
DJ Hitler

Rockin’ Hitler

Disco Hitler

Hitler with his Bird

Dancing Hitler

Headache Hitler

Barber Shop Hitler

Yo Yo Hitler

Jiving Hitler

MacHitler

Windmill Hitler

Hungry Hitler

Sumo Hitler

DJ Hitler

Rockin’ Hitler

Disco Hitler

Hitler with his Bird

Dancing Hitler

Headache Hitler

Barber Shop Hitler

Yo Yo Hitler

Jiving Hitler

MacHitler

Windmill Hitler

Hungry Hitler

Sumo Hitler
Article by By Kathleen Anderson Freelance Writer
Paul Murray is a self-realized artist. He has invested his whole life and soul in his current work: The LivinginPeace Project, which aims to combine the elements of; art, travel, education and permaculture into an environmentally, socially and economically sustainable business.
Most people may identify Paul as the amiable man behind the reception desk at Rongo Backpackers & Gallery, or the handyman around the Karamea Farm Baches. However, when delving deeper to discover the intricate web of inter-relationships that embody the LivinginPeace Project, one realizes Paul is not any ordinary artist. He is an artist who believes life is his canvas. The project thrives on exactly this idea, that we are all artists, interdependent on one another and Earth, and our lives are our current works of art.
Paul grew up on Kangaroo Island in Australia where he says, “whether real or perceived, there were certain expectations of who
I was as a person.” Feeling pigeonholed and unsure of his own identity, Paul moved to Tokyo where he was thrown into a foreign culture and a whirl of thirty-three million people he didn’t know. Ten years living in Tokyo and travelling the world created Paul’s mantra on travel: “international travel is the best means of self-education.” Travelling allows one to actively gain valuable experience, while tourism is an entirely different endeavour where one only pursues places to check them off the list, not to form new relationships with others and yourself. At Rongo, guestomers (guests+customers) and woofers (Willing Workers on Organic Farms) find a space asking you to indulge in your own self-education in any manner you can imagine. Rongo is exploding with self-expression from individuals who have come from all over the world to experience the place. The positive messages on the Visitor’s Wall, the colors of the building, and the infinitely different styles of art on the walls illustrate the open and creative aura surrounding Rongo.
While Rongo’s free-spirited existence exudes an attitude pivotal to the understanding of the LivinginPeace Project, this is only one facet of the project. In fact, the reason this art project is the most unique to Paul’s portfolio is because it has no end. Paul
has always found himself incredibly motivated to make change, but once that larger change takes place, the goal has been achieved, and movement begins to plane, he loses interest. With the LivinginPeace Project, “there is always movement forward. It has no end.”
The project began six and a half years ago when Paul bought property in Karamea and wanted to create a place where artists could live and create, free from the shackles of societies expectations. In this pursuit, he discovered there must be concurrent focuses because, for example, the artists must eat. They must have water to shower and do laundry. “We also need to recognize we are part of something else,” Paul says. The LivinginPeace Project thrives because it recognizes and embraces that we are all part of something bigger. It creates a model ecosystem in which the Earth and its inhabitants rely upon one another and give back to one another, a simple equation which has been lost, forgotten, or complicated beyond understanding in places around the world.
“We learn by teaching others,” Paul states. Self-sufficiency is overlooked in the world today and, on a very basic level, the project also strives to teach people how to live sustainably. Rongo is set up to teach people how to live sustainably and people are trusted to pursue this type of lifestyle. The hostel is run by volunteers, and Paul believes this is an essential piece to Rongo’s success. Woofers are not told exactly, for example, how to clean the rooms after guestomers leave or given an in-depth guide to checking guestomers in. Instead, they teach one another as new woofers arrive and depart, passing on what they learned to the next Rongolians. “Responsibility and trust makes you work bloody hard,” says Paul.
Rongolians, the name given to the inhabitants of Rongo, are encouraged to speak first, think for themselves, and take
action. If you see a wall, paint it. If there’s a garden bed in need, tend to it. If the vacuum bag is full, empty it. Not only does work get accomplished, but it is accomplished with unique flavor and flare. A goal is set but how you go about achieving that goal is up to you. “It is not necessary to tell an intelligent young individual how to mop the floor. We try to let people find their own way,” says Paul. “They usually find a way far better than mine.”
Although The LivinginPeace Project has surmounted numerous seemingly unconquerable obstacles, it will always be a work in progress. It strives to be self-sufficient one day but it is far from achieving that today. Paul has purchased eighty acres of land around Karamea to offset the carbon emissions of travellers. A permaculture farm is taking rapid shape. The LivinginPeace Project will forever encounter new obstacles and Paul admits there are discouraging moments, but when these arise, he comes back to the Visitor’s Wall, which is covered in messages and drawings telling the stories of pastexperiences of volunteers and guests at Rongo.
Hundreds of inspired words slink along the walls as a positive reminder of the impact of the project. Paul hopes, if anything, that “people walk away a bit taller.” And past woofers and guestomers have made it clear that they experience tremendous personal growth. One individual, who arrived last year and ended up staying for six months, recently wrote Paul saying, “Last year [while staying at Rongo] was one of the single most enjoyable times of my life.”
In Washington DC , at a Metro Station, on a cold January morning in 2007, a man with a violin played six Bach pieces for about 45 minutes. During that time, approximately 2000 people went through the station, most of them on their way to work.
After about four minutes, a middle-aged man noticed that there was a musician playing. He slowed his pace and stopped for a few seconds, and then he hurried on to meet his schedule.
About four minutes later, the violinist received his first dollar. A woman threw money in the hat and, without stopping, continued to walk.
At six minutes, a young man leaned against the wall to listen to him, then looked at his watch and started to walk again.
At ten minutes, a three-year old boy stopped, but his mother tugged him along hurriedly. The kid stopped to look at the violinist again, but the mother pushed hard and the child continued to walk, turning his head the whole time. This action was repeated by several other children, but every parent – without exception – forced their children to move on quickly.
At forty-five minutes: The musician played continuously. Only six people stopped and listened for a short while. About twenty gave money but continued to walk at their normal pace. The man collected a total of $32.
After one hour:
He finished playing and silence took over. No one noticed and no one applauded. There was no recognition at all.
No one knew this, but the violinist was Joshua Bell, one of the greatest musicians in the world. He played one of the most intricate pieces ever written, with a violin worth $3.5 million dollars. Two days before, Joshua Bell sold-out a theater in Boston where the seats averaged $100 each to sit and listen to him play the same music.
This is a true story. Joshua Bell, playing incognito in the D.C. Metro Station, was organized by the Washington Post as part of a social experiment about perception, taste and people’s priorities.
This experiment raised several questions:
In a common-place environment, at an inappropriate hour, do we perceive beauty?
If so, do we stop to appreciate it?
Do we recognize talent in an unexpected context?
One possible conclusion reached from this experiment could be this:
If we do not have a moment to stop and listen to one of the best musicians in the world, playing some of the finest music ever written, with one of the most beautiful instruments ever made…
How many other things are we missing as we rush through life?”
Ten Rongolian Star Christmas Present Suggestions
1: The Bureaucratic Machine: The Most Useless Gadget Ever Invented!
2: The Jesus Toaster: Give us this day our Daily Bread…
The Jesus Toaster
3: The Claytons Husband: The Man you have when you’re not having a Man…
The HandyMan
4: A Housewife’s Dream!
A Christmas Present that Really SUCKS
5: For the ShutterBug
Camera Lens Coffee Cup with Lid
6: The Disposable Toilet (Perfect for Displaced Cantabrians)
The Cardboard Crapper
7: The Seedy Stuntman
The Bungy Bird Feeder
8: For Cool Canines
Doggles
9: Handy Undies
HanderPants
10: For the Firearm Enthusiast
Self Gun Control (Gun Control Begins at Home)
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