DJ Crap Live on 107.5: International Request Shows

Off the Top of my Head

By Paul Murray
 

DJ Crap’s International Request Shows on Karamea Radio 107.5 FM have been very popular…great people from all over the world recommending great songs that DJ Crap puts together and plays on the wireless…You’re WELCOME!!

Show #1: Most popular Karamea Radio Show of all time!

DJ Crap asked for and received dozens of requested songs from friends, family and Rongolians worldwide…a 60-song marathon show that is also scientifically and anthropologically interesting as it is a time-lapse study of the effects of alcoholic beverages on the performance of a disc jockey over a sustained period…this show is almost 5-hours long and DJ Crap was well shickered toward the end…even forgetting to play several requested songs (sorry about that!)…his French side-kick Edouard (aka DJ Black Beard) passed out mid-show (ppppfffftttt…young people these days!)

Thanks everyone for all the requested songs…check out the show to hear your song as well as lots of great music you’ve probably never heard and some all time classics.

The music is tremendous, the delivery is crap…that folks is the essence of a DJ Crap Show…you’re welcome!

https://soundcloud.com/rongobackpackers/dj-crap-4-dj-echo-international-requests-show-july-26-2014

 

Show # 2:

DJ Crap again takes charge of the Saturday Night slot on Karamea Radio in the absence of DJ Echo, who will return next week to resume his show.

Requests again flooded in from around the world and the Karamea airwaves were introduced to a raft of excellent new music, some classic old hits and some extremely offensive violent punk shouting toward the end of the show when DJ Crap (who could have chosen not to play the songs, but is not that kind of DJ) played some obscure music requested by the dubious Doktor Heagney and his doubly suspect side-kick “Ivan Icianus.” Earmuffs for the children later in the show, but great music early on…thank you to all who contributed.

You’re WELCOME!

Karamea Radio 107.5 FM: www.facebook.com/KarameaRadio107.5FM

Rongo Backpackers & Gallery: www.RongoBackpackers.com

LivingInPeace Project: www.LivingInPeace.com

https://soundcloud.com/rongobackpackers/dj-crap-4-dj-echo-international-request-show-ii-august-2-2014

 

Show #3:

He’s back and he’s still CRAP…DJ Crap gratefully received requests from friends and family all over the world to put together request show #3…the show started well, but deteriorated rapidly after DJ Echo arrived with whiskey to assist…a bit too much Lorax in the middle of the show..and the playlist got totally mixed up…songs repeated etc, but some fantastic new music for y’all to enjoy…not all the songs on the list got played, but stay tuned for Show #4…coming soon to a computer new you!

You’re WELCOME!

https://soundcloud.com/rongobackpackers/dj-crap-international-request-show-iii-sept-24-2014

Posted in Art, Blues, Business, Funny, Hilarious, Humor, Humour, Kahurangi National Park, Karamea, Karamea Radio, LivinginPeace Project, Media, Music, New Zealand, Peace, Radio, Social Commentary, Travel, Uncategorized, West Coast | Tagged , , , , , , , , , , , , , | 2 Comments

Is Indiscriminate 1080 Poison Use Causing a Rat Plague in NZ?

Off the Top of my Head

By Paul Murray
 
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The New Zealand Parliamentary Commissioner for the Environment Dr Jan Wright

The New Zealand Parliamentary Commissioner for the Environment Dr Jan Wright was invited to address the Nelson Science Society on August 19, 2014 at the Old St James Church on the subject of her report on the use of Sodium Fluoroacetate (1080 Poison)  to control mammalian pests in New Zealand.

N.Z. Government agencies the Department of Conservation and the Animal Health Board use 1080 poison to control possums, stoats and rats, which are deemed a threat to New Zealand’s native flora and fauna and are thought to be a vector for tuberculosis, which may threaten the health of dairy cattle and the country’s important dairy industry.

The use of 1080 is controversial in New Zealand and many people across the country vehemently oppose the continued use of the poison and in particular, the indiscriminate aerial broadcasting from helicopters over large areas of native forest and National Parks.

Many people also question the efficacy of the Government’s poison policy as the poison also kills many native animals in the process. Valid concerns over the ecological, environmental impact and possible human health implications associated with the use of 1080 are also widespread.

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Staunch opponent of 1080 poison Waikato Regional Councillor Clyde Graf films a poisoned deer for his documentary “Poisoning Paradise” on the subject of 1080 poison in New Zealand.

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Possums are considered a pest in New Zealand

Taupo drop couple more birds

Dead native birds found after a 1080 poison drop

There is also considerable concern among N.Z. tourism operators that the poisoning programme is having a negative impact on New Zealand’s Clean/Green 100%Pure international brand and that it may deter travellers from visiting the country.

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Dr Wright’s report “Evaluating the use of 1080: Predators, Poisons and Silent Forests” was released in June 2011 and controversially recommended that the use of the poison  be increased.

Dr Wright spoke to a full house and presented her report in an attempt to convince all in attendance that it was based on a comprehensive study that gave due consideration to public concerns and incorporated all known scientific studies and information. Dr. Wright allowed questions after her address and I asked a question that she was unable to answer “on the spot.”  She invited me to present the question to her in written form so that she and her team could provide me with a good answer. My letter is attached below.

Paul Murray
Managing Director
Iltamara Ltd
P.O. Box 54
Karamea 7864
New Zealand
September 1, 2014
 
Dr Jan Wright
Parliamentary Commissioner for the Environment
PO Box 10-241
Wellington 6143
New Zealand
Tel: 64-4-471 1669
Email: pce@pce.parliament.nz
 

Dear Dr Wright,

Thank you for coming to Nelson to address the Science Society and explain your report “Evaluating the use of 1080: Predators, poisons and silent forests.”

You may recall I asked a question after your speech that was difficult for you to answer and you invited me to present the question to your Wellington office for clarification.

Thank you for the opportunity and I would also like to ask several other questions that are of concern to me and many others while I have your ear.

The observations myself and many other Karamea residents of the 1080 operation that covered 54,000 ha of the Western Kahurangi National Park in 2008 is that rodent populations have exploded. We now have rat and mice problems in our homes and businesses that did not exist before the aerial 1080 operation, which was conducted by the Animal Health Board (AHB).

Rodents are extremely fecund and following the 1080 operation, they repopulated a zone that was devoid of predators (all killed by the poison) and with an abundant food supply, this lead to a rapid escalation in their population.

  1. Given that you accept that rodent numbers quickly recover after an aerial 1080 operation, is it also correct that stoat numbers also quickly recover given that, as you suggest, rodents are their main food source?
(A Landcare Research study published in its publication Kararehe Kino 13 (2008) (Page 5) also shows that rat populations quickly exceed pre-drop numbers)

Please provide scientific evidence that aerial 1080 operations effectively control rodent populations and that the populations do not return to or surpass pre-1080 drop levels.

  1. Is indiscriminate aerial broadcasting of 1080 poison not resulting in an increase in rodent and stoat numbers?

Please provide scientific evidence that the use of aerial 1080 is not contributing to a long-term net increase in rat and stoat populations.

 My concern here is that if aerial 1080 programmes lead to and increase in rodent populations, it would seem counter-productive to use this method to “control” rodents and by association other animals like stoats given that they are also fecund and their numbers likely also increase rapidly in line with the increase in rodent population.

 Given that the overall essence of your report is to recommend that more 1080 poison be used in New Zealand, I have some other questions that are important to me and many other New Zealanders regarding the assessment and ongoing monitoring of the effectiveness, destructiveness and overall efficacy of the proposed 1080 poison operations nationwide by the Department of Conservation (DOC).

I note with appreciation that you recommend that DOC improve the transparency of its 1080 operations and improve the quality of communication with the public. I also appreciate that you recommended the AHB be subjected to the Official Information, and the Ombudsmen acts.

  1. Should the AHB (now known as OSPRI or TB-Free New Zealand) have conducted any follow-up studies to determine the efficacy of the 2008 1080 operation in the Western Kahurangi National Park? (Studies showing reduction in possum numbers, TB infection rates, impact on non-target native species etc.)
  1. Should DOC have scheduled any pre-drop monitoring programmes to determine possum, stoat and rat numbers and native bird and animal populations in the drop zones ahead of the 1080 operations scheduled for the Kahurangi National Park in the coming year?
  1. Should DOC conduct ongoing monitoring procedures after the 1080 poisoning and throughout the life of the consent to determine the efficacy of the pesticide operation and gauge the extent of the loss of native birds, invertebrates, insects and aquatic life (non-target species) and the long-term impact on the populations of pests and non-target species in the drop zones and for the life of the consent?
  1. Should DOC monitor of water quality in the poison zone following 1080 drops to measure possible contamination of water resources in the area throughout the life of the consent?
  1. What contingency plans should DOC have to mitigate the potential negative effects of the 10-year poison programme on local tourism?
  1. How should DOC notify the public of the extent, location and timing of drops during the life of this consent if granted? (Given that DOC 1080 operations are now deemed “Non-Notifiable)

I am a Karamea tourism business operator. I also have a permaculture farm in the region that has been pesticide free for 10 years.

I feel that the proposed 1080 operation by the DOC will compromise both the marketing strategy for my tourism businesses and also the pesticide-free status of my permaculture farm.

I also own and maintain a Web site promoting the Heaphy Track and administer a FaceBook page for the Heaphy Track I am also a member of the Karamea Estuary Enhancement Project I actively support DOC activities in the Kahurangi National Park as evidenced by my involvement in promoting DOC facilities and projects in the region.

My businesses in Karamea also provide logistical support, services and facilities people utilising DOC facilities in the Kahurangi National Park, I work with DOC on a daily basis and appreciate that pest control over such a large estate is a difficult challenge. I also support pest-specific possum control initiatives conducted by DOC and the AHB in the Kahurangi, but strongly oppose the broad-scale, indiscriminate broadcasting of 1080 pesticide over a vast region of the park as I consider it:

  • A threat to the quality of life for myself and my family
  • Raises health concerns for myself and my family
  • Has a serious negative impact on my business activities in Karamea
  • Violates the nation’s “Clean Green/100%Pure” brand that is used to promote New Zealand internationally.
  • Compromises the marketing strategy of my business and indeed the entire nation.
  • Compromises my efforts to maintain a pesticide-free permaculture farm

Myself and many other Karamea residents publicly opposed the aerial 1080 operation conducted in the Kahurangi National Park by the AHB in 2008 and my position and that of the other residents on the issue has not changed. We find aerial 1080 pesticide operations to be an unacceptable solution to possum control and evidence suggests it creates a raft of other problems in the forest.

Scientific studies show that rat populations explode after aerial 1080 operations and that was certainly the observation of people living in Karamea following the 2008 poison programme and rat numbers in and around the town are still high in my experience. Prior to the 2008 1080 poisoning, I hadn’t seen a rat in the town, however, soon after the aerial pesticide operation, rats began to invade our homes and businesses. It’s ironic that the rats you say are one of the targets of the proposed 1080 programme are resultant from the last poison operation.

Poisoning vast areas of the national park leads to an elevation in rat numbers in the poison zone. Rats quickly repopulate the poisoned forest and come into an area devoid of predators and with an abundant food supply and their numbers are shown to surpass population levels that existed in the area prior to the pest-control operation. Surely then the use of 1080 poison is a redundant strategy as is exacerbates the problem.

Following the experience of the 2008 AHB drop and the associated negative impact on and restriction to my business trade, I requested DOC give me advanced notice of any scheduled similar aerial 1080 poison operations in the Kahurangi National Park so I can inform all potential customers that my business will be closed for the duration of the programme and for at least one month following to ensure all risk associated with the baits has passed and the pesticide has broken down in the soil to “harmless by-products,” or until all green baits have decomposed.

I consider this the only responsible action I can take to protect the reputation of my business, honour my marketing strategy—in which I actively invite people from all over the world to visit the pristine, pure, clean, green and scenically beautiful environment in the Karamea region—and prevent the risk of possible exposure to the poison of guests staying at my accommodation facilities and utilising my transport service.

I have established good standing as a professional eco-tourism operator over the past 10 years and I consider that the proposed aerial 1080 operation is a serious threat to that hard-earned reputation. If my business continues to host guests during and immediately after the 1080 poison programme, I risk my business marketing strategy being considered specious and hypocritical given that they way I promote my business is contrary to inviting people to come and visit a poisoned forest.

There will be a significant financial loss incurred by my business by closing for which I reasonably expect to be compensated. Would you please provide me with information as to how I might file a business compensation claim so that I might recover the losses incurred resulting from the interruption to my business and restriction to trade?

I am not opposed to pest-control and appreciate that national park management is a considerable challenge for DOC, but ask that any pesticide use specifically target the pest in question. I strongly oppose broad-scale indiscriminate aerial poisoning of vast regions of DOC administered land in the name of New Zealand and New Zealanders. I appreciate your consideration of the issues I have raised and hope to receive a full response to the questions I have asked in this letter.

Should you have any questions, or require more information, please e-mail, or call me any time. 

Yours Sincerely,

Paul Murray

(Managing Director Iltamara Ltd)

 www.LivingInPeace.com
www.KarameaFarmBaches.co.nz
www.RongoBackpackers.com
www.KarameaConnections.co.nz
 
*** The Parliamentary Commissioner for the Environment’s Report on 1080: “Evaluating the Use of 1080: Predators, Poisons and Silent Forests” can be downloaded here:
 
http://www.pce.parliament.nz/publications/all-publications/evaluating-the-use-of-1080-predators-poisons-and-silent-forests
 

Response from Dr Jan Wright: Parliamentary Commissioner for the Environment: 

Letter (Response) from Dr Jan Wright

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After Dr. Wright’s report was published in 2011, it was peer-reviewed by Dr Jo Pollard, who has a doctorate in zoology and would seem eminently more qualified to assess the scientific information pertaining to the use of 1080 in New Zealand and the effect of the poison on invertebrates that Dr Wright, who has a degree in physics, another in energy and resources and a doctorate in public policy.

Below is Dr. Pollard’s report in full:

A scientific evaluation of the Parliamentary Commissioner for the Environment’s views on 1080

By Dr Jo Pollard, BSc (Hons), PhD (Zoology)

 Introduction=

In June this year New Zealand’s Parliamentary Commissioner for the Environment (PCE), Dr Jan Wright, announced that we should be spreading 1080 poison across more conservation land. Furthermore that the use of aerial 1080 and other poisons to control pests should be subject to fewer regulations (PCE, 2011).

Dr Wright evaluated the use of 1080, focusing on the control of three pests: rats, stoats and possums, in native forests. Describing her purpose, she wrote: “This investigation has been undertaken to provide Members of Parliament, members of the public and other interested groups with an independent assessment of 1080 that is not overly technical”.

However, some may consider 1080 to be a highly technical issue that deserves proper scientific evaluation. As Dr Wright tells us in her Overview, the Prime Minister’s Chief Science Adviser, Sir Peter Gluckman, frequently calls for policy decisions to be based on evidence.

According to ecologists, wide scale poisoning is contributing to our ecological problems, rather than being a solution: “Mainland NZ is currently experiencing a decline in terrestrial faunal diversity unprecedented since the 1870’s. Predation by introduced predators has been shown by numerous studies to be the fundamental cause…Furthermore this has been exacerbated by prey-switching in stoats following large scale possum eradication” (Scofield et al., 2011).

Therefore there has never been a greater need for well-informed advice on the management of our natural heritage, and control of pests in particular. The PCE, while having scientific credentials, has no biological or ecological science credentials. The bulk of her report is a non-scientific version of what the scientists doing research supported by DoC claim that their research says. In the following review I will show that the major assertions made by the PCE are not supported by the research she has cited. In fact, as I will demonstrate, they either support just the opposite conclusion, find that no conclusion can be reached, or indicate that further and/or different research needs to be conducted. 

Assertion One (p 36): Aerial 1080 can decrease populations of possums, rats, and stoats

Possums

There is good evidence that when cereal or carrot baits poisoned with 1080 are spread from the air into forests, a large number of the resident possums are killed. Possum numbers usually rebuild at a moderate pace. This was acknowledged by the PCE who stated that “populations of pests can only be knocked down for a time” and “for possums, control is generally done every 5 to 10 years” (p 36).

However, a fact not noted by the PCE is that the recovering population can grow to be larger than before any aerial 1080 poisoning occurred. This was found after five years in one study (Urlich & Brady, 2005) and in another study, the number of possums caught 6 years after control was double the pre-control number (Nugent et al., 2010).This is evidence that 1080 can increase, rather than decrease, possum numbers.

Rats

Most rats in an area are killed by aerial 1080 but return rapidly. Thus the PCE stated that to control rats using repeated aerial 1080 treatments “the intervals are likely to be shorter [than for possums] – generally every 2 to 4 years” (p 36).

However there is good evidence that this poisoning system will not adequately control rats. After large-scale poisoning, significant numbers of rats often appear within a few months (Innes et al., 1995; Powlesland et al., 1999; Department of Conservation (DoC), 2008). Numbers often escalate to reach very high levels, for example the rat-tracking index rose to 95% within 10 months of an aerial 1080 operation at Kaharoa (Innes et al., 1995) and 88% two years after an aerial 1080 operation at Mokau (Sweetapple et al., 2006). Numbers can remain far higher than before poisoning (Sweetapple et al., 2006; Sweetapple & Nugent, 2007). In an on-going experiment on pest control techniques Ruscoe et al. (2008) found that two years after an aerial 1080 operation, rat numbers had doubled compared to original levels and also compared to sites that had no pest control.

The effect of using aerial 1080 possum control on rat populations was described by Sweetapple and Nugent (2007): “Mean ship rat abundance indices increased nearly fivefold after possum control and remained high for up to 6 years…the typical outcome for most pulsed possum control is an uncontrolled ship rat population in the presence of a low-density possum population for most of the 3-7 year cycle.” Recently Innes et al. (2010) reiterated “Intermittent control of possums and ship rats may have the nett effect of increasing ship rats for most of the time.”

If frequent applications of aerial 1080 were used to control rats, as the PCE claims, the success rate of the operations would probably diminish rapidly. Aerial 1080 was increasingly poor at killing rats when applied at regular (yearly) intervals (Innes et al., 1995; 1999), and there is good evidence that genetically 1080-resistant strains of rat will emerge with repeated poisoning. This has been observed in laboratory rats (Howard et al., 1973), house flies (Agency App. F), and (apparently) rabbits (Twigg et al., 2002).

Therefore there is substantial evidence that aerial 1080 will increase rat numbers, regardless of how frequently it is applied. Successful rat control appears to require a variety of techniques and a continuous effort (Gillies & Pierce, 1999; Innes et al., 1999), and not repeated pulses of 1080.

Even to create an initial knockdown of rats, 1080 has proven less effective than other techniques: “Of the two commonest control methods, brodifacoum applied repeatedly in ground stations resulted in smaller mean rat tracking indices (5%, SD 7%, n=6 ) than 1080 applied once aerially (18%, SD 18%, n=6), but this difference was not significant…As for ship rats, brodifacoum applied repeatedly in ground stations resulted in smaller mean possum indices (1, SD 0.1, n=5), than 1080 applied once aerially (14, SD 18, n=5)…p=0.04.” (Innes et al., 1999).

Stoats

1080 poison travels very easily through food chains and stoats and other predators can be killed by eating poisoned prey (“secondary poisoning”). However aerial 1080 had a devastating failure when it was trialled as a stoat control tool at Tongariro Forest . The manager reported “Four months after an effective possum and rat knock-down by a 20,000-ha aerial 1080 operation over Tongariro Forest, stoats reappeared in the centre of the forest and began killing kiwi chicks. So far five of the 11 chicks have been predated, and all in the centre of the treatment area” (DoC, 2002a), (see also Brown, 2003).

In other observations, stoat numbers have not been decreased by aerial 1080 (Murphy & Bradfield, 1992; Powlesland et al., 2003) with any poisoned animals being replaced rapidly by neighbouring adult stoats and dispersing juveniles, possibly using scent to detect unoccupied habitat (Powlesland et al., 2003; DoC, 2008).

With a good food supply, stoat numbers can reach plague levels (Elliot & Suggate, 2007). Stoats are very widespread, even inhabiting the alpine grasslands, where home ranges are several hundred hectares. These alpine grasslands may be a source of dispersing stoats that reinvade areas after poisoning (Smith et al., 2007). In beech forest, stoats dispersed over large distances, in one case over 65 km in one month (Murphy & Dowding, unpubl., cited by Murphy & Bradfield, 1992).

Stoats respond to a decrease in ship rats by switching to eating birds and invertebrates (Murphy & Bradfield 1992; Murphy et al, 1998; 2008). Thus Murphy et al. (1998) observed “stoats are likely to have the greatest effect on birds after successful 1080 poison operations”. Notably, these authors found that successful 1080 operations resulted in higher bird predation by stoats than Talon (brodifacoum) or pindone operations.

The longer term effects of aerial 1080 may be an increase in numbers of stoats. Mustelid tracking indices for a 1080-treated area (treated in May 2000) rose from 6% pre-poisoning to 21% in February 2002 (values for an untreated area were 2% and 8% for the same two periods) (Powlesland et al., 2003). An explanation for this could be that the explosion in rat populations to multiple times pre-poison levels leads to a big increase in the stoats’ primary diet component, thereby fostering a growth in stoat populations.

Managers and scientists seem well aware that aerial 1080 operations are unlikely to control stoats, and therefore use ground control (Innes et al., 2004; Elliot & Suggate, 2007; Campbell et al., 2010). Stoats can become trap shy, so having alternative methods available is recommended, such as using dogs to find dens (Brown, 2003; King & White, 2004).

According to the PCE “there is evidence that 1080 operations can kill most or all of a stoat population” and cites three studies of stoats fitted with radio transmitters prior to 1080 operations. Two were ground control operations which used bait stations only (Gillies & Pierce, 1999; Alterio, 2000). Numbers of stoats in those studies were very small (one in one study, and four in the other), and the stoats died. In the third study, 13 stoats fitted with radio transmitters were all found dead after an aerial 1080 operation, and 12 contained residues of 1080 (Murphy et al., 1999). Animals that DoC fits with these devices to monitor effects of operations often die even before any poisoning occurs (e.g. 7 of 16 cats (Gillies & Pierce, 1999); kereru (Powlesland et al., 2003); morepork (DoC unpubl., 21 of 34 at Waitutu)) and stoats can die of handling stress (Smith et al., 2008) so these results may not be representative of normal stoats. Nevertheless these studies indicate that secondary poisoning of stoats does occur.

However the PCE failed to mention prey-switching by stoats and the rapid reinvasion of stoats into poisoned areas. An objective assessment would have included these effects, as stated by Innes et al. (1995) “Unexpected ecological repercussions of large-scale poisoning in North Island New Zealand forests may include a functional change (diet) by stoats and a numerical change (increase) by mice. Assessment of the costs and benefits of large-scale poisoning must allow for these and other repercussions of community perturbation.”

Other predators

The PCE’s belief that rats, stoats and possums cause the most harm of our vertebrate pests and therefore should be targeted specifically is not supported by ecologists, who consider that other predators can cause significant harm and should be removed too (Murphy & Bradfield, 1992; Alterio et al., 1999). Three reasons for this were described by King et al. (1996): “uncertainty about which predator is most damaging, and also the possibilities of diet switching and/or rodent population release, demand that pest control operations to protect threatened birds at Pureora should include all mustelids, rodents, feral cats and possums together.”

Hedgehogs are frequently caught in trapping programmes (Wilson et al., 2007; Campbell et al., 2010) and may have a major ecological impact. Innes et al. (2010) found evidence that in podocarp-broadleaf forest “hedgehogs at mean density consume most invertebrates compared with other mammals, and could be competitors for ground insectivores, such as kiwi.”

Other significant forest predators include weasels and ferrets (Murphy et al., 1998) and cats (King et al., 1996a; Innes et al., 2010). Aerial 1080 was not effective in eliminating ferrets and cats when used for rabbit control. Instead, these predators responded to sudden declines in rabbit numbers by increasing their home ranges and eating alternative prey (Norbury et al., 1998; Heyward and Norbury, 1999; Norbury, 2001).

Control of mice was not addressed by the PCE, nevertheless large numbers of mice have appeared following aerial 1080 poisoning operations (Murphy et al., 1991, Innes et al., 1995; Sweetapple & Nugent, 2007, Ruscoe et al., 2008). Recently Armstrong et al. (2010) noted that with poisoning operations “mice are so far the Achilles heel of many programmes, with mouse numbers irrupting following rat and/or stoat removal”. Mice eat invertebrates, fruits and seeds, and are prone to sudden irruptions in response to an increase in food supply and probably predator removal (King et al., 1996b).

Another threat to native birds are feral birds such as magpies and myna birds. Because they are aggressive birds they can readily displace other birds to take over their ecological niche, and may be favoured by 1080 operations. For example Innes et al. (2004) found a significant increase in myna birds following poisoning for pest control.

Summary

Aerially spread 1080 poison will only reduce numbers of rats for a few months, beyond which a steep increase in numbers is expected. Repeated aerial poisonings of rats are likely to become less effective. Stoat numbers are not likely to be decreased by aerial 1080 for any significant amount of time. Rats and stoats need continuous, rather than pulsed control and a variety of control techniques.

Expected effects of aerial 1080 poison on pests include abundant mice, and cats and mustelids switching their prey from rats (or rabbits) to invertebrates, birds and reptiles.

Overall there is substantial evidence that aerial application of 1080 poison can result in significant ecological upheaval, with increased numbers and impacts of rats and other invasive feral species.

Assertion Two (p 37): 1080 can increase populations of native species

Birds

The PCE cited a small number of studies as evidence that birds have responded well to pest control programmes using aerial 1080, with increased chick and adult survival, and increases in population size. The studies are:

  1. Whio

The evidence cited is a DoC report on the progress of efforts to increase whio (blue duck) numbers in rivers bordering the Tongariro forest (Beath, 2010). Aerial 1080 operations were carried in the area for possum control by the Animal Health Board in 2006 and 2007. In 2007 predator traps were installed along the banks of three rivers.

The report claims that two key measures of success, fledging rate and adult female survival, were highest when aerial 1080 was concurrent with trapping, in 2007/08. For fledging rate the reader is referred to Figure 4, which shows a fledging rate for that year that is not significantly different from the previous or following year. However it is significantly different from 2009/10, in which the fledging rate was very low (this was attributed to flooding).

For female survival the only figures in which 1080 and trapping were involved come from one site (Mangatepopo Stream), in which 82% of females survived in 2007/08, compared to 89% in 2005/06 (when there was no predator control), 90% in 2006/07 (1080 only)and 92% in 2008/09 (trapping only) (Appendix 4).

Therefore there is no basis for these claims. Furthermore, there were indications that the pest control was leading to serious problems with stoats: “During 2009/10 female survival was slightly lower than previous years (79%). This may be related to more losses to stoat predation. This year stoat numbers were high, with a big peak between December-February. Reasons for the higher stoat numbers this year are unknown” (Beath, 2010).

Overall there is no evidence the 1080 was needed for whio survival. According to DoC staff “work in Operation Ark and other whio sites has demonstrated that stoat trapping lines along the edge of the rivers is the most effective method of reducing stoat numbers and ensuring breeding success” (Elliot & Suggate, 2007).

  1. Kereru

The evidence cited is a study of the abundance of several bird species before and after the start of ground poisoning (using bait stations with a series of 1080 cereal baits, brodifacoum “Pestoff” baits, and cyanide capsules in paste) to kill rats and possums, plus trapping for stoats, ferrets and cats (Innes et al., 2004). No aerial 1080 was used in the study.

Unfortunately bird numbers were assessed using the unreliable “5 minute count” technique (Powlesland et al., 1999) and the authors admitted that their unreplicated study design limited any generalisations that could be made. There was an apparent increase in kereru numbers, and a decrease in grey warblers was especially noted because that had also occurred in other poisoned areas. Kereru nesting success was good in one year but very poor in the following two years.

  1. Kiwi

The reference given for this study was “DoC, unpublished data”. It was claimed that survival of brown kiwi chicks in Tongariro Forest was twice as high after an aerial 1080 drop, with the effect lasting for two years before stoat numbers increased.

Thus a temporary increase in chick survival was observed. This small effect in one unreplicated, unpublished trial is scant evidence for the PCE to back up her assertion that for kiwi, aerial 1080 increases survival and population size.

Furthermore as mentioned above, a previous trial using aerial 1080 in the same forest (Tongariro) had devastating effects when stoats appeared in the centre of the forest four months later and began killing kiwi chicks (DoC, 2002a; Brown, 2003).

  1. Tomtits

In the study cited, numbers of marked tomtits and nesting success were monitored in three areas in 1997 and 1998. One area (Tahae) was treated with aerial 1080 poisoned carrot in 1996; one area (Waimanoa) received that treatment in 1997, and one (Long Ridge) was treated with aerial 1080 poisoned cereal baits in 1998 (Powlesland et al., 2000).

In 1997, the aerial operation was thought to have killed 78.6% of the marked tomtits, because they were missing two weeks afterwards, and other (unmarked) dead tomtits were found and tested positive for 1080. Four out of six nesting attempts were successful in the area that had been treated with aerial 1080 in 1996 (Tahae), and four out of five nesting attempts were successful in the recently treated area (Waimoana).

In 1998, no mortality of marked tomtits was seen following the aerial cereal operation, and nesting success was not measured. The authors stated that there seemed to be overall fewer tomtits at Waimoana one year after the poisoning (1998) than had been present before (Powlesland et al., 2000).

Thus no significant increase in nesting success was seen in response to the aerial 1080 operations, and the high number of tomtits killed by the carrot bait operation in 1997 was considered to have left the population smaller than previously.

In any event, it would be a mistake to extrapolate from a season of nesting success to conclude there was a population benefit.

The authors warned that if 1080 carrot-bait operations were repeated at three-yearly intervals or less, a long-term detrimental effect on tomtit populations could occur, even though this species was resilient, being a good coloniser and prolific breeder.

  1. Robins

The study cited by the PCE was in the same area as the tomtit study (above) (Powlesland et al., 1999).

In 1996, 43% of one group of robins, and 55% of another group, vanished within two weeks of an aerial 1080 carrot operation at Tahae, and dead robins tested positive for 1080. At Tahae, 13/18 robin nests were successful while in an untreated area (Waimanoa) 4/35 nests were successful. One year after the operation, the number of robins had increased by eight (28 to 36) in the treated area and by one in the untreated area (32 to 33).

In 1997, Waimanoa was treated with aerial 1080 carrot and only 3 monitored robins disappeared. Twenty of 30 nests were successful in this area. At Tahae, which had been treated the previous year, 20 of 67 nests were successful. This reduced nesting success compared to the previous year was considered to be due to the build up of predators that had survived within the poisoned area rather than immigration, because the poisoned area was very large (38, 000 ha).

One year after the 1997 treatment the number of robins at Waimanoa had increased by 11 (from 35 to 46), while at Tahae, the number had increased by 16 (from 49 to 65).

The overall conclusion was that aerial 1080 applied over a large area just before the robin breeding season would be beneficial to the nesting success of robins that survived the poisoning.

  1. Kakariki

The study cited by the PCE as evidence that kakariki had increased chick and adult survival and increases in population size, as a result of pest control operations that used aerial 1080,

is a progress report on activities carried out under the Operation Ark programme. According to the report, the programme started in 2004 and aimed to preserve populations of 3 species of birds, and bats, at selected areas in the South Island (Elliot & Suggate, 2007).

Kakariki (Orange-fronted parakeets, OFP) were targeted at Hurunui and in the Hawdon-Poulter Valleys, and had been subjected to various intensive treatments prior to Operation Ark.

At Hurunui, stoat and possum control had been carried out for ten years previously. In 2001/2002 a rat and stoat plague occurred over a wide area. This was unusual: “rat plagues are a new phenomenon for DoC in the South Island, with swift and catastrophic impacts” (DoC, 2002a). DoC staff have blamed their own management for the rats’ effects on kakariki numbers: “Although the stoat control was effective in controlling stoat numbers, the absence of rat control at the time meant that both orange fronted parakeet and mohua populations declined dramatically” (Elliot & Suggate, 2007).

In 2001 only one nest was found and it was abandoned when the second clutch of eggs was near to hatching (DoC staff were monitoring with nest inspections “involving rope climbing and a lot of acrobatics” (DoC, 2002a; 2002b)). In 2003 the only nest found at Hurunui was raided by DoC, with all 5 eggs taken for captive rearing (Doc, 2003). In the 2003/4 breeding season, eggs from two nests were removed repeatedly for captive rearing (Elliot & Suggate, 2007). Rat trapping started in 2003, then bait stations from 2004. In anticipation of an increase in rat numbers in 2006 (due to a heavy beech seedfall), aerial 1080 was used. It was claimed that the aerial operation had saved the birds from local extinction (Elliot & Suggate, 2007).

As at 2007, numbers at Hurunui remained extremely low and it was considered that the situation required “continued implementation of the best pest control regimes. In addition it will need more intensive monitoring, individual nest protection and possibly re-introduction of birds” (Elliot & Suggate, 2007). Sadly, although not acknowledged here, bringing in birds from elsewhere could make the situation even worse by introducing avian malaria or other diseases (Tompkins & Gleeson, 2006; Alley et al., 2010).

In the Hawdon and Poulter Valleys kakariki numbers declined dramatically due to the rat and stoat plagues in 2001/2002. Stoat trapping had been underway in the Hawdon Valley, whereas no predator control had been carried out in the Poulter. According to DoC staff the dramatic declines in kakariki numbers were due to mismanagement: “the absence of rat control in both valleys and stoat control in the Poulter Valley at the time meant that both OFP and mohua numbers declined dramatically” (Elliot & Suggate, 2007).

High numbers of rats were present in the Hawdon Valley in 2004 and poisoning using bait stations (containing brodifacoum and racumin) began. A break in trapping and poisoning occurred in 2005 due to a perceived low risk of rats.

Rat numbers increased in the Hawdon Valley again in 2006 and bait stations were loaded with brodifacoum again. Despite relatively low numbers of rats (3% and 5% tracking rates in the Poulter and Hawdon Valleys, respectively), aerial 1080 was applied. It was considered that the control measures had prevented the local extinction of kakariki. Numbers have “not yet detectably recovered” since 2001 (Elliot & Suggate, 2007).

Therefore aerial 1080 was used after pest control and other manipulations had seemingly reduced kakariki numbers to extremely low levels, and the effect of the aerial 1080 was not quantified. This is not evidence, as claimed by the PCE, that aerial 1080 has helped kakariki by increasing chick and adult survival and increasing population size.

  1. Mohua

The same study (above) was cited by the PCE as evidence that aerial 1080 had assisted in increasing chick and adult survival and population size in mohua. In that study, mohua were targeted for protection in the Hawdon and Poulter Valleys (as above) and have suffered the same fate there as kakariki: “They are now so rare in the Hawdon and Poulter Valleys that no consistent monitoring is possible” (Elliot & Suggate, 2007).

Mohua were also targeted at Hurunui where they were subjected to nest monitoring and banding. In 2006 there was a decline in mohua numbers despite the aerial 1080 operation carried out to protect them, and this was attributed to the operation not being carried out early enough to protect them from rats during the winter (Elliot & Suggate, 2007).

The Dart-Caples area mohua were targeted too. In this area stoat control had been carried out for some time before the start of Operation Ark in 2004. In 2006, in response to rising rat numbers, bait stations with brodifacoum were used, but these failed. (Possible reasons given for the failure were the type of bait station and the abundance of seed for food.) Rat numbers continued to rise and aerial 1080 was used in 2006, when tracking rates were approximately 40%. Tracking rates declined immediately to 0% then rose to 10% within a month. It was considered that mohua survival had been aided by the three control techniques used: stoat traps, brodifacoum in bait stations, and aerial 1080.

Notably, rising numbers of rats that were threatening mohua survival were controlled without aerial 1080 in both the Eglinton Valley and in the Catlins. Instead, a succession of three or four different poisons was used in closely-spaced bait stations. Thus Elliot and Suggate (2007) reported that in Operation Ark, two separate techniques had proven successful in quelling rat plagues: aerial 1080 and closely spaced bait stations.

  1. Kokako

According to the PCE, aerial 1080 has been particularly successful in the management of kokako in the central North Island. The study cited was an eight-year experiment in which pest abundance, kokako chick output and adult density were compared between three areas (Innes et al., 1999). Two of the areas had pest control and one did not. After approximately four years, the treatments were switched between two of the areas. Pest control was carried out using various poisons (cyanide, brodifacoum, 1080 (in bait stations and aerially), and pindone (aerially), trapping and shooting.

Particularly relevant to the PCE’s claim was the finding that bait stations worked better than aerial 1080 (as noted above under Assertion 1): “Of the two commonest control methods, brodifacoum applied repeatedly in ground stations resulted in smaller mean rat tracking indices (5%, SD 7%, n=6 ) than 1080 applied once aerially (18%, SD 18%, n=6), but this difference was not significant…As for ship rats, brodifacoum applied repeatedly in ground stations resulted in smaller mean possum indices (1, SD 0.1, n=5), than 1080 applied once aerially (14, SD 18, n=5)…p=0.04.”

Another limitation of aerial 1080 was a decrease in its effectiveness when applied repeatedly. It was used at one site in Years 2-4 (after poisoning using brodifacoum in bait stations in Year 1) and each year it had less effect on ship rats on numbers. Thus the researchers commented “early results indicated that effectiveness of control increased if possum and ship rat poisoning techniques changed from year to year.”

Also especially relevant is the strong recommendation made in this study that management of pests should be designed to generate information to guide future efforts, by using a formal experimental design with controls and replication, clearly stated hypotheses, and identification and measurement of key parameters relevant to the hypothesis.

This experimental approach is the complete antithesis of DoC projects such as the Operation Ark as reported on by Elliot & Suggate (2007) where there was no evidence of any scientific thought or practice.

Plants

The PCE stated that studies have shown significantly better growth and survival for kamahi, mahoe and tawa, lasting for up to five years after an aerial possum control operation. The only study cited measured possum numbers, and tree condition and survival, at poisoned and unpoisoned sites, in each of three areas. Monitoring was carried out for 6-8 years after the poisoning (Nugent et al., 2010). Results were as follows.

  1. Kamahi

In one of the three areas (Matemateaonga), there was evidence that Kamahi was browsed less at poisoned sites than unpoisoned sites at 0, 2, 4 and 8 years after possum control. In another area (Ikawhenua), this difference was only seen at six years after control, while at the remaining area (Richmond), browse levels were very low and did not differ between poisoned and unpoisoned sites.

Mean browse scores for the trees at the start of the study, compared with subsequent years, showed an overall decrease in browsing at both unpoisoned and poisoned sites (Table 1).

Table 1. Mean browse scores for the trees at the start of the study (Y0), compared with subsequent years (Y2-6), at unpoisoned and poisoned sites in each area (adapted from Nugent et al., 2010).

Ikawhenua Matemateaonga Richmond
Y0 Y2-6 Y0 Y2-6 Y0 Y2-6
kamahi unpoisoned 5.5 3.0 26.3 12.3 4.4 0.6
poisoned 7.4 1.1 4.5 0.9 3.5 0.1
mahoe unpoisoned 9.9 4.2 21.5 6.3 3.6 0.6
poisoned 7.2 1.5 14.2 2.3 12.4 1.4
tawa unpoisoned 9.7 2.7 15.8 6.7
poisoned 7.8 1.3 14.9 2.5

The percentage of dead kamahi trees was lower at the poisoned sites (8.4%), compared to the unpoisoned sites (33.3%), at Matemateaonga, but at Ikawhenua and Richmond the percentage of dead trees was very low and similar between poisoned and unpoisoned sites (0.8% vs 4.3% and 1.8 vs 0%, respectively).

For all three sites combined, there was a small difference in the percent change in the foliar cover index (FCI) over six years between the unpoisoned sites (+0.3%) and poisoned sites (+2.8%).

  1. Mahoe

In all three areas the level of possum browse decreased at both poisoned and unpoisoned sites between the start and subsequent years of the study (Table 1).

No consistent effect of poisoning on the percentage of Mahoe trees dying was found. Percentages of trees found dead at unpoisoned versus poisoned sites were, respectively 7.9 vs 14.7% (Matemateaonga); 12.9 vs 7% (Ikawhenua); and 4.5 vs 3.1% (Richmond).

For all three sites combined, there was a small difference in the percent change in the foliar cover index (FCI) over six years between the unpoisoned sites (+1.4%) and poisoned sites (+3.6%).

  1. Tawa

In both areas where tawa was measured (Matemateaonga and Ikawhenua) the level of possum browse decreased at both poisoned and unpoisoned sites between the start and subsequent years of the study (Table 1).

No consistent effect of poisoning on the percentage of Tawa trees dying was found. Percentages of trees found dead at unpoisoned versus poisoned sites were, respectively 4.5 vs 7.9% (Matemateaonga) and 7.5 vs 3.3% (Ikawhenua).

For all three sites combined, there was a small difference in the percent change in the foliar cover index (FCI) over six years between the unpoisoned sites (-0.9%) and poisoned sites (+6.4%).

Overall, the authors stated that possum density was only loosely linked to browse pressure, with low predictability in the relationship. It was considered that “complexity, coupled with the small size of overall response, is likely to have been a major contributor to the paucity of historical evidence of plant responses to possum control.” Similarly in a major study by DoC (Bellingham et al., 1999, not cited by the PCE) on effects of possum browse on forest health over 25 years found no correlation between possum occupancy, possum control and degrees of mortality of canopy tree species.

In the same study cited by the PCE some negative effects of possum control on trees were found. At poisoned sites, fruitfall was lower for pigeonwood than at unpoisoned sites, and it was thought this may have been because of increased rat numbers following poisoning. In addition, for red mistletoe the foliar cover had decreased severely at six years after poisoning, and 18% of the plants had died (Nugent et al., 2010).

Notably the authors highlighted the unreliability of DoC’s and the Animal Health Board’s standard measure of possum abundance (the Trap Catch Index, TCI) as well as the Foliar Cover Index (FCI) used to assess tree canopies, and stressed the need for far better experimental design and monitoring techniques.

  1. Fuchsia

The PCE cited a different study as evidence that aerial 1080 use had significantly increased growth and survival in tree fuchsia (Urlich & Brady, 2005). The study was carried out over 10 years in the Tararua Range, where four areas were treated with aerial 1080 at various times and one was untreated. The researchers noted that the untreated area differed from the treated areas, being at lower altitude and closer to the coast, and admitted to having difficulties in the consistency of recording (with 18 different observers used over the course of the study).

In the untreated area, more fuchsia stems died than in the treated areas (30% vs a mean of 7%), plant basal area declined by 15% whereas it increased by 3% in the treated areas, and foliar cover showed a greater decline (42%) than in the treated areas (range 0 to 26%).

Importantly, a different study on fuchsia produced evidence that possum trapping (in the lower Waipara River area in the winter of 1995) led to a significant increase in canopy condition within 6 months (Pekelharing et al., 1998).

Summary

Of the birds claimed to have benefited from aerial 1080 operations, there is good evidence that it was not at all necessary for whio because their predators are effectively managed by trapping; it can negatively affect kiwi through subsequent stoat predation; it can kill large numbers of tomtits with subsequent population decline despite their resilience due to being prolific breeders and colonisers; and it can kill large numbers of robins and would need to be applied before every breeding season to assist nesting success of survivors. The kereru study cited by the PCE did not involve aerial 1080. For kakariki and mohua, aerial 1080 was used after bad management had decimated populations through interference and misguided predator control. No effect was measured for kakariki, and mohua numbers declined after aerial 1080 poisoning at Hurunui. Managers who used appropriate ground control (a series of different poisons in closely placed bait stations) succeeded in quelling rat plagues without aerial 1080. Similarly, in the study of kokako, there was evidence that ground bait stations were more effective in controlling rats and possums than aerial 1080.

Of the four tree species claimed to benefit from aerial 1080, kamahi, mahoe and tawa showed highly variable results and where positive effects occurred, these were only minor. Fuchsia appeared to benefit but the study was flawed by a lack of replication and inconsistent recording. Negative effects on red mistletoe and fruitfall of pigeonwood were found.

Assertion Three (p 46): 1080 has minimal effects on reptiles, frogs, aquatic life and insects

The lack of knowledge about 1080’s effects on reptiles and frogs was made clear in the 2007 assessment of 1080 by the Environmental Risk Management Authority (ERMA): “No data are available on the toxicity of 1080 to native NZ reptiles (geckoes, skinks and tuatara)” (Agency App. C); “The Agency has..made no quantitative assessment of the risks of 1080 to skinks” (Agency App. N); “NZ native frogs are taxonomically [distinct] and there is significant uncertainty as to their sensitivity to 1080” (Agency App. C); “The Agency has made no assessment of risks to frogs” (Agency App. N).

Regarding fish and aquatic life the PCE cited one study (Suren & Lambert, 2006). She claimed that populations of eels, koura and bullies had been sampled before and after cereal 1080 baits were added to 5 streams, and that no effects were found. This is incorrect- the study cited was on the impact of 1080 leaching from baits held in mesh bags placed 100m and 10m upstream from cages containing fish. Some of the cages were stolen, many fish escaped, and some mortality was attributed to high rainfall. Overall there was no evidence of an effect of the leached 1080 on the caged fish.

The effects of leached 1080 on aquatic invertebrates was also assessed in the same areas with samples collected one and four days after placing baits in mesh bags in the streams. The researchers found several significant effects of the 1080 treatment, but discounted these as not being ecologically significant (Suren & Lambert, 2006).

Given that 1080 is known to be highly toxic to some aquatic invertebrates (eg mosquito larvae were killed at 0.025g/l) as well as aquatic plants (eg the toxicity threshold for blue-green algae was 0.4 μg/l, and there was a 73% reduction in frond growth rate in duckweed at 0.5 mg/l) (Agency App. C) a profound effect on aquatic communities may well occur, especially in slow flowing or still water habitats. ERMA’s Agency (App. C) admitted “there is significant uncertainty regarding the aquatic classification of 1080 due to the quality of the data available.”

As evidence that there are no serious effects of 1080 on terrestrial invertebrates, the PCE cited the study by Sherley et al. (1999) in which invertebrates were counted in the vicinity of hand-laid 1080 cereal baits. This study has been widely quoted as evidence that 1080 had no effects beyond 20cm of the baits. The authors failed, however, to mention that there were significant effects 100 cm from the baits, as shown on Figure 14 in that study. In addition, the study was not realistic because there was no toxic dust layer: aerially spread 1080-poisoned cereal baits leave a layer of toxic dust right across the treated area and out to at least 1 km away (Wright et al., 2002).

The PCE quotes a second paper to discount effects on invertebrates (Powlesland et al., 2005). This was an unreplicated study of inhabitants of artificial refuges placed 1.5 m up tree trunks, which were monitored before and after an aerial 1080 operation. The authors stated that they had shown that aerial 1080 operations had little effect on invertebrates that inhabit tree trunks (which was perhaps not surprising since the invertebrates most likely to be affected by 1080 are ground-feeding ones). However they found a near-exponential, long term increase in one species (leaf-veined slugs, Figure 11 of that study) suggestive of ecological turmoil. This increase was discounted as being due to “environmental effects”.

The only other paper cited by the PCE was a laboratory study of the effects of 1080 on the native ant Huberia striata, which was used as a substitute for the forest ant Huberia brouni which is commonly found on cereal baits (H. Brouni was deemed too difficult to handle, being very small, and difficult to maintain in the laboratory) (Booth & Wickstrom, 1999). Twelve per cent of the ants died within 48 hours of exposure to the baits, and fragments were spread around. This observation led the researchers to suggest that ants may take baits into the nest, and comment that “the risk associated with this behaviour is unknown.” Residues of 1080 (0.27 mg kg-1) remained in sub-lethally poisoned ants 7 days after exposure when observations ceased (Booth & Wickstrom, 1999).

The lack of knowledge on the effects of 1080 on invertebrates was identified by ERMA’s Agency as a “data gap” (App. C), and some ecologists have warned of severe effects. Notman (1989) considered that “The impact of 1080 on invertebrates is likely to be far-reaching, considering both the wide range of invertebrates reported as being susceptible to 1080 and the variety of microhabitats in which 1080 is available to insects. Invertebrates that eat the baits are likely to be poisoned, leaf feeders are vulnerable to translocated 1080, root feeders are at risk from poison adsorbed on roots, and soil-dwelling organisms might be poisoned from leached residues”.

In 1994 entomologist Mike Meads found a severe impact of aerial 1080 on invertebrates, persisting for at least a year in some species, and warned that “It would be reasonable to assume that populations of those insects with short life cycles (springtails) would recover far more quickly than those that have life cycles of 3 years and more (some beetles, cicadas, hepialid moths)” (Meads, unpubl.). Meads’ study was initially supported by peer reviews but later discredited by DoC and has still not yet been followed up with a comprehensive, replicated trial on invertebrates.

A pilot trial comparing invertebrates at a site where there had been regular animal control (bait stations, and aerial 1080 in 1997) for many years, and a control site where there had been no poisoning, found a significant difference between the sites (Hunt et al., 1998). These authors stressed the need for a full study comparing invertebrate abundance and diversity between randomly selected treatment and non-treatment areas. They recommended that such a study should be carried out over two seasons before the toxin is applied, and for the subsequent four years (Hunt et al., 1998).

Summary

Nothing is known about the effects of 1080 on frogs or reptiles, and the very small amount of information on aquatic environments and terrestrial invertebrates indicates that 1080 may have severe effects on them.

Assertion Four (p 52): 1080 was rated as “moderately humane”

The basis for the humaneness assessment by the PCE was a report commissioned by the National Animal Welfare Advisory Council (Beausoleil et al., 2010). The PCE stated that the report rated 1080 as “moderately humane”. That is incorrect. The report actually said that the word “humaneness” should be replaced with “animal welfare impact” because truly humane control methods are rare. It stated that 1080 had a severe to extreme impact lasting for hours, and because of this it was rated as “intermediate”, with cyanide (which causes rapid loss of consciousness and death) at one end of the scale and anticoagulants such as brodifacoum (which has a severe to extreme impact for days to weeks) at the other end (Beausoleil et al., 2010).

The PCE also claimed that baits can be designed to contain enough 1080 to ensure animals eat enough to die as quickly as possible. There are major problems with this reasoning, firstly because there is no way of determining the dose a predator is going to receive through secondary poisoning, and secondly because of a vast number of variables affecting the lethality of 1080 baits, including wide variation between species (McIlroy, 1986) and genetic strains in sensitivity to 1080 (Triggs & Green, 1989; Henderson et al., 1999), differences in body mass of the consumer (Henderson et al., 1999), difficulty in achieving consistent toxic loadings (Agency App. F), effects of weathering (Lloyd & McQueen, 2000), effects of circadian rhythms (Peters & Fredric, unpubl.), problems with screening out small pieces of carrot bait (Powlesland et al., 1999) and massive variation in the sensitivity of animals with temperature (for example the median lethal dose for possums (LD 50) at 23.5°C being two and a half times that at 10.5°C (Oliver & King, 1983).

Furthermore, using aerial 1080 to kill vertebrate pests is less ethical than harvesting them, according to Littin et al. (2004): “trading useable products that would otherwise be wasted is a benefit that should be considered in the light of the ethical requirement to maximise all of the benefits.”

Summary

1080 has not been assessed as moderately humane by scientists, rather it has been assessed as having intermediate effects compared to other poisons. It is very unlikely that its humaneness could be improved by altering the bait design. Aerial poisoning is less ethical than ground control in which pests can be harvested for commercial use.

Assertion Five (p 5): Without 1080, keeping bovine tuberculosis at bay to protect dairy herds and protecting young trees in plantation forests would be much more difficult and expensive

The PCE has not provided any support for these claims, apart from some costs comparing ground versus aerial control of pests. Regarding tuberculosis, the literature on Tb and wildlife vectors indicates that it would be much easier (more effective) to combat this disease using ground control rather than 1080, as follows.

Tuberculous possums are clustered in relatively small, stationary “hotspots”. Researchers consider that identification and targeting of these high-prevalence areas and improved surveillance of the disease in wildlife would improve the effectiveness of control (Jackson, 2002; Norton et al., 2005). Control of possums in Tb-problem areas should be carried out 1-2 km in from forest margins, because possums (both diseased and healthy) living in forests were found to only travel occasionally onto farm pastures, and none were found to move more than 1300m (Green et al., 1986; Ramsay & Cowan, 2003). Coleman et al. (1999) found indications of only slightly greater benefits for Tb control of using a 7-km buffer zone of aerial poisoning for deer and possum control around farms, compared to a 3 km zone, and questioned whether using control over such a wide area was worth the expense.

Tb is found in a wide range of wildlife including cats, mustelids, hedgehogs and pigs. Carrion is thought to be a significant route of infection for these animals, and the M. bovis organism that causes Tb may survive for several weeks in carcasses (Jackson, 2002). Therefore leaving poisoned carcasses for scavengers (rather than removing them by hunting or trapping) may help to sustain this disease. Aerial poisoning may also help to spread Tb through its observed effect of increasing the home ranges of mustelids and cats (Norbury et al., 1998).

Also the use of aerial 1080 adjacent to farm pastures is not needed because the terrain is not usually rugged and indeed aerial 1080 entails significant additional risks there, due to the exposure of farm animals, humans and domestic pets to the toxin.

Regarding forestry, trees are planted by hand, and pruned and harvested by people on the ground. Forestry areas are readily accessible for pest control. A study using bait stations along forestry roads to control vertebrate pests in a beech forest was highly successful and used only 2-3 kg of 1080 baits per kilometre (Alterio, 2000). Thus the expense and harm from aerial poisoning could be avoided readily: “a common feature of pesticide applications is the overwhelming excess of poisonous material that is required to reach and control the target organism…despite such over-abundance of available toxin, complete extermination is seldom achieved and repeated applications are necessary” (Notman, 1989).

Summary

Ground control of wildlife carriers of Tb is likely to be more effective in protecting dairy herds than aerial poisoning of possums. This is because the incidence of the disease can be monitored, and the disease can be targeted in the areas and animals where it occurs and where it places livestock at risk. Carcasses are a likely source of infection for wildlife and can be removed with ground control. Planted forests are readily accessible for ground control of pests, thus minimising the amount of toxin entering the ecosystem and its potential for system-wide damage.

Assertion Six (p 68): We do not need more water samples

In the ERMA review on 1080, some serious issues concerning water sampling and sample storage came to light that cast doubt over the validity of results from water sampling to date:

“Loss of 1080 from soil stored at -20oC was identified in a report by Landcare Research…the Agency sought clarification from Landcare Research..Their response highlights the uncertainty around the loss of 1080 from stored samples and suggests that concentrations of 1080 in such samples may have been under-reported” (Agency App. C).

Furthermore, regarding water sampling: “A recent sampling protocol…[states that] ‘Samples should be taken immediately after poisoning and continue daily until after the first significant rainfall’..few of the monitoring programmes.. reported such frequent initial sampling, possibly because there was no regulatory requirement to do so..or because of the cost of sample analysis” (Agency App. E).

Also “In relation to environmental monitoring, the Agency notes the concerns about storage ..[e.g.] Eason et al., (1994)..refer to water samples being frozen “within 5 hours” of collection, which seems a relatively long period before appropriate storage” (Agency App. E).

A review of the information on 1080 (www.1080science.co.nz) used in its reassessment by ERMA in 2007 showed that this chemical has an amazing ability to spread. Again and again in research, “control” samples have become accidentally contaminated with 1080. Because 1080 poison is highly soluble it spreads very fast in water and also up food chains. For example, researchers found 100% mortality of aphids on broad bean plants grown in 0.00005% 1080 solution. 1080 has been shown to pass readily into milk and meat. In mammals, it causes birth defects, reduced fertility, damage to reproductive organs and other organs including the brain and heart. Claims that 1080 poison does not cause mutations arise from a study on mice, that ERMA was unable to get a full copy of, and no research at all has been carried out on whether it has carcinogenic effects. Therefore its possible presence in water supplies should be taken extremely seriously.

There has been no research into how long 1080 poison persists in treated areas. In the ERMA documents it was recognised that it might persist indefinitely at low concentrations (www.1080science.co.nz). It has been found to persist in many varied situations including dry places, cool water, water lacking aquatic plants, some types of soil and for at least several months in carcasses. The rate of breakdown of 1080 poison in New Zealand forests and streams is unknown, but it is extremely slow at around 5oC. Thus ERMA’s Agency warned that “No studies have been conducted using standard international guidelines to assess the route and rate of degradation of 1080 in soil. The rate of such degradation under New Zealand conditions is uncertain. And regarding water: ”Overall, the relevance of the aquatic plant/water studies to the degradation of 1080 in water in NZ is not clear.”

The fact that 1080 poison does linger (for instance in carcasses, that may contain a large number of poisoned baits and end up in water courses) was not taken into account in the ERMA reassessment. Effects of chronic exposure to 1080 were not investigated, because “even considering its extensive proposed use, the likelihood of prolonged exposure..is very unlikely” (Agency App. B).

Evidence of chronic effects of 1080 on the heart was among the abstracts submitted by the Applicants in the ERMA reassessment: “In the subacutely and chronically intoxicated [with 1080] animals the multifocal myocardial lesions were more widespread” (in sheep; Schultz et al., 1982). And effects on reproduction: “The chronic administration of this low level [26 ppm of fluoroacetate in drinking water] caused an early but temporary retardation of growth..at termination of the experiment..the testes [showed] severe damage characterised by massive disorganisation of the tubules, nearly total loss of functional cells, absence of sperm and damage to the Sertoli cells” (in rats; Smith et al., 1977).

A further problem with sampling of water supplies has been failure to take into account the likelihood of adsorption of 1080 to cellulosic structures, as found by Hilton et al. (1969). This property of 1080 means it is likely to be present in detritus and suspended particles of plant matter in water, and also will be adsorbed onto any filter paper used during laboratory analyses.

Summary

A reliable method for assessing 1080 contamination of water supplies has not been used historically. Such a method should be identified and applied extensively because of the risk to human health.

Assertion Seven (p 68): There is a strong case for the use of 1080 and other poisons to be permitted activities under the RMA

The RMA (Resource Management Act 1991) is intended to safeguard the life-supporting capacity of ecosystems and ensure that effects of harmful activities are identified and minimised. If the use of aerial 1080 and other poisons to kill pests are permitted activities under this Act then Resource Consent, with its associated assessment, monitoring and consultation, would not be required for DoC, the Animal Health Board or others intending to use poisons.

However there is very strong evidence (all sections above) that widespread use of aerial 1080 has wide-ranging, profound and ill-understood effects. Therefore every proposed aerial operation should be subject to full assessment and scrutiny.

Ecologists recommend that such pesticide use should be planned and monitored very carefully, as follows.

1080 is toxic to a broad spectrum of organisms, including native birds (with corpses of 19 species recovered after aerial operations (Spurr, 2000 cited in Veltman & Westbrooke, 2011), and very high mortality rates observed in some species that have been intensively monitored through aerial 1080 operations, such as tomtits and robins, see above). As shown above aerial 1080 poison has probable serious effects on invertebrates. There is evidence it is toxic to fungi (Soni et al., 1980 (study on sodium fluoroacetate)); microbes (Emptage et al., 1997 (study on monofluoroacetate); Chidthiasong & Conrad, 2000 (study on fluoroacetate)), and plants (Wienhaus, 1973 (study on fluoroacetate); O’Halloran et al., 2003 (study on sodium monofluoroacetate)). Its aerial use may have whole ecosystem-level effects, such as on the rate of litter decomposition, the size of nutrient pools, and primary productivity (Innes & Barker, 1999).

As noted already, Innes et al. (1999) strongly recommended that pest management should be carried out using a formal experimental design so that objective information could be obtained to guide future efforts. Courchamp et al. (2003) warned that the sudden removal of an alien species may generate disequilibrium, resulting in further damage to the ecosystem, so careful pre-control study is required to avoid an ecological catastrophe. Krebs (2006) also warned that to avoid unintended consequences in pest control, standard scientific protocols should be applied, and Zavaleta et al. (2001) stated regarding invasive species: “species removal in isolation can result in unexpected changes to other ecosystem components …Food web and functional role frameworks can be used to identify ecological conditions that forecast the potential for unwanted secondary impacts….a holistic process of assessment and restoration will help safeguard against accidental, adverse effects on native ecosystems.”

It is imperative that the goals of pest control are very well reasoned and defined, on the basis of sound information. Careful ecological monitoring before pest control operations may discover positive effects, for example possums may now fulfil an important ecological role in the dispersal of large-seeds, due to the decline in large-gaped native birds (Dungan et al., 2002) and we may need to accept them as part of our biota (Tyndale-Biscoe, 2005). Restoring NZ’s ecology to its pre-Polynesian state is impossible, as stated by Scofield et al. (2011): “While we applaud the idealistic goal of ecosystem restoration to its prehuman state, its implementation in New Zealand is problematic. The keystone avian herbivores, the moa, are extinct and so are crucial components of the prehuman biota, from the giant flightless herbivorous goose, to the tiny flightless avian mouse.”

Summary

Any alterations to regulations on pesticide use for vertebrate control should require far more, not less, assessment and monitoring to reduce its high risk to our natural heritage and human health.

Conclusion

The use of aerial 1080 should be stopped until there is compelling evidence that it is not doing irreparable damage to our native fauna and ecosystems. Considering the scale of the risk this practice imposes, valid, objective and wide-ranging research would be expected to underlie its on-going use. The PCE has not managed to find such research and indeed, the research she has cited demonstrates that aerial 1080 has devastating ecological effects through killing native birds and causing large increases in pest populations. Research shows that ground control of pests using trapping and/or bait stations is not only feasible but likely to be far more effective in reducing predation on native fauna and in controlling Tb.

 References

Agency B, C, E, F, M,N: Environmental Risk Management Authority’s Assessment of 1080, 2007, Agency’s Appendices.
Alley, M., Hale, K., Cash, W., Ha, H., Howe, L. 2010. Concurrent avian malaria and avipox virus infection in translocated South Island saddlebacks (Philesturnus carunculatus carunculatus). NZ Veterinary Journal 58: 218-23
Alterio, N. 2000. Controlling small mammal predators using sodium monofluoroacetate (1080) in bait stations along forestry roads. NZ J Ecology 24 (1): 3-9.
Armstrong, D., Castro, I., Perrott, J., Ewen, J., Thorogood, R. 2010. Impacts of pathogenic disease and native predators on threatened native species. NZ J Ecology 34: 272-273.
Beath, A. 2010. Securing whio (blue duck) in Tongariro Forest. Department of Conservation Technical Report No. 6: 2009/10. 25 pp.
Beausoleil, N., Fisher, P., Warburton, B, Mellor, D. 2010. How humane are our pest control tools? MAF Biosecurity New Zealand Technical Paper no: 2011/01Bellingham, P., Wiser, S., Hall, G., Alley, J., Allen, R., Suisted, P. 1999. Impacts of possum browsing on the long-term maintenance of forest biodiversity. Science for Conservation 103.

Booth, L.H., Wickstrom, M.L., 1999. The toxicity of sodium monofluroacetate (1080) to Huberia striata, a New Zealand native ant. NZ J Ecology 23 (2): 161-165

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Karamea Ministry of Red Tape: #25

A New Zealand Government Department authorised by a covertly suspicious and deliberately rhetorical Act of Parliament and compounded by a tacit Royal Approval to receive Official Complaints!

By Raving Reporter Товарищ Самсон Казаков
 

Office Manager:           Red Scarlettt

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Senior Complaints Officer:   John Foitzpartytrick II

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John Foitzpartytrick II

Office Receptionist:     Queen Elizabeth III

Rupaul as a woman

Office Bimbo:       Mother Theresa IV

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Mother Theresa IV

Office Filing Clerk:     Pelvis V

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Pelvis V

Office Bookmaker:    Pope Shamus O’Toole VI

THE TUDORS

Pope Shamus O’Toole VI

Tea Lady:        Dianna Spencer VII

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Karamea Ministry of Red Tape Offices, Market Cross, Karamea

1030 hrs, Monday April 1st, 2014

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Goliath:               Hello???

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Queen Elizabeth III:           Hello????

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Goliath:          Down here!!!

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Queen Elizabeth III               Oh my goodness…a homunculus!

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Goliath:           I am a vertically challenged individual wot is desirous of applying for the vacant position of Karamea Ministry of Red Tape Barman!

NO BYLINE... N49ck310 The Saint Bar in St Kida. Pic. Supplied INI99676.

Queen Elizabeth III:           Ha! My pet Corgi Roger is vertically challenged!!              You my son are a leprechaun!

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Mother Theresa:      Aaaaaaaaaggggggggghhhhhhhhhh!!! A goblin!!!!

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Pope Shamus O’Toole:      Holy crap!!! Satan Lucifer Beelzebub!!!

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Goliath:      Father!! It’s me your long lost bastard son!

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Pope Shamus O’Toole:    Mutter O’Mary!! A lying leprechaun!!!

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Pelvis:     Hey shorty, don’t you step on my blue suede shoes!

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Red Scarlett:     What is all the commotion out here? I am in serious conference with the Ministry Senior Tax Inspector, the Minister of Finance and Doc Holliday!!

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Office of Red Scarlett, Karamea Ministry of Red Tape Office Manager

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Doc Holliday:        Read em and weep pardners!!! Five aces!!!!!!!!!!!

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Minister of Finance:      You bloody cheat!!!!!!!!!

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Tax Inspector:     Yeah!! All those aces are hearts!!!!!!!!!!!!!!!!

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Minister of Finance:      Indeed! I also have an ace of hearts!!!

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Doc Holliday:             Yeah, but do you have a six gun this big???

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Queen Elizabeth III:       Wow!!!!!!!!!!

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Mother Theresa:        Thank you Lord!!!!!!!!

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Queen Elizabeth III:          Pon my word young knave! You deserve to be knighted!!!!

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Red Scarlett:      Zip it Doc! I am attending to serious Karamea Ministry of Red Tape business out here!

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Reception – Karamea Ministry of Red Tape 

Administrative_Affairs

Red Scarlett:      Oh my what a cute little boy! Hello!

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Goliath :     I am 34 years of age and I am here to ap..pply for…..

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Red Scarlett:  Haaaa! What is your name then???

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Goliath:            Goliath!!!

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Red Scarlett:            Goliath!! You’re kidding! Oh I can’t breathe for laughing!! Ha ha ha!

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JFK:               Pity you’re not bald too! I know a bloody great joke !

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Goliath :                         I can mix any drink you can name??

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Queen Elizabeth:                             I’ll have a Martini, Henry!

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Goliath:                           Voila Madame!

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Queen Elizabeth:                        Burp! Jesus, I’ll have another, make it a double!!

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Pelvis:                        Bourbon and coke dude!!!         Slurp!!!!!!!!!  Snort!!!!!!!!!!!!

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Pope Shamus O’Toole:                   In t’name of t’father I’ll be having a Guinness!

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Goliath:                   There you are your worship!

NO BYLINE... N49ck310 The Saint Bar in St Kida. Pic. Supplied JQJ68005.

Pope Shamus O’Toole              Titn’t tooch t’sides! Better have                                                                                         anuther! Hic! And make it a double!!

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Red Scarlett:          You’re hired! You are also hereby designated to be Karamea Ministry of Red Tape Executioner!

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Goliath:             Do I need a weapon???

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Red Scarlett:               Ha ha ha! HA HA HA!!!!!! What a comedian!!! Yes, here!!

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Goliath:               Wow a colt 45!!!!

Performer's sticky situation with vacuum cleaner

Madeleine:           Pardonnez moi???

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Red Scarlett:          Yes!!

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Madeleine:        I wish to make ze complaint!!

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Red Scarlett:     An official complaint??

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Madeleine:    Mais oui!!

Fat-Woman

Red Scarlett:    Goliath!!!!!!!!

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(Radio Karamea 107.5 FM        “   …Kenny Rogers!!   “Jack Ruby!!! Please don’t take your gun to town!!!!!!!)

DJs Crap & Echo

Goliath:    I can’t pull the trigger for laughing!! She’s so fat and so ugly!! Ha ha!

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Madeleine:    I am circumferentially and visually challenged, but I believe Jesus                             loves me!

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Goliath:                 Noooo!!!! Ha ha ha! A rotund attractively challenged Jesus freak!!! Ha ah ha!!!!!!!!!!!!

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Pelvis:              I’ll kill her, give me the gun!!!!!! Ha ha noooo ha ha!!!!!! Stop                             looking at me like that!!! Ha ah ha!

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Mother Theresa :      Give me the gun you gutless hound dog! Am I the only with any balls round here!! Handes Hoch Fraulein!!!!

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Madeleine:      No please don’t kill me I’ve got an appointment at Jenny Craig’s in                                half an hour!!!

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Goliath:          It’s your lucky day!

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KABOOM!!!!

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Doc Holliday!:              Great shot!!!!!!!!!!!!!

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Red Scarlett:             Congratulations! Let’s celebrate! Call out for a                                                   Pizza!!!!!!!!

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Pelvis:                                   Extra anchovies!!!!!!!!!!!!

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Queen Elizabeth:          Look in her handbag! Whittakers Peppermint Extra Cacao Chocolate!!!!!!!!!!!!!!

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Goliath:              Mmmmmmmmmm! Yum!!!

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Mother Theresa:            Cup of tea????

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Posted in Art, Banking, Business, Economics, Education, Erotica, Fashion, Funny, Hilarious, Historical, Humor, Humour, Jesus, Karamea Radio, Money, New Zealand, Parody, Photography, Politics, Radio, Religion, Royal Family, Satire, Sex, Social Commentary, Uncategorized, United States, Weird, West Coast | Tagged , , , , , , , , , , , , , | 2 Comments

Welcome to the Wonderful World Winston!

Off the Top of My Head

By Paul Murray
 

Winston John Aita MurrayAfter 41 weeks of abstinence and special duty of care, Sanae Murray again subjected herself to a medical exorcism and delivered a handsome little devil at Nelson Hospital just after midnight on the morning of September 3, 2014.

He weighed in at 3.585 kgs (a sparrow weight) and remarkably resembled Winston Churchill…not the keen-looking,  preppy Boer War journo Churchill…more the wrinkled booze and tobacco ravaged elder statesman Churchill (minus the obligatory cigar).

So, after much discussion with Mum, Winston was chosen as the handle for newest Murray. We feel it fits him rather well and hope it encourages deft acuity, eloquence and determination in the child….and should he ever encounter any Nazis, he’ll take no truck with them either. Of course pomposity, arrogance and grotesque physical appearance would be the downside, but I hope young Winston adopts his namesake’s positive attributes and transcends the negative.

For some reason, “John” is the name traditionally given to the eldest male in the Murray clan and, as he is half Japanese, we also gave him the Japanese name “Aita,” which means “Abundant Love.” So it’s welcome to the wonderful world Winston John Aita (愛太) Murray, may you live long and well little man.

Its early days yet, but the wee chap would seem to be a good sleeper (his mother’s side) and an enthusiastic drinker (my genes I expect) and has a pleasant disposition, he smiles frequently and appears to be taking on the world with calm ardour and inquisitiveness.

Sanae was determined to have a natural birth and was progressing very well through the horrendous ordeal of labour, ably assisted by our competent and lovely midwife Kerensa. I was by her side in my role as moral supporter and coach…”Come On,” “You can DO it,” “Go for IT,” “Go, Go…GO,” “PUSH,” ‘Well Done,” “Breathe” etc, etc…sideline encouragement for the team was the extent of my input. But alas, after many hours of seeing my dear wife’s eyes roll white, hearing her agonised muted screams, much grunting and moaning…our obstetrician Dave made the call to preform an “emergency C-section” as the baby was clearly not able to escape. (It transcribed that Sanae’s pelvic orifice was insufficient to allow passage of the child and a vaginal birth would have been a physical impossibility, so it was the right call).

Then, after the patently ludicrous process of going through the legal documents and expecting an exhausted woman in the throes of labour to understand or even care about jurisprudence…her signatures were hastily scribbled Xs somewhere near the appropriate dotted lines and once the medical staff’s potential culpability was waived, we scrubbed up, donned medical blues and were off to the theatre.

There we met with another posse of strangers, including a Russian sounding woman who insisted on attempting  a somewhat sinister-sounding, heavily accented albeit well-intentioned conversation with exhausted Sanae  (“Zis time, Mr. Bond, za pleasure vill be all mine!”), who, at that juncture, could have cared less about the f*#%ing weather.

An epidural was administered by groovy Steve Jobs-looking anaesthetist “Roger” and I was again privy to the brutality of the cesarian section operation, which resembles wild animals pulling apart a carcass. Little blue Churchill was quickly extracted…pulled out by his head from the steaming crimson innards of my conscious but heavily sedated wife (the epidural calmed her down considerably…that’d be the morphine I expect). Sanae was screened off to the carnage going on in her stomach, but I was able to give her a running commentary of proceedings by peering over the screen and the shoulders of the surgeons…being tall has its advantages…and disadvantages.

The baby was released into the capable hands of the pediatrician (who had been also previously legally immunised at the slash of Sanae’s pen) where he was cleaned off, his passages cleared and weighed…there he performed his first act of defiance, immediately endearing himself to his proud father…he pissed all over a nurse.

** (The epidural needle is about six inches long and the gauge of #8 wire…it goes in through the back and into the spine…not something I would ever wish to try, unless my uterus was labouring to expel a foetus from my body…alas another experience I’ll likely never have)**

***In passing I should commend Sanae on her exemplary grace, composure and dignity in the face of excruciating agony…”Oooo Gosh” was the strongest oath uttered during her ordeal…she’s a true lady the wife!***

The family tracked into the hospital each morning and again in the evening to see my scratchy spouse (it’s a bitch coming of heroin) and beautiful son. They came home this morning and we’ll stay here in Nelson for another couple of weeks resting up, relaxing and welcoming young Winston into the Murray family with our daughter Diva and extended family of Sanae’s sister and parents…and I imagine there will be considerable sake consumed in line with the Japanese tradition to celebrate the expansion of one’s family…Campai!

****The entire staff at Nelson Hospital were tremendous, from the cleaners to the surgeons, everyone worked together to make our experience again thoroughly enjoyable, stress ands hassle free…thank you linesmen, thank you ball boys…Great Match!****(Special thanks to Jean, Kerensa, Kevin, Suzy, Dave, Roger, Dot, Wendy…and many others whose names we don’t recall, but whose kindness and care we will always remember).

Winston WED_9391_2

 Family

Related Article from The Rongolian Star Archives: 

Huge Win on Melbourne Cup Day!

Off the Top of My Head

By Paul Murray
 

I’m overjoyed to report that our first child “Buster” Murray was born on 1/11/11 at 2:44 a.m. in Nelson Hospital…I can also report that, other than the end result, there is absolutely NOTHING beautiful about childbirth…it’s more like a mixture of serious drug withdrawal and an exorcism…brutal pain, gnashing and grinding of teeth, blood, mucus, sweat…plenty of shouting, screaming, tears, involuntary twitching, praying, begging for mercy, hot flushes, cold shivers, uncontrollable shaking, a procession of uniformed officials performing rituals, probing orifices, inserting catheters, needles, tubes, and drips, swabbing and mopping as anxious relatives look on…Labour must be a construct of the devil…but my wife’s purgatorial suffering has produced a little angel…in her eyes we see the future…overwhelming tides of love flow from me when I see her smile…never have I seen such perfection…I can’t wait for you to meet her! I told her about The Rongolian Star and she burped, vomited and crapped herself!

…I should add that the replay of “The Exorcist” we experienced finished more like “Alien 1″ as my wife eventually had a cesarian section (after 12 hours of demon banishing) and Diva emerged from my wife’s midsection looking not unlike the bloody, goo-covered extraterrestrial that popped out of Sigourney Weaver!

Anyway, we have a daughter…It has come to pass that she was born on the same day my father David died 28 years ago, so we chose a name from the letters of his name…Diva is also Latin for Goddess, and she can really wail…Grace is how we hope she’ll comport herself throughout her life…Enna is Japanese for lots of laughter.

If you’re interested in astrology…28 years is the time for theplanet Saturn to return to the same position in relation to Earth…Diva arrived in the same planetary alignment as when my father departed…One could argue that there is a 1 in 365 chance, but I like to think my Old Man has some sway in these matters!

Welcome to the world Diva Grace Enna Murray…nickname “Buster.”

Mother and Daughter doing very well…Father managing….

A few weeks before the birth, a Canadian friend rang and walkedme through the delivery procedure as he’s had two children and far more experienced in these matters than I. He highly recommended huffing on the nitrous oxide, which is freely provided to labouring mothers to help takethe edge off the pain. I took this exceptional advice with me to thehospital and managed to action it on the day.

The N2O is delivered with oxygen and goes through a mixer at about 50/50
before being delivered to the agonised mother to be via a flexible plastic
hose with a mouthpiece attached. She sucks on the mouthpiece and the gas
flows. The mixer makes a rattling noise, like small stones in a bottle, to
indicate the gas is being delivered. It worked a treat for Sanae, whom I
thought was going to snuff it…the gas calmed her and she took to it much
like “Buster” is now taking to her breasts, but that is another story for
another day. Her contractions were coming around every 90 seconds, once
the pain maxed out, she stopped huffing, which is where I came in.

I first changed the mixer to 100% NOX and then had it jangling like Tito
Puente’s maracas! Half a dozen good hits on pure N2O certainly got the
brain going…distant things became quite close, everything went liquid
silver like mercury…angels were flapping about…that sort of thing…just
then, our midwife/GP returned to the room and seemed to
realise I wasn’t quite as she’d left me…in fact, she seemed quite
clinically interested in observing the effects of nitrous oxide on
pre-natal fathers…or perhaps that was a paranoiac symptom of the
NOX…I’ll never really know, anyway, she seemed to expect me to have
helped myself to the gas and didn’t seem at all bothered…she in fact
appeared rather amused. She then informed us that “Buster” would be born
on Melbourne Cup Day 1/11/11…and all I could think to say in response
was to repeat the childhood tongue twister…”One One was a racehorse, Two
Two was one too, 22 won one race, 11, won one too,” which, on reflection,
wasn’t bad under the circumstances!

In other news, Sanae appears to have developed a third breast. Apparently,
humans have a line of mammary glands running down their torso…rather
like sows. In Sanae’s case, the one under her right arm has activated and
is engorged with milk…so my wife is not only gorgeous, she now has three
tits! (I feel the cosmic worm is turning and our recent spell of bad luck
is about to change!) Diva’s arrival will change a whole lot of
things…all of them for the better.

Buster’s also something of a scatologist…I was holding her last night with my forearm under her bum and she released an explosive turd that had now where to go but up…she had shit all up her back and in her hair…her racy new white jumpsuit is a less fashionable shade of brown now…Sanae was less than impressed at the 3:00 a.m. malarkey, but took it all in her motherly stride and quietly changed her clobber, mopped her hair and back and reattached her for more ammunition…will she never learn?

Last week, I was changing her in the night and just as I had the old nappy off, she simultaneously sneezed and let fly with a fresh batch of baby poo that fired out under considerable pressure just clipping my left flank and leaving the wall behind me looking like the beginning of a Jackson Pollack…an abstract yellow streak up the wall that required some explanation to the less than impressed landlord…my claims that my child was merely expressing her creative talent and that I wouldn’t charge her for the artwork failed to convince her to refund our bond…some people just have no appreciation for modern abstract.

The other incident occurred halfway home when we stopped for lunch at the Riverside Cafe in Murchison. We woke Diva and proudly strolled into the restaurant among the customers carrying our new baby. We stopped by a couple who were enthusiastically hoeing into their lunch. They looked up at the waking Diva who proceeded to rip of a VERY loud and rather moist sounding fart tableside…the patrons visibly paled, their respective appetites evaporated as the stench wafted over their table and they seemed to concurrently decide that it was time to start dieting…must have been something wrong with the food!

She’s also learning about rugby…Sanae’s nipples were red raw and bleeding from the hammering they’ve taken in keeping the juice up to the growing bundle of joy. The midwife showed us a new breast-feeding hold she termed the “Rugby Hold.” The new hold positions the baby under the arm as you’d carry a rugby ball on the run. My role is to pass the baby and, in keeping with the rugby theme, have developed a kind of scrum ritual where by I say, “Crouch, touch, pause….engage.” She has become used to the routine, much as Pavlov’s dogs learned to salivate in the expectation of food…on the command of “crouch” her little mouth puckers up, on “touch” her eyes widen with anticipation, with “pause” her head starts to shake and the on “engage” I place her ready mouth on Sanae’s willing nipple and she commences enthusiastic suckling…hilarious! (With Sanae’s permission, I might film the ritual and send it to you…Sanae is getting quite used to getting her norks out in front of all and sundry, so why not share the joy on YouTube?)

Daddy and DD

Posted in Australia, Children, Funny, Hilarious, Historical, Humor, Humour, Japan, Karamea, LivinginPeace Project, Marriage, Nazis, New Zealand, Peace, Photography, Quotes, Social Commentary, Uncategorized, West Coast | Tagged , , , , , , , , , , | 4 Comments

The Incredible Adventures of a Swedish Centenarian

Off the Top of my Head

By Paul Murray
 

Book Review:

“The 100-year Old Man Who Climbed Out The Window And Disappeared” By Jonas Jonasson
 
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A fertile imagination is not something you’d expect from a person with the name of Jonas Jonasson, but his book “The Hundred Year Old Man Who Climbed Out The Window and Disappeared” is evidence that Mr Jonasson has significantly transcended the creativity of his parents, or indeed that of his Nordic ancestors.

On the eve of his 100th birthday, almost centenarian Allan Karlsson escapes from the banality of his mundane existence in an old-age facility in rural Sweden and goes on a fantastic voyage. In his twilight, Karlsson manages, among other incredible feats, to steal 50 million kronor (over $US7 million) in drug money from a Swedish gangster, inadvertently kill two gang members, recruit his own gang, elude the violent and angry gang boss (before eventually converting him to Christianity), stay just ahead of the police, befriend an elephant and finish up getting married in Indonesia and living happily ever after.

The hilarious tale is interspersed with anecdotes from Karlsson’s equally extraordinary life and is very much a ‘Forrest Gump” tale of someone who just kept on keeping on with blithe regard for life’s complications like politics, religion and social norms. He overcomes numerous seemingly insurmountable barriers by maintaining a positive mental attitude and believing that a solution to whatever predicament he finds himself embroiled in will eventually present itself.

His casual, come-what-may approach to life and incredible good fortune, leads him share his penchant of vodka with many of the history’s largest names and, in associated inebriation, develop useful first-name friendships with many, including; Chairman Mao, Harry S. Truman, Lyndon B Johnson, Charles de Gaulle and Winston Churchill.

During the course of his fascinating life, Karlsson manages to become an explosives expert, saves General Franco from being blown to pieces, and thereby aids the establishment of a fascist dictatorship in Spain, solves the problem of nuclear fission for U.S. scientists working on the Manhattan Project in Los Alamos and later provides the solution to a similar problem for Russian physicists and thereby initiating the Cold War.

When in China, he finds himself straddling both sides of the civil war by befriending Mao’s wife Jiang Qing and Soong Mei-ling, wife of Kuomintang leader Chiang Kai-Shek. He escapes his potentially life-threatening situation in China by traversing the Himalayas on foot and arrives in Iran a prisoner of the notoriously ruthless Iranian police chief whom he subsequently manages to blow up and simultaneously thwart an assassination attempt on the life of Winston Churchill who had stopped off in Tehran en-route to Kenya to visit his friend the Shah. In the ensuing chaos, he again manages to escape certain death and arrives at the Swedish Embassy in Tehran, where he is granted asylum and eventually makes it back to Sweden––on the intervention of his friend President Truman––where he is promptly abducted by a Russian physicist in the hope he will assist the Soviets also build an atomic bomb.

In the Soviet Union, Karlsson then manages to infuriate Stalin at a dinner party by inadvertently revealing that he’d been responsible for saving the lives of both of General Franco and Winston Churchill and then exacerbating the situation by drunkenly reciting a verse by a Swedish poet Verner von Heidenstam, a fascist sympathiser. He then tangles with Stalin’s ruthless Soviet security and secret police (NKVD) head Marshal Lavrentiy Beria and winds up in a gulag with Herbert Einstein, the dim-witted brother of Albert Einstein…they make a daring escape together after five years hard labour by destroying the entire city of Vladivostok, arrive in Pyongyang, meet both Kims (Il Sung and son Jong Il), and Mao Zedong…and then wind up in Bali for a 20-year holiday financed with greenbacks the United States had provided the Kuomintang that been subsequently sequestered by the Communist Party (a gift from his friend the Chairman). Karlsson becomes fluent in half a dozen languages, is appointed interpreter for the Indonesian Ambassador to France…I could go on and this book certainly does!

“The Hundred Year Old Man Who Climbed Out The Window and Disappeared” is a fun read that presents a simplistic, but interesting take on 20th Century history and politics and reminds readers that living life is the most important thing about it.

*It transcribes that Jonas Jonasson’s original name was Pär-Ola Jonasson. Why he changed it is not known…perhaps for ease of recognition and retention by the international audience now familiar with his work…apologies to Mr. Jonasson’s parents for my presumption.

**(Swedish names that may be difficult for non-Scandinavian readers are also simplified throughout the book with the use of nicknames for the ease of comprehension…which makes this book much easier reading than anything by Fyodor Dostoyevsky!)

***The book has been made into a film that will be released outside of Sweden in September 2014.

The One Hundred Year Old Man Who Climbed Out The Window and Disappeared by Jonas Jonasson Published by Allen & Unwin (2013) ISBN 978 1 74331 793 8

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Posted in Book Review, Drugs, Economics, Education, Funny, Hilarious, Historical, Humor, Humour, Money, Politics, Product review, Social Commentary, Sweden, Travel, United States, War | Tagged , , , , , , , , , | 4 Comments

Artist Crumb Illustrates Writer Bukowski

By Maria Popova

In the early 1990s, two titans of the artfully cynical and subversive joined forces in an extraordinary collaboration: Legendary cartoonist and album cover artist Robert Crumb illustrated two short books by Charles Bukowski, “BringMe Your Love”   and “There’s No Business.” Crumb’s signature underground comix aesthetic and Bukowski’s commentary on contemporary culture and the human condition by way of his familiar tropes — sex, alcohol, the drudgery of work — coalesce into the kind of fit that makes you wonder why it hadn’t happened sooner.

In 1998, a final posthumous collaboration was released under the title “The Captain is Out to Lunch and the Sailors Have Taken Over the Ship” — an illustrated selection from Buk’s previously unpublished diaries, capturing a year in his life shortly before his death in 1994.

Posted in Art, Book Review, Funny, Historical, Humor, Humour, Social Commentary, United States | Tagged , , , | 2 Comments

LivingInPeace Project Resident Artist Retrospective

Off the Top of My Head

By Paul Murray
 

When friend Erik Sanner became a “struggling artist” stereotype and almost starved on the hard streets of Tokyo, I thought something should be done.

I’d written a couple of articles about Sanner when working as a journalist in Japan, I attended his exhibitions and purchased some of his artworks. We became good friends and I followed his artistic career with interest.

Sanner had invested the full measure of his considerable creative talent into establishing himself as an artist in Japan and his failure to even be able to support himself financially suggested to me that aspiring artists like him needed help. When Sanner gave up on his dream to be an artist and went to work for CitiBank, I was convinced, something must be done.

I decided to do that something and moved to Karamea at the top of the West Coast of the South Island of New Zealand and founded the LivingInPeace Project in 20o4.

The stated objective of the LivingInPeace Project was to combine the elements of Art, Travel, Permaculture and Education into a sustainable business. The art facet of the project sought to provide aspiring artists like Sanner with a place for them to live and work and a means of assisting to promote and market their creations.

(Fortunately, Sanner returned to art once his financial situation improved and he is making quite a name for himself in avant-garde art circles in New York City, check out his work at www.ErikSanner.com).

All aspiring artists face the same paradox; No one buys their work because no one knows who they are, and no one knows who they are because no one buys their work. Another challenge is that creative art skills and creative marketing skills are diametrically opposed and not generally found in the same person. The LivingInPeace Project aims to help artists become established by transcending such conundrums.

 

Dave Besseling: Visual Art/Writing

The LivingInPeace Project Artist-in-Residency Programme began in 2005 when Canadian artist Dave Besseling, whom I’d also befriended in Tokyo, came to Karamea for three months to concentrate on his drawing. He became the our first official resident artist and we have hosted an artist every year since.

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Besseling went on to travel the world, collect a post-graduate degree in journalism, publish two books of poetry and a travelogue about his journey and is now the features editor for Gentleman’s Quarterly (GQ) magazine in India. The LivingInPeace Project and Karamea, as well as myself, receive a good mention in his book, which is titled “The Liquid Refuses to Ignite.”

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Since 2005, the LivingInPeace Project has assisted aspiring artists to overcome the financial challenges of getting established and helped them develop their creative talent into a sustainable practice for life.

So far in 2014, resident artists from Northern Ireland, Canada, Italy and Germany have accepted residencies and the success of programme has expanded its capacity and ability to host artists.

Norma Burrowes: Photographer/Textile Artist

Northern Irish artist Norma Burrowes returned to Karamea for her second residency in February 2014 to complete work she began during her first visit in 2010. She was fortunate to receive a travel grant from the Arts Council of Northern Ireland that covered her airfare and mitigated the cost of flying across the world in the name of art.

Burrowes arrived in 2010 as a photographer and used the images she collected to return in 2014 as a photographic textile artist. In the interim, at home in Antrim, N. Ireland, she had combined her passion for photography with her love for fabric and came up with a photo kaleidoscope tapestry that she presented to the LivingInPeace Project as a “tablecloth” for the long dining table at Rongo Backpackers & Gallery, which is the setting for many long discussions and much hilarity over communal meals with people from the world over. We considered the piece to be far to beautiful to spill wine on and decided instead to permanently install it on the ceiling above the table to preserve it for all to enjoy into perpetuity.

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The ‘Table Cloth” by Norma Burrowes

From her Karamea experience, Burrowes created a series of stunning kaleidoscopes from her photographs that take the beauty of nature and convert it into symmetrical fractal patterns that create an entirely new artwork that in turn reflect natural patterns, textures and colours.

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Karamea Photo Kaleidoscopes by Norma Burrowes

Burrowes put together an art exhibition of her new work before flying home and was successful in selling many of the works. The exhibition was held in the Karamea Radio Station Lounge behind Rongo Backpackers & Gallery, which is part of the LivingInPeace Project accommodation facilities.

Norma Burrowes Exhibition

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2010 and 2014 LivingInPeace Project Resident Artist Norma Burrowes.

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She also agreed to an interview on Karamea Radio. Hear it Here:
https://soundcloud.com/rongobackpackers/interview-with-livinginpeace

Dejana Lukac: Painter/Mixed Media/Abstract/Graffiti

Dejana Lukac from Alberta, Canada also accepted a residency in 2014. Lukac comes from a background of abstract and graffiti art and uses those mediums to reflect on nature and mimic organic forms.

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2014 LivingInPeace Project Resident Artist Dejana Lukac

She arrived before Norma Burrowes had vacated the Artist’s Bach that is offered to resident artists and began her residency at Rongo Backpackers & Gallery. There she was able to live with the work of previous resident artists, which is on permanent display in the hostel gallery. She was also able to befriend Burrowes and attend her exhibition.

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As a young world traveller, Lukac found instant rapport and empathy with the guests and staff at Rongo and together they did many expeditions into the Kahurangi National Park and immersed herself in the natural opportunities afforded her by living in Karamea as a resident artist. Her resultant work was steeped in the natural imagery and the textures, patterns and designs of the natural environment.

Lukac chose to show her work outdoors in the natural environs of the Karamea Estuary. Her exhibition was well attended by local people and visitors from many countries, including Germany, Belgium, Australia, Japan and Italy.

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Hear a Karamea Radio Interview with Dejana Lukac Here:

https://soundcloud.com/rongobackpackers/interview-with-livinginpeace-1

Most artists make prior contact and schedule a residency before arriving, but others come as guests at either of the LivingInPeace Project’s accommodation facilities; Rongo Backpackers & Gallery, or Karamea Farm Baches and ask to stay on as resident artists.

Marco Gianstefani: Documentary Filmmaker

This year, Marco Gianstefani, a documentary filmmaker from Milan, Italy, arrived at Rongo where he heard about the LivingInPeace Project from founder Paul Murray and one of the directors, Gerar Toye over dinner at the hostel. Gianstefani, who was formally the creative director for one of Italy’s largest advertising agencies, was looking for a subject for his next film and found it in Karamea, perhaps the most remote town on mainland New Zealand.

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Marco Gianstefani

He stayed on as a resident artist for several months, collecting stories and footage about the project, it’s people and location. He was joined by friends Paolo Baccolo and Silvia Bazzini, who were in New Zealand testing a new high definition camera (EOS 1-D) for Canon. They also stayed as resident artists at the LivingInPeace Project to assist with the collection of footage for the documentary. 

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Silvia Bazzini (left) and Paolo Baccolo

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Paolo Baccolo and Silvia Bazzini

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Marco Gianstefani on location at Scotts Beach on the Heaphy Track, West Coast, South Island (near Karamea).

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Marco Gianstefani on location at Kohaihai, Heaphy Track, Karamea.

Gianstefani shot hundreds of hours of footage and conducted over 50 interviews with people involved with the LivingInPeace Project and residents of the Karamea region. He has now returned to Milan to begin the mammoth task of editing and collating the information into a documentary film that he hopes to enter into the Sundance Film Festival later this year.

While in Karamea, he also did his own radio show on Karamea Radio. He called his show “20-4- 20” and it featured 20 soundtrack songs from 20 of his favourite films.

https://soundcloud.com/rongobackpackers/dj-marco-20-4-20-show-may-20-2014

Shota Kawahara: Painter

Shota Kawahara from Japan was another artist who discovered at the LivingInPeace Project as a traveller. He stayed several times at Rongo as a guest and as a Wwoofer (volunteer) to help run the hostel and the permaculture farm. Kawahara, a graduate from the famed Kyoto University art school, then stayed on as a resident artist and was unique in his ability to paint in the public gallery space while being asked questions and conducting conversations as he worked. He even recruited other travellers to assist him with his painting. Several of his works now form part of the permanent collection in the Rongo Gallery.

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Shota Kawahara with his lovely assistants

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Shota Kawahara (back) with the Rongolians

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Shota Kawahara at work in Rongo Backpackers & Gallery

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Shota Kawahara at play in Rongo Backpackers & Gallery

Kristin Mikrut: Installation Artist

Kristin Mikrut from Chicago also arrived as a Wwoofer, she helped out for a while and then returned the following year as a resident artist. The highly creative Mikrut specialized in installation art and used her creative skills to engage the Rongo guests in her artistic projects. She had travellers from all over the planet who pass through Rongo writing messages for bottles that she built into a message wall, she also encouraged people to take a button and sew it onto their favourite piece of clothing to accessorise their outfit with a spot of art that then accompanied them on their travels thereby spreading her artistic influence throughout the world.

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Kristin Mikrut with her “Message in a Bottle Wall.”

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In another work, she collected postage stamps, colour graded them and then pinned them to a Rongo wall emanating from a silhouette profile of her own face made from cassette tape. The work represented her time as a LivingInPeace Project resident artist and her many thoughts.

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Mikrut returned to her home in Lake Forest, Illinois, about an hour from Chicago, and set up ReInvent art gallery with her friend Cecilia Lanyon. The venture displays artworks, holds exhibitions, provides workspaces for artists and also hosts resident artists. She had met Shota Kawahara at Rongo when she was a resident artist and invited him to the United States to be a resident artist and exhibit his work at ReInvent.

(Read more here: Japanese Artist Shoto Kawahara Takes on Chicago)

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An international artistic collaboration that began at the LivingInPeace Project in Karamea on the West Coast of the South Island of New Zealand. Kristin Mikrut and Shota Kawahara at the ReInvent Gallery in Lake Forest, Illinois.

Kyle Browne: Painter/Mixed-Media Artist

The project hosted two more artists from the United States. Kyle Browne from Massachusetts in 2008 and Tokyo-based New Yorker Jason “Ponzi” Ponzuric in 2009.

Artist and educator Browne is a graduate of the Pratt Institute in Brooklyn, New York and has a post-graduate art education degree from Lesley University in Cambridge Massachusetts.

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OLYMPUS DIGITAL CAMERA Kyle Browne at work during her residency at the LivingInPeace Project

During her residency, Browne matched her love or art with her passion for teaching and conducted life drawing classes and paper-making workshops at Rongo, did and art class with the children at Karamea Area School and also had an exhibition of the work she produced in Karamea.

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Art Class at Rongo with 2008 Resident Artist Kyle Browne

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Danish traveller Luna Moller enjoys Kyle Browne’s art class at Rongo

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Kyle Browne (centre) with Karamea locals Gisela Simon (left) and Sanae Murray at am exhibition of her art works at the Rongo Gallery.

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“Stark Naked” by Kyle Browne

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Kyle Browne welcomed the 2014 New Year in Karamea and put her artistic talents to work on the beach.

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Jason “Ponzi”Ponzuric: Painter/Musician

Jason “Ponzi” Ponzuric, who is from New York, but has been living in Japan for over 20 years, stayed for three months as a resident artist in 2009. Ponzi also offered art classes for guests at Rongo conducting a life drawing session and a woodblock printing workshop.

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Ponzi at work in the Artist’s Bach during his 2009 LvingInPeace Project artist residency

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Ponzi live painting at Rongo at the Karamea Radio shack.

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Ponzi live painting at Saracen’s Bush Lounge in Karamea

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Ponzi’s woodblock print-making workshop at Rongo with Nobuyuki Kamei from Japan (right) and Joyce Lau Ho Ming from Hong Kong (centre).

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“Smoking Fish” by Ponzi

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A graduate from the Montserrat College of Art in Beverley, Massachusetts, Ponzi has made a name for himself in Tokyo as a “Live Painter.” He sets up his easel at live music performances and interprets the music with a painting in front of the audience. He has also been known to body paint female dancers as they perform and has now reinvented himself artistically as the guitarist and frontman in the popular Tokyo band “Tits, Tats & Whiskers.”

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Tits, Tats and Whiskers live in Tokyo

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Hard-Rockin’ Ponzi (Photo by Maki Ambo)

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Tokyo Band “Tits, Tats & Whiskers” (Photo by Marcellus Nealy)

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Ed Davis: Videographer/Donald Reid: Musician

In the winter of 2009, Wellington-based videographer Ed Davis utilised the LivingInPeace Project facilities to make a music video for Auckland musician Donald Reid.

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A tight production budget provided Davis with the artistic challenge he revels in…taking an opportunity and using his creative mind to produce excellence. To assist him, he recruited the Rongolians and the people of Karamea, who came out in force to see the project through.

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The music video for Reid’s song “Hitting on Me” was filmed exclusively in Karamea on a single day on a budget of $500.

Tzook Marcel Har-Paz: Manga Artist/Animator

Israeli manga artist Tzook Marcel Har-Paz also arrived at Rongo as a traveller and became a resident artist after he revealed to us a special talent for drawing.

Tzook has never had any formal art training, but his father is an art teacher and artist and he has grown up in an environment where the use of the right brain is encouraged and fostered.

Fresh from a national service stint in the Israeli Army, Tzook was ready for the cathartic process of expressing himself artistically and the LivingInPeace Project artist residency was instrumental in not only helping him find his feet creatively, but also in lightening the mental baggage he carried with him from his time in the military.

During his residency, Tzook was interviewed by a Japanese TV crew who were in Karamea filming for the TV show “Sekkai no Hatte no Nihin Gin” (Japanese at the Ends of the World) about the life of my wife Sanae, who is from Tokyo.  The film crew came to document her life in Karamea for Japanese television. The television crew were very interested in Tzook’s Japanese manga-style work and interviewed and filmed him at work for the TV show.

Tzook became part of the LivingInPeace Project. he helped out at the hostel, worked on the permaculture farm, went fishing with the guests and Rongo crew and became a “Rongolian” (citizen of Rongo) during his time as a resident artist. An amicable person with a great sense of fun and funny, he quickly found rapport with the people passing through and forged many a friendship with the people he met.

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…To Be Continued…

 

Elise London and Louis-Philippe Carretta: Filmmakers

Filmmakers Elise London and Louis-Philippe Carretta (Louca) accepted a residency in the summer of 2012 to document the LivingInPeace Project. The pair met as students at the New York Film Academy and formed  PassitOn Films after they graduated. The company creates short, documentary-style promo videos for businesses, organizations, and individuals who are passionate about what they do. London and Louca believe that “video can communicate that human element that still images and words can only reach for.”

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LivingInPeace Project video by Louca and Elise:

  

Elise also kindly assisted me with an artistic collaboration by compiling a collection of photographs into a stop-motion production called “花見/花火 Hanami / Hanabi”

and a photographic story about the history of Rongo Backpackers & Gallery: See the short/medium and long-play versions of the slideshow below:

Arnaud “PsoMan” Vanderkerken: Painter/Designer

Belgian artist Arnaud Vanderkerken, known as PsoMan, arrived as a Wwoofer (volunteer), but stayed as a resident artist once his prodigious talent was revealed to us.

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DSC_0170PsoManIIPsoMan also agreed to collaborate with me on an artistic project. He took one of my abstract art photographs and we used it to make the “Exhibition of One Photo”

Exhibition of One Photo by Paul Murray & PsoMan

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The Original: Taken on the Heaphy Track in the Kahurangi National Park at the Top of the South Island of New Zealand

In 2004, I walked the Heaphy Track to collect information and take photographs for the http://www.HeaphyTrack.com Web site. Along the way, I happened across a rock and took its image home with me.

I try and incorporate a metaphor in my abstract nature photos to increase their artistic merit.

To me the image represents the passage of life. The staircase through the photograph indicates the challenges and seemingly insurmountable barriers that we all face as we travel through time. Easy times when life is good are represented by the horizontal lines, the difficulties by the vertical…with the net result being an exponential increase that represents the gaining of wisdom, knowledge, experience, comprehension and proficiency and the steps get smaller as life progresses toward the end…the challenges of life easier to negotiate.

Looking at the photograph from different angles and rotations, it occurred to me that the image was interesting whichever way it was viewed and also that it could be joined to make patterns and flows that could be used to highlight the different perspectives and imagery in the picture.

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PsoMan assisted with the project to blend the images together into a whole series of montage photographs that utilize the original shot to make beautiful patterns, new stories and art forms. The image was not altered in any way other than rotated, matched together and joined.

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Almut Prang: Painter

Almut Prange from Stuttgart, Germany arrived as a resident artist in May 2014 and was struggling with her muse, however, she soon found her creativity bubbling again after taking the opportunity to concentrate on her artistry in a quiet, peaceful place surrounded by the inspiration of nature.

After graduating with a Master of Arts degree from the Alanus University of Arts and Social Sciences in Alfter, Germany, Prange embarked on a world trip to put some perspective on her life and to decide how to spend hers. In New Zealand, she heard about the artist residency programme and applied. She was soon living in the Artist’s Bach at the Karamea Farm Baches complex confronted with the opportunity to spend six weeks concentrating exclusively on her art.

Prange got to work and produced numerous new works and also found new way to express her creativity. She collected driftwood from the nearby beach and estuary, studied the form and patterns of nature preserved in the wood. She enhanced the textures and lines by painting in concert with the art of nature and gradually recovered from her artistic malaise. She then began a series of abstract portraits that began to also select the natural patterns, shapes and designs she saw in the driftwood and in the surrounding Kahurangi National Park.

Social interaction with the staff and guests at Rongo afforded her a diversion from the intense concentration of artistic expression and an opportunity for rest, relaxation and good conversation over dinner after a hard day at the palette.

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Almut Prange at work in the Artist’s Bach in June 2014

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Almut Prange (Right) enjoys dinner with the staff and guests at Rongo after day’s painting.

https://soundcloud.com/rongobackpackers/interview-with-almut-prange-livinginpeace-project-resident-artist-june-25-2014

Arwen Dyer: Photographer

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Nothofagus Gunnii, Western Ranges, Tasmania, Australia (Photo by Arwen Dyer)

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Australian creative artist and photographer Arwen Dyer came to Karamea in July, 2015 as a resident artist to capture the natural beauty of the region on film.

Dyer stayed a few weeks in Karamea where she spent her days exploring the region, which is the gateway to the western side off the Kahurangi National Park and home to the spectacular Oparara Basin and one of New Zealand’s “Great Walks/Rides” the Heaphy Track.

Dyer grew up in the Huon Valley in southern Tasmania, with access to the Tasmanian Wilderness World Heritage Area and national parks. Her childhood was spent in the close proximity to nature and she developed a passion for natural beauty and an eye for capturing it with a camera.  Dyer’s passion for wild places has evoked a strong conservation ethic and she uses her images to draw attention to environmental threats resulting from extractive industries like logging, mining.

Dyer has a master’s degree in Creative Arts Therapy and when not behind a camera, she works as a therapist using art to help her clients transcend personal challenges. She often works with children to help them express their emotions through art and creativity process and assist them to overcome traumatic experiences, breakdown mental barriers and restore balance to their lives.

Landscape photography is her staple, but she also specialises in macro, panorama, abstract and night shots with long exposures that capture the beauty and movement in the celestial realm.

Night:  

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Landscape:

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Macro

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Panorama: 
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After spending a fortnight in Karamea as a LivingInPeace Project Resident Artist and exploring the regions many scenic attractions, she said, “It’s just been an incredible privilege to be here and get grounded in Karamea, which is a wonderful place and I wish I could stay longer.”

As the founder of the LivngInPeace Project, it was an honour to host such a talented artist as Arwen Dyer, and in an era when good quality photographic equipment is more affordable than ever before and “everyone is a photographer,” Dyer’s images demonstrate how a camera should be used and shows us that the art of photography is alive and well.

Karamea Images by Arwen Dyer: 

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Karamea Radio Interview with Arwen Dyer: July 21, 2015

Over the past 10 years, the LivingInPeace Project has hosted a range of artists including; painters, photographers, poets, writers, musicians, sculptors and hosted live music performances, theatre, poetry recitals, book readings, clown performances, art classes and workshops. The stated objective of the project is to support art and artists…it has done and will continue to do so.

Alice Blanch: Photographer

 

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Another Australian photographer Alice Blanch from Adelaide came to Karamea as a resident artist in August 2015 and stayed two months quietly doing her thing and working away with her medium format Hasselblad  camera…here are her own words and some of the images she captured in Karamea during her residency at the LivingInPeace Project.

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http://www.aliceblanch.com

http://www.aliceblanch.com/blog/

Takuya Tomimatsu: Photographer

Japanese photographer Takuya Tomimatsu returned to Karamea after first visiting as a guest in 2014 and stayed at Rongo Backpackers & Gallery as a resident artist in February/March 2016. His dream is to set up tours for Japanese people to New Zealand and wants to make Karamea and the LivingInPeace Project one of the destinations for his customers. During his stay, he photographed the daily goings on at Rongo and the lives of the people involved.

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To enquire about a residency at the LivingInPeace Project, please contact Paul Murray by e-mail: rongo@actrix.co.nz
 
 
Posted in Art, Arwen Dyer, Belgium, Business, Canada, Economics, Education, Environment, Germany, Heaphy Track, Historical, Humor, Humour, Japan, Kahurangi National Park, Karamea, Karamea Radio, LivinginPeace Project, Marco Gianstefani, Media, Music, New York, New Zealand, Northern Ireland, Peace, Permaculture, Photography, Radio, Social Commentary, Sustainablity, Tramping, Travel, United States, West Coast | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments

Artist Almut Prange Rediscovers Her Muse

Off the Top of my Head

By Paul Murray
 
 
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2014 LivingInPeace Project Resident Artist Almut Prange

 

German artist Almut Prange was travelling around New Zealand on holiday and found the experience spoke to her muse. It said, “You must go somewhere quiet and concentrate on painting.”

She listened to her inner voice it led her to Karamea at the top of the West Coast of the South Island, where she settled for a month as a resident artist at the LivingInPeace Project, a venture that supports aspiring artists and helps to promote their art.

Like many creative people, Almut was experiencing a frustrating artistic block, but she quickly overcame the barrier when she arrived in Karamea and took up residency in the “Artist’s Bach,” a quiet, peaceful self-contained cabin on a permaculture farm, which is part of the Karamea Farm Baches complex. With chickens on out one window and grazing sheep on the other, she set to work on rediscovering her inspiration.

A prolific deluge of artistic production ensued and Almut not only overcame the mental obstruction to her creativity, but also found new direction in her work from the quiet contemplation afforded her by the residency and being surrounded by the beauty of the Kahurangi National Park that envelops the small rural community of Karamea.

The New Zealand landscape, Maori cultural influences and the patterns and forms of nature became evident in her new works. She collected driftwood from the beach and began to add paint to enhance the natural shapes and designs on the wood. Abstract portraits were enhanced with Maori-like patterns and influences and her art took on a new dimension.

Social interaction in the evenings with the staff and guests at Rongo Backpackers & Gallery, which is also part of the LivingInPeace Project, provided her further inspiration. “I really enjoyed hanging out at Rongo surrounded by artworks from previous resident artists, watching movies in the cinema, enjoying the music on Karamea Radio, eating dinner together…great food and good conversation,” she said.

Rongo Dinner

Dinner in the Rongo Gallery, great food and good conversation with people from all over the world every night.

Almut showed her gratitude for the artist residency by leaving behind several of the artworks she finished during her stay, some abstract portraits and painted driftwood that was instrumental in her rediscovering her artistic inspiration. Rongo guests will be able to see her work and that of many other resident artists on display in the gallery at Rongo Backpackers.

Thank you Almut for coming all the way to Karamea and accepting an artist residency and for the beautiful artworks you left us with, we wish you all the best for your future in art and life.

Before heading off to continue her travels through New Zealand, Almut agreed to an interview on Karamea Radio, which broadcasts from Rongo, you can listen to the interview by clicking on the link below.

https://soundcloud.com/rongobackpackers/interview-with-almut-prange-livinginpeace-project-resident-artist-june-25-2014

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Posted in Art, Education, Environment, Kahurangi National Park, Karamea, Karamea Radio, LivinginPeace Project, New Zealand, Permaculture, Photography, Radio, Social Commentary, Tramping, Travel, Uncategorized, West Coast | Tagged , , , , , , , , , , , , , | 2 Comments

Lorenzo “The Italian Snail” Visits Rongolia

Off the Top of My Head

By Paul Murray
 
 
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Lorenzo Sebastio hits the road and heads south after spending the night at Rongo Backpackers & Gallery at the top of the West Coast of the South Island of New Zealand.

Italian traveller Lorenzo Sebastio is a real backpacker and there aren’t many left.

He calls himself a “snail” as he carries his house on his back everywhere he goes and go he does. His current adventure is to walk from Cape Reinga, the northern tip of New Zealand, to Bluff the southernmost point of the New Zealand mainland.

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Lorenzo’s Route: Cape Reinga (E) to Bluff (A)

Walking is his thing and he shuns offers of lifts from passing motorists, but randomly door knocks people’s homes to ask for permission to erect his tent in their garden to spend the night, before moving on again in the morning.

(Presumably, he doesn’t tell people he’s a giant snail before they grant him permission to camp near their vegetable patch)

He arrived at Rongo Backpackers & Gallery, the hostel I own and operate in Karamea at the top of the West Coast of the South Island after having met a couple of the Rongo crew––Violetta from Germany and Yoshie from Japan, wwoofers (volunteers) who were helping us out at the hostel––on the Heaphy Track a couple of days prior.

Lorenzo is a qualified chef and I agreed to let him stay at Rongo for free if he made us a genuine Italian risotto for the pot-luck dinner we had scheduled on the night he arrived…and also if he agreed to be interviewed on Karamea Radio, which broadcasts from the shed behind Rongo Backpackers. Once a quid-pro-quo arrangement was established, we had the pleasure of his company and he the pleasure of a dry, warm night in a comfortable bed and a hearty meal with the Rongolians.

Lorenzo proved a wonderful house guest, fluent in numerous languages after having lived and worked in France, Spain, Scotland and Germany and was genuinely interested in the other guests, he contributed many wonderful insights to the conversation over dinner from his experiences on the road in Aotearoa and elsewhere around the world.

After spending a day with little company other than the sound of nature, the beat his feet and the occasional brief chat with passing motorists, Lorenzo was enthusiastic for conversation and human interaction and he marshalled interesting dinner-table discourse well into the evening.

The solitude of walking long distances on the road (he averages over 20 kilometers per day) affords plenty of time for introspection and Lorenzo has developed an aspiration to retrace the adventures of compatriot Marco Polo as recounted in his 13th Century travelogue, known in French as “Livre des merveilles du monde” (Book of the Marvels of the World), in Italian as “Il Milione” (The Million), or in English The Travels of Marco Polo,” and to contemporarily rewrite the tome.

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The route travelled by Marco Polo from 1276 to 1291 (Source: Wikipedia)

In preparation for that rather lofty challenge, he photographs his New Zealand hosts and writes a short account of his encounter with them on his journey with the view to compiling the notes and images into a book and publishing his New Zealand travel experience.

Anyway, that’s enough from me…check out what Lorenzo himself has to say in his Karamea Radio Interview below and if you see him on the road say hello…and if he knocks on your door, invite him in for the evening as he’s a very entertaining, interesting and polite house guest.

I wish him well on his Aotearoa Adventure and beyond.

https://soundcloud.com/rongobackpackers/interview-with-traveller-lorenzo-sebastio-june-25-2014

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Lorenzo hits the road after spending a night at Rongo Backpackers & Gallery in Karamea at the top of the West Coast of the South Island of New Zealand to continue his trek south to Bluff.

 

Posted in Funny, Heaphy Track, Historical, Humor, Humour, Kahurangi National Park, Karamea, Karamea Radio, LivinginPeace Project, New Zealand, Photography, Radio, Social Commentary, Tramping, Travel, Uncategorized, West Coast | Tagged , , , , , , , , , , , , , , | 4 Comments

DJ Crap & the Big Man Call it Quits….For Now…

Off the Top of my Head

By Paul Murray
 
 

It’s over.

DJ Crap and the Big Man have hung up their headphones and are officially on sabbatical after teaming up for 500 consecutive Wednesday nights to present their Blues Show on Karamea Radio.

Mid-week, every week since Hurricane Katrina totalled New Orleans, either DJ Crap (Paul Murray) or the Big Man (Brian Thomson), but usually both have fronted around 8:00 p.m.  at the Karamea Radio shack and played their heads off for the people of Karamea, a small rural community at the top of the West Coast of the South Island of New Zealand.

DJ Crap, a fan of great music, but a self-professed technophobe, met the Big Man, a technically competent and patient mentor, and they teamed up to form the bad cop-worse cop duo that have entertained the people of Karamea every Wednesday night since December 2004 and had a whole lot of fun doing so. But, as they say, all good things eventually finish and that time has arrived.

The lads have decided to save their official 500th show for a special occasion after the “Country” music show (number 499) requested by Karamea local Mal Hansen failed on two attempts and had to be repeated. The first attempt was thwarted by computer failure and wasn’t recorded, the second met with a power outage and had to be cancelled mid-stream, but was finally successful on the third attempt…they called it Show 499 ¾.

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DJ Crap and the Big Man in 2004

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DJ Crap and the Big Man in 2014

It all began innocently enough, two friends who love the blues, decided to share their favourite music with the people of Karamea via the airwaves on 107.5 FM. DJ Big Man is more the strong, stoic type…staid, polite and considered, while DJ Crap is brash and outspoken…frequently controversial, preposterous…insulting, rude and occasionally expletive.

Music galvanized the two disparate characters and held the show together, the Big Man tempered the outrageousness of DJ Crap, coached him through the mechanics of the radio station equipment and moderated his tendency for excessive and potentially actionable behaviour, while DJ Crap challenged the Big Man’s sense and sensibility and pushed him beyond his previously modest limits…the real winners were the listeners as the tremendous music they presented each week was resultantly  interspersed with witty banter, attempted jocularity, and polite political incorrectness.

Together, they were greater than the sum of their respective parts and, as a duo, they were dynamic.

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What started out as a blues music show quickly expanded into other associated genres rooted in blues, like funk, soul, jazz and rock’n’roll while comedy sketches provided light relief to the relentless awesomeness of their musical selection. Listeners phoned in requests, the Rongo customers and Rongolians always grooved to the shows live by the roaring bonfire in the Rongo garden, dancing occasionally occurred, and much fun was had by all concerned.

Five hundred three-hour radio shows equates to 62.5 days and nights at the microphone…that’s over two months non-stop radio grooving folks…longer than it rained on Noah…over 3,000 episodes of The Simpsons…or to put it in clear perspective…far too long for any sane person to spend away from his family on Wednesday nights…so the pair decided to take a break after show 499 ¾ and save the 500th Blues Show for a special occasion…like the 10th Anniversary of Karamea Radio in September 2014.

Fans may listen to recorded shows on SoundCloud: www.SoundCloud.com/RongoBackpackers along with many other great shows from DJs from all over the world…people who have stayed at Rongo Backpackers and done their own radio shows, other Karamea DJs like DJ Echo (Tim Hawley) who owns Saturday nights, DJ Marcellus Nealy who records his Nuphoria radio show in Japan and sends it exclusively to Karamea Radio via the InterWeb, Christchurch DJ Paul GoodSort’s Undy Music Show, DJ Bigga (Dave Bateman), whose Bigga than Bateman Show reset politically correct guidelines, DJ Obewan (Brett Mawson) who also teams up with DJ Echo on Thursday nights for the “Echoes of a Jedi” Show, Weaver D (Raramai Adcock)…and many others who turn up randomly and casually to make Karamea Radio the best radio station anywhere ever!

So it’s goodbye for now from DJ Crap and the Big Man, thanks a whole lot for listening over the years and stay tuned to 107.5 FM for the actual 500th show…coming soon to a wireless near you.

Please follow Karamea Radio 107.5 FM on FaceBook: https://www.facebook.com/KarameaRadio107.5FM

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Karamea Radio Sign

 

 

Posted in Art, Blues, Business, Funny, Hilarious, Historical, Humor, Humour, Kahurangi National Park, Karamea, Karamea Radio, LivinginPeace Project, Media, Music, New Zealand, Radio, Social Commentary, Travel, Weird, West Coast | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , | 1 Comment