives.gov.uk (Accessed for declassified MI5 files on Hess).
  2. United States Holocaust Memorial Museum (USHMM): www.ushmm.org (Primary source material on Holocaust policy).
  3. German Federal Archives (Bundesarchiv): www.bundesarchiv.de (Accessed for Goebbels diaries and Nazi-era communications).
Rudolph Hess looks on impatiently as a man, in an act of courage and insolence, refuses to stand and perform the Nazi salute. In April 1945, the man would be personally executed by Adolph Hitler..

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The Karamea Minstry of Red Tape #27


An extremely covert, ambiguously surreptitious, diametrically existentialist New Zealand

Government Department Fonzy Scheme authorised by His Royal Highness King Right Charlie II to receive Official Complaints!

By Rongolian Star Raving Reporter Lewis Arthur Gordon Jackson

0800 hrs Karamea Ministry of Red Tape Office, Market Cross Monday December 2nd 2024

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CEO The Don (Don Bradman) “I have todays first and only Official Complaint!!!

CEO Sir Donald Bradman

Secretary Boruzhnikov “ Urgent minute from Prime Minister! All Governement funding for the Karamea Minstry of Red Tape has been withdrawn pending an Inquiry by the Serious Fraud Office!”

Secretary Boruzhnikov


CEO The Don “We need some panic ideas to raise funds from all staff!”

The Don



Comrade Edward Kelly “We could hold up a stage coach or rob the local bank!”

CEO The Don “The Karamea Savings Bank does not exist!”

Don



Comrade Edward Kelly “We can all mount up ride, around town and knick all the kiddies piggy banks!~

Comrade Edward Kelly



CEO Don “Karamea is a Mulism State! Piggy banks are banned!”

Comrade Edward Kelly “Run a fund raising telethon live on Radio Karamea 107.5 FM from the office of the Karamea Ministry of Red Tape with DJ Crap and DJ Pukeko live!”

KMRT Minister of Propaganda, Herr Goebbels “Ya! Karamea Uber Alles!”

KMRT Minister of Propaganda, Herr Goebbels



Comrade Hayden Haitana “The first runnng of the Karamea Turf Club’s, Market Cross Gold Cup is on this arvo. We could fix the result, run the tote, make sure the rank outsider wins and we’ll clean up!

Comrade Hayden Haitana



CEO The Don “Hard helmets on troops! This dire situation calls for military discipline!No alcohol until morning tea!”

“Radio Karamea 109.75 FM coming to you live from the office of the Karamea Ministry of Red Tape! I am DJ Crap and my offsider is legendary DJ Pukeko! “

“DJ Pukeko “Legendary!? You are going to drive me to drink!”

DJ Crap “Radio Karamea is running a fund raising telethon for an extremely good cause! (ha bloody ha!) To retain the Head Office of the Karamea Ministry of Red Tape right here in Karamea!

DJ Pukeko “Two right mate! Song requests $1,500 each, donations accepted only in Russian Roubles or Zimbabwe dollars in small denomination bills, no finger prints!”

DJ Crap “First song request is from my wife Sanae! “Waltzing Natasha!”

“Down by a billabong, under the shade of a Coolibah tree!…”

DJ Pukeko “Live on Radio Karamea the Opapara Ladies Croquet Club have generously offered to sacrifice Village Idiot Comrade Davekov Robertova in a Pay for View execution. Local merchant Sweeny Todd will turn his lazy carcass into Gourmet Meat Pies!”

Village Idiot Comrade Davekov Robertova

DJ Crap “Yukov!”

DJ Pukeko “First caller of the day. Salvation Army Chief, General Booth! C Bogom (God Bless). General Booth “In the best interests of religious purity the Salvation Army will donate 100 crates of “Alpha and Omega Firewater” to this worthy cause.”

General Booth

DJ Pukeko “Zero Carbon? Zero Alcohol? Zero Sugar? Zero Carbs? Tastes like bloody tap water! General Booth “Yes indeed squire! A non alcolholic drink!”

DJ Pukeko “There is no such thing!”

DJ Crap “I’ll take over here DJ Puke! Favourite song Herr General?” General Gordon “Yes my favourite singer Slim Dusty singing “A Pub with no Beer!”

DJ Crap “Righto Generalissimo Booth! $1,500 smackerooos!”mGeneral Booth “The cheque is in the mail!”

DJ Crap “Excellent choice General “A pub with no beer …. (scratch….) sorry, have to change the needle!

DJ Pukeko “ (DJ Crap you stood on that record and broke it!)

DJ Crap “ Time for a word from our sponsors! Smirnov Industries”

Herr Goebells “….. You are in my power!! V…O…D…K…A…!”

DJ Pukeko “Next caller Rabbi Jerry Seinfeld. Shalom Rabbi!”

DJ Pukeko

Rabbi Jerry Seinfeld “ Shabat Shalom Comrades! Vork vill set you free! I vant to hear the Vietnamese National Anthem. Vanke!”

“ Yeng tong, yeng tong Yiddish Tie Toe….”

Rabbi Jerry Seinfeld

DJ Crap “Well strike me blue, me old mate Comrade Trevorksi Chappellov. So you are the mysterious Twelth Man in the Wollomolloo University Spy Ring?”

DJ Crap and SuperMoo the Karamea Wonder Dog



Comrade Trevorski “ Yeah! Joined the Ku Klux Klan, converted to Bhuddism and now I live on Mung Beans and Tofu!”

Comrade Trevorski

DJ Crap “Have you thought of seeing a doctor for your B.O mate!?”

Comrade Trevorski “ I want to hear “The Bright Fiery Cross” by Olivia El Ray!

“…. We will stand by the bright fiery cross….”

DJ Pukeko “Holy Mother of Mary!! The very next caller is Comrade Boozlebub!” Any ultra orthodox tales to tell before we play your song request?

Comrade Boozlebub “ Yes indeed, I was just about to debauch a young lady Mary Magdalene who arrived in Hades for not paying for Buller District Parking Tickets, when her father BOB strode up and shouted at me! You don’t have any visible means of income and you want to seduce my daughter! How do you propose to support yourself! I told Bob “I will use my elbows!”

Comrade Boozlebub aka The Prince of Darkness “Zdravstutje my son! I want to hear ‘The Devil went down to Jamaica!”

“The Devil went down to Jamaica, he was packing some Acupulco Gold…..

…Johnny said “I’m going to kick your ass you son of a bitch because my grass is the best there has ever been!”

The Devil in Jamaica Mon

DJ Pukeko Comrade Boozlebub, can you take my Last Confession?”

Comrade Boozlebub “You have never had a first confession but yes!

DJ Pukeko “Got on the wagon and do not want to get off!”

Comrade Boozlebub “Give up the demon booze my son. Twelve Bloody Mary’s and no pudding for Christmas dinner!”

DJ Pukeko “Right you are Father Boozlebub. I will just finish this swappa crate of Holy Communion and I promise I will never dink again! Burp!”

Comrade Boozlebub aka The Prince of Darkness

DJ Crap “Favourite song request Herr Kommissar!?”

Senior Kommissar Alan Keys “What don’t you guys understand about stick up? Why does no one take me seriously!

Senior Kommissar Alan Keys

DJ Crap “A song mate, then you can buzz off back to Kindy Road Patrol!”

Senior Kommissar Alan Keys “Can I hear “I Shot the President by Lee Harvey Oswald!”

DJ Pukeko “What a doofus! Who ever saw a cop in diapers!”

DJ Crap “Holy Toledo! Here come the Keystone Cops” Time to take the money and run!”

DJ Pukeko “Right you are Boyo! You can drive, Supermoo can bodygaurd us!”

DJ Crap “ I can’t drive I’m half pissed!

DJ Pukeko “Righto mate, we had better leg it! C’mon Supermoo!

Supermoo the Karamea Wonder Dog “Aarrrroooooooooooo!”

Supermoo the Karamea Wonder Dog

***Disclaimer: The Karamea Ministry of Red Tape is a comedic parody, any resemblance to real persons living or dead is unintentional and purely coincidental.***

Posted in 107.5 FM, Art, Australia, Bureaucracy, Crime, Donald Trump, Drugs, Entertainment, Funny, Hilarious, Hilarous, Humor, Humour, Karamea, Karamea Ministry of Red Tape, Karamea Radio, Karamea Radio 107.5 FM, LivinginPeace Project, Media, New Zealand, New Zealand Police, Paul Murray, Radio, Radio Karamea, Radio Shows, Religion, Social Commentary, South Island, SuperMoo the KarameaWonderDog, Weird, West Coast | Tagged , , , , , , , , , , , , , , , | 4 Comments